Familiar

Story Positives:

1. Intro: While short, the opening cinematic and initial interactions get you into the mood, tone, and vibe of the game instantly
2. Humor: While not really a game filled with jokes, the overall light atmosphere really adds a humorous flavor to things
3. Voice Acting: Generally good voice acting for all the various dragons
4. Brickwork: Artisan’s World, the delightful fresh medieval greenery and lighting is quite well done
5. Character: The individual characters of the dragons you rescue are one note, but still add some delightful flavor to things
6. Brickwork: The Peace Keepers World continues the visual variety, keeping things fresh and popping
7. Brickwork: Continued visual excellence in the Magic Crafter world
8. Brickwork: Dream Weavers probably best overall personifies the fairy tale aspect of Spyro 1
9. Animation: Clear effort was put into making the dragons distinctly animated
10. Spritework: Enemy variety and character

Story Negatives:

1. Outro: Even for a platformer, that ending was pretty lacking

Gameplay Positives:

1. Guidance and Flow: The ability to use the dragonfly to guide you towards missing gems is a godsend in a game like this and frankly deserves…
2. Guidance and Flow: …two positives
3. Interface: The built-in interface showing you exactly what you’re missing per level (which also has a separate hotkey just for it) is similarly a great QoL feature and gets…
4. Interface: …two positives
5. Yoshi Drums: The dynamic music option is quite nice
6. Music: Generally enjoyable music
7. Intro: The Intro does everything it needs to to explain how to play the game without a tutorial box, but on top of that offers said tutorials in the form of (skippable) dragon dialogue, earning it two…
8. Intro: …positives
9. Level: Special mention to the Artisan levels in general for smooth flow and design and…
10. Tutorialization: …good tutorialization
11. Fast Travel: The fast travel system of being able to warp between worlds and levels more or less on the fly and at will is honestly really good…
12. Fast Travel: …and earns two positives
13. Level: The Peace Keepers world is where secrets start to get more interesting, and level flow starts to be more a part of the process…
14. Level: …and overall generally interesting level design, enemy design, and layout
15. Level: High Caves is probably the single best level to-date, really using the mechanics that have been established to this point and doing something with them
16. Level: The Magic Crafters levels in general are pretty decent, though in some cases fall a bit flat of the earlier Peace Keepers one
17. Level: Beast Makers isn’t quite as good as the previous levels but still has some fun platforming and decent secret design
18. Control: The game, despite controller issues, does still play very fluidly and smoothly
19. Level: Lofty Castle is one of the other better designed levels to-date, great flow and great secret usage and general fun of platforming
20. Level: While shorter, there’s some sufficiently tight design in the Gnorc levels
21. Level: The final level’s usage of no-height-loss gliding and layering access to higher shelves to access more of the level is actually quite clever

Gameplay Negatives:

1. Options: Lack of rebinding controls
2. Level: Sunny Flight is a bit too tight and entirely too irritating to 100%
3. Level: High Top… yeah no. I’ll only ding it once cuz most of it is ‘fine’, but the rest of it can go straight to hell
4. Level: Haunted Towers has a precise secret… which is fine but the controls just don’t support that, which even that I might forgive if not for the massive red herring which is along the secret’s path
5. Bug: Load times
6. Bug: Framerate issues
7. Boss: Generally lackluster boss design
8. Enemy Design: Those damned thieves…
9. QoL: …their damned laugh…
10. Core Combat: …and the fact that you have to stop to attack them, during a car race
11. Outro: Screw that outro. Screw it hard. It’s a chase followed by a chase followed by a chase followed by a chase (no exaggeration). It’s also very easy to screw up, is unclear in what you should do, and, very much worst of all, absolutely no mid mission checkpoints. I’d be willing to make this a one negative situation if not for that lack of checkpointing, but having to do the two thieves again every single screw up is absolutely ridiculous…
12. Outro: …earning it…
13. Outro: …three negatives
14. Level: The final level’s total lack of checkpoints drags it down a fair bit (oh and the damned thieves)
15. Camera: Unfortunately I do have to ding the camera, as it just gets in the way as it almost always does. Not as bad as most games, but it’s still there

Story Positives:

1. Internal Continuity: Each world does a weirdly good, if small, job of keeping itself relatively consistent with its own recurring issues and contestants
2. Animation: As with before, good animation on the characters
3. Storytelling Mechanics: The little intro and outro tidbits are at least occasionally amusing
4. Brickwork: A general brickwork positive for the Summer and Autumn worlds combined
5. Voice Acting: As with before, it’s pretty decent
6. Character: The ‘main’ characters are weirdly weak, but the NPCs across the worlds have enough flavor and fun to them to qualify

Story Negatives:

1. Character: Hunter is… just irritating
2. Atmosphere: Kid’s show mentality. It’s all over the place and it honestly takes away from the narrative
3. Cutscenes: Related to the kid’s show thing earlier… I honestly want to ding every cutscene in the game, but we’ll be nice and simply call them all bad

Gameplay Positives:

1. Guidance and Flow: The ability to use the dragonfly to guide you towards missing gems is a godsend in a game like this and frankly deserves…
2. Guidance and Flow: …two positives
3. Interface: The built-in interface showing you exactly what you’re missing per level (which also has a separate hotkey just for it) is similarly a great QoL feature and gets…
4. Interface: …two positives
5. Yoshi Drums: The dynamic music option is quite nice
6. Level: A general aggregate double positive for the Summer Forest worlds…
7. Level: …for there is some good stuff spread throughout
8. Level: A general aggregate for the X worlds
9. Fast Travel: The fast travel system of being able to warp between worlds and levels more or less on the fly and at will is honestly really good…
10. Fast Travel: …and earns two positives
11. Control: Issues aside, the game continues to play quite smoothly
12. Intro: Overall a decent enough Intro to qualify for a positive
13. Levels: A general aggregate positive for the Autumn Plains worlds. They’re not terrible, but they’re noticeably lacking compared to Spyro 1 levels and earlier stages thanks to irritations in backtracking and a lack of cohesive flow or design to them, plus they feel entirely too cloistered
14. Levels: So then there’s the Winter Tundra levels. There’s some creative ideas here (Metropolis, Canyon Speedway) but then there’s… other issues

Gameplay Negatives:

1. Options: Lack of rebinding controls
2. Camera: Camera continues to have the same issues as before
3. Minigame: The ice hockey minigame is sluggish, you can’t jump, there’s no sprint, the controls suck, and there’s too much randomness built into it
4. Minigames: A bonus aggregate negative for all the irritating minigames in the Summer Forest World
5. Minigame: TrOuBlE wItH tHe TrOlLeY, eH? But seriously screw this minigame. It’s janky to begin with thanks to being 3D forced crudely into 2D…
6. Mid-Mission Checkpoint: …but also the total lack of mid mission checkpoints and the actual mockery each time you fail (which you can’t skip) drives into double territory
7. Minigames: The Autumn Plains minigames are a mixed bag but mostly can suck a lemon
8. Backtracking: The game’s insistence upon being incapable of finishing a world the first time you go in sucks on several levels. Backtracking is a small issue, really (thanks to the fast travel), but the fact that you can’t be sure if you’ve finished a level or if you have to solve a puzzle is aggravating at best
9. Level: Okay so Fracture Hills has the worst escort in the game. He’s slow, the enemies are easy to miss, they have tons of range and perfect tracking, if they hit him at all it’s a total failure, he takes a long and winding route, and the whole thing mega sucks…
10. Level: …earning it two negatives
11. Backtracking: What pushes it up to technically three negatives is the fact that you get access to this before you have access to the power up required for the second part of the quest. This means if you do this when you’re here (and NOTHING indicates you shouldn’t) you’ll have to do the escort again later just to do the final step
12. Level: The Winter Tundra world levels have several irritating or frustrating segments and, honestly, feel a bit rushed… but if I had to earn this negative, it’d go to the high-speed blind-run segment of Robotica Farms
13. Outro: Bad camera, RNG on Hunter, frustrating controls, irritating tendencies to screw you over thanks to collision or placement…
14. Outro: …leading to two negatives

Story Positives:

1. Character: Sparx’s unique voice acting is the most adorable thing in the whole game
2. Humor: Holy crap, the game got an actual laugh out of me with the Sgt. Bird cutscene
3. Character: Bianca is… just so adorable. She has so, so little of an idea of how to be evil, and she’s trying so hard
4. Cutscenes: So this is technically an aggregate for all the times they beat the crap out of Moneybags
5. Character: Speaking of which, Moneybags is substantially better and more interesting this time around
6. Brickwork: So the brickwork is similar to 2’s, but still generally decent
7. Animations: The animations in cutscenes are quite good
8. Spritework: Despite some issues, the spritework is still good
9. Voice Acting: And similarly, voice acting

Story Negatives:

1. Animations: The ‘canned’ dragon baby animations are far too few for how many you have to get (nevermind 100%ing)… compare and contrast the completely unique dragon animations in the remake of 1

Gameplay Positives:

1. Guidance and Flow: The ability to use the dragonfly to guide you towards missing gems is a godsend in a game like this and frankly deserves…
2. Guidance and Flow: …two positives
3. Interface: The built-in interface showing you exactly what you’re missing per level (which also has a separate hotkey just for it) is similarly a great QoL feature and gets…
4. Interface: …two positives
5. Yoshi Drums: The dynamic music option is quite nice
6. Fast Travel: The fast travel system of being able to warp between worlds and levels more or less on the fly and at will is honestly really good…
7. Fast Travel: …and earns two positives
8. Level: Sunny Villa is a surprisingly well designed level; good indicators, good draws, good flow, good exploration
9. Level: This is further emphasized over in Sheila’s Alp where we get to play as the aforementioned Sheila and the additional control precision and verticality are well utilized
10. Kit: Sheila herself plays quite well, and is a good contrast to Spyro himself; Being primarily slower and higher than his low speed approach
11. Kit: Then there’s the sarge, who controls deceptively well, with good and intuitive movement and more rapid horizontal reach than you’d think at first glance
12. Level: General level positive for the rest of Sunrise Spring World
13. Level: Sgt. Byrd’s Base is another good example of good level design, appropriate for the newcomer, and is a good way to introduce his concepts while still keeping the flow of the game moving smoothly
14. Level: The Icy Peak and Enchanted Towers levels both have issues and frustrations, but overall still some good design
15. Level: Spooky Swamp and Bamboo Terrace have some decent overall design
16. Level: Bentley’s Outpost is simple, but very fun for what it is
17. Level: The Fireworks Factory is honestly one of the better laid out and designed levels… with one big exception
18. Level: Charmed Ridge and Dino Mines continue to have good level design
19. Level: Crystal Islands, irritation aside, is still good stuff
20. Level: A final general positive for some of the more unique and interesting levels (the Sparx levels, some individual challenges, etc.)
21. Controls: With some notable exceptions, game continues to control well
22. Intro: Usual decent Intro
23. Hub: For the first time I actually like the hub worlds, and so grant them all a positive

Gameplay Negatives:

1. Level: The Country Speedway race is total bullcrap. Between inconsistent hitboxes, rockets that straight up rely on RNG to even hit (and occasionally do nothing), and being entirely overtuned, the whole thing is just frustration central…
2. Level: …earning two negatives
3. Minigame: Escorting the fireflies can suck a lemon. There’s no clear indicator of their pathing, there’s a total logic disconnect in the entire concept which just pisses you off after a bit, but the worst part and the reason this can go straight to hell is you have to stomp on the mushrooms… but the mushrooms have inconsistent collision boxes which makes you have to literally jump differently to get on top of them, and a mushroom pops back up after a period of time, during which they can’t be re-flattened, meaning you have to time it properly for the double back sections, on top of the delay before being able to stomp again…
4. Minigame: …earning it a full…
5. Minigame: …three negatives
6. Level: Lost Fleet is disorienting, badly visually distinguished, has disorienting flow, and has the ‘one way’ problem in design too much
7. Minigame: The boxing minigame on the snow level is really just honestly bad. It’s just rock paper scissors, but with inconsistent timing, bad frame windows, and AWFUL controls
8. Level: Harbor Speedway isn’t as bad as Country, but it has the same general issues
9. Boss: The double dragons in Fireworks Factory can go burn
10. Minigame: I’m going to give another generic minigame negative almost entirely for the controls. So many of these minigames either have awful controls, or they’re inverted or reverse of what they are in ‘normal’ play, and there is no fixing or rebinding this
11. Options: Lack of rebinding controls
12. Visual Distinction: Similar to 2, the remake of 3 honestly gets color and visual distinction… wrong. It’s actually hard to tell what you’re looking at in many cases
13. Minigame: The final final race is the same usual overtuned RNG garbage…
14. Bugs: …but what really makes it awful is the fact that the race track is REALLY buggy. Like, I can’t describe the sheer quantity of bugs here but there are so, so many and they’re just on this one level…
15. Bugs: …so badly so I’m willing to bake all other bugs and this into two negatives

Story Positives:

1. Intro: While cheesy and ridiculous, the Intro establishes both tone and several points well (most notably his aversion to damage)
2. Moment: Weirdly good reveal of Virgil and his connection to Dante after the final Angelo fight
3. Doodad: For a game with this bad of brickwork, I’m honestly impressed with the doodad usage throughout (helps that so much of the game occurs in the castle)
4. Moment: So bad it’s good… because your dark soul is filled with LIIIIGHT

Story Negatives:

1. Character: Or rather, lack thereof. Mundus, Dante, and Trish are non characters at best
2. Pacing: So the game has the most lurching narrative. It starts, stalls for literal hours, then rushes so fast through plot points that character arcs occur across literal minutes
3. Moment: The Trish turns scene is… bad. Not cheesy bad, just bad
4. Plot: So the plot is… Mundus is evil. Even for cheese this is not a strong point
5. Voice Direction: I’m going to put this under direction because the voice acting is … yeah… it’s very early Capcom voice acting
6. Outro: So, uhm, what? I honestly can’t even put into words what the hell was going on with that Outro. Rather than being cheesy or ridiculous, it fails to step over that line and instead remains firmly in the territory of just plain awkward
7. Writing: The overall writing in this game is… just not great

Gameplay Positives:

1. Tutorialization: First room. It does so much right it’d take too long to type it all up here
2. Intro: The Intro is honestly the strongest part of the game, with the aforementioned tutorialization and good usage of… honestly everything to help you get into the game proper
3. Camera: Manually crafted camera to help with…
4. Guidance and Flow: …exploration and guidance
5. Music: The actual music in the game is, of course, legit
6. Level: Stage 2 has a few stumbles but I love how it escalates and continues the tutorialized setup and style
7. Boss: The first Nelo Angelo fight is simple, but still quite good
8. Kit: Ifrit. It has good combos, it can be charged manually (per hit!), and it seeks beautifully giving it more range than you’d think for a big heavy hitter like it
9. Boss: The various Phantom fights are neat, fun, simple, but enjoyable
10. Boss: The second Angelo fight is equally tight and well designed and, most importantly, fun
11. Boss: And yes, the final Angelo fight continues the trend of good boss design
12. NG+: There is a bit of a basic, but still existent, new game plus
13. Enemy: Generally decent enemy design and variety
14. Replayability: I mean, of course it’s replayable

Gameplay Negatives:

1. Audio Design: Audio balancing issues
2. Camera: Hahaha… yeah…
3. Camera: …the camera is fine for some segments, but absolutely awful for others, and legitimately terrible for boss fights
4. Controls: The game controls very stiffly and has many issues
5. Music: Ambient music is… boring, repetitive, but most importantly of all it just grates on me
6. Map: Wow that map is… not super great
7. Level: Sooo level 5… yeah screw that walkthroughitis noise
8. Difficulty Options: So… you can unlock ‘easy automatic’ mode which does NOT say it’s easy mode, but has accessibility options (most notably easing the pain of squeezing the right trigger to fire) but also…
9. Difficulty Options: …forces you (for the rest of that playthrough) into easy mode, which is lazy difficulty
10. Boss: The final Griffon fight is kind of awful, with camera that works against you, attacks that are more irritating than challenging to dodge, and weird tracking issues
11. Info In Game: While obviously you’re supposed to just try stuff out for yourself, there’s a whole lot of ‘shrug’ with regards to info in game
12. Graphics: Nauseating mirror/hell world graphics and distortion
13. Boss: The final Nightmare fight is honestly the worst fight in the game. Cramped arena, having to target something without being able to, bad collision, bad hit boxes, camera issues, no real dodge or other ability to bypass mechanics, just irritation top to bottom…
14. Boss: …leading to two negatives
15. Outro: So all three of the final bosses really suck in their own ways. We have the worst possible control scheme for the ‘easy to die’ phase 1, the irritating ‘shoot it with bad camera’ phase 2, and the timed fight of ‘phase 3’. All of them suck…
16. Outro: …earning them two negatives, but then…
17. Outro: …there’s that last screw you with the escape sequence (both of them)
18. Difficulty Curve: The difficulty curve is… absolutely all over the place, and irritating throughout
19. Walkthroughitis: Yeah there’s several moments of ‘now what do I do?’ and, worse, the game lets you roam ‘out of level’ while in a level so… very easy to get lost (occasionally)

Story Positives:

Story Negatives:

1. Intro: So that intro cutscene… sucks. It’s bland, Dante is non existent, the voice acting is barely there, the animation is bad, the storyboarding is barely… it’s just off
2. Plot: There is a violent absence of plot
3. Character: Dante is legitimately completely out of character here
4. Dialogue: And his dialogue is especially bad, even by this series’ standards
5. External Continuity: I don’t think I need to explain this negative
6. Brickwork: The game is so devoid and absent it’s bothersome… in fact it’s…
7. Brickwork: …worthy of…
8. Brickwork: …three negatives
9. Doodads: There’s no detail, no nuance, no fleshing out of anything…
10. Doodads: …earning…
11. Doodads: …three negatives
12. Voice Acting: What little is there is not great
13. Story Sequencing: Things just… happen, disjointedly, from one moment to the next. We’re racing up a skyscraper, why? Who knows, but now we’re at the bottom again! This never gets better (arguably gets worse)…
14. Story Sequencing: …earning it…
15. Story Sequencing: …three negatives
16. Visual Continuity: Areas have so little connection to each other that they aggressively don’t make sense, which could’ve worked if they earned it but they super did not
17. Cutscene: I… legitimately have no idea what’s going on in some of these cutscenes. Such as the one after the fight with Arius, which conveys absolutely no real information and is legitimately confusing…
18. Cutscene: …earning two negatives
19. Camera: The dutch angle is NOT a good angle to use in general but especially to over-use
20. Atmosphere: The game’s overall atmosphere… isn’t, and it actively detracts from things
21. Camera: Bad camerawork in cutscenes
22. Story Sequencing: Lucia’s sequencing is, somehow, even worse! Sometimes you literally just teleport to a new area, no transition or explanation
23. Outro: The Dante ending is bad, bad, bad, bad… years and years later I remember it as one of the least satisfying, worst endings I’ve seen. It reminds me of the ending of Ride To Hell Retribution, and that’s saying something…
24. Outro: …earning it…
25. Outro: …a full three negatives
26. Pacing: The pacing of this is just absolutely all over the place

Gameplay Positives:

1. NG+: There is… in fact… a new game plus
2. Guidance and Flow: Usage of red orbs to indicate required direction (as well as camera swoops)

Gameplay Negatives:

1. Intro: This isn’t the worst Intro I’ve ever played, but it is up there. Long boring corridors, long boring fight sequences, no setpieces, no tutorialization, no design at all…
2. Intro: …leading to two negatives
3. Level: Stage 2 and its lack of indicators and awful samey corridor design
4. Level: Stage 3 and its lack of indicators and its unbalanced timing crap
5. Boss: Jokatgulm is… so many levels of awful. Tentacles respawn too fast, the whole thing has too much health, attacks too frequently, camera gets in the way, and even ignoring all the aggravations the boss is just plain boring…
6. Boss: …leading to two negatives
7. Level: Stage 4 continues the wonderful trend of awful with big empty swaths of nothing, already repeat boss fights, the stupid tanks…
8. Boss: …and that damned infested helicopter, which is only not worse because the first THREE encounters with it are optional (not that anything indicates this though)…
9. Boss: …giving that damned helicopter two negatives
10. Level: Stage 9 and its stupid ‘literally use the mechanics in a bad way to avoid the game’s mechanics’ in order to progress bullcrap
11. Level: Then Stage 10 starts in with ‘find the pixel’ amidst camera and dark and brown
12. Boss: Mothra. It’s an add fight where the adds can spawn quickly, eat you quickly, take out HUGE chunks of your health, are difficult to dodge due to reliance on ranged weapons and animation locking, and keep spawning until you kill the thing they’re in the way of, all while the cameraman is completely drunk. This is the worst fight so far in this game…
13. Boss: …earning…
14. Boss: …three negatives
15. Boss: The Guardian non-fight is even worse than Mothra fight, good lord. It’s so bad I’m not sure I can explain it properly. You’re in the inside of a sphere which is constantly moving and if you get too far away from the middle you take a lot of damage, while four floating enemies are after you, and you have to destroy these diamond things. There’s no feedback, no shadows, no depth perception, the enemies respawn infinitely, they also ‘eat’ your targeting to prevent you from aiming properly, the whole thing is…
16. Boss: …SO, so bad…
17. Boss: …no words I give can describe it
18. Camera: Special bonus negative for the camera just for that one fight, as it is legitimately nauseating and cannot keep up with the terrain shifting constantly like that
19. Controls: Special bonus negative for the controls actively fighting against you during said fight
20. Boss: Arius (first fight) is the definition of a non boss
21. Level: Mission 14 is already boring (go find the things in a huge empty city) but add onto that infinitely respawning enemies, no real direction, camera trickery, and dutch angles and you’ve got a recipe…
22. Level: …for two negatives
23. Level: Mission 15 is… just… what? It’s a ‘kill the enemies under a timer’ but boring
24. Level: Then there’s mission 16. Confusing corridors with vague visuals and boring fetch questing
25. Boss: Theeen there’s Trismagia. This dude is approaching an actual boss fight with variable attacks, but there’s very little feedback on what’s what and the targeting issue returns once again
26. Boss: Arius is honestly even worse than last time, being a non boss plus targeting issues plus adds (which is like half the bosses in this game honestly)
27. Encounter Density: Far too many padding fights
28. Encounter Design: There is none
29. Enemy Design: It’s… not there
30. Enemy Variety: It’s… there
31. Kit: An absence of kit makes for unfun gameplay
32. Viscerality: Anti viscerality, that’s what we’re here for. Fails on all three points
33. Controls: The game doesn’t control super great
34. Camera: Bad in general
35. Camera: Nausea inducing
36. Audio Spam: So I’ve actually heard worse, but usually that worse is for individual moments or bosses or levels, here it’s just a nonstop barrage of noise from everything (mostly the guns, in a game that emphasizes using guns) so…
37. Audio Spam: …a full…
38. Audio Spam: …three negatives
39. Music: Boring and repetitive
40. Map: The map is about as useful and ‘good’ as the DMC 1 map
41. Enemy AI: There’s probably worse AI then this, but I can’t think of any right now…
42. Enemy AI: …earning it…
43. Enemy AI: …three negatives
44. Info In Game: Good luck figuring out anything, really, in game
45. Core Combat: It’s boring
46. Core Combat: It’s boring
47. Core Combat: It’s BORING
48. Itemization: Enemies give too few orbs, and everythings costs entirely too much, AND those upgrades are badly designed…
49. Itemization: …for…
50. Itemization: …three negatives
51. Difficulty Options: Same general options from DMC 1
52. Difficulty Curve: While understandable why…
53. Difficulty Curve: …I’m not even sure there is one honestly
54. Level: So Lucia’s first level is exactly what I want in a DMC level; a big empty boring village with nothing to do, enemies who have no real attack patterns, unclear (or outright absent) directions, and it’s over at a weird point
55. Boss: The refight with the stupid aquatic boss
56. Boss: The monkey refight
57. Control: So the game has this thing where if you fall down, you can do this lengthy flourish when you get up. That’s cool… but it takes forever and you are fully vulnerable the ENTIRE time, so it almost inevitably leads to just getting hit (or knocked down) again
58. Boss: So Mothra the second time is just as bad…
59. Boss: …screw that fight
60. Level: So Lucia’s underwater level sucks with a capital crap. The underwater part itself isn’t actually THAT bad but the navigation above water is just awful
61. Boss: Then there’s the underwater boss, with terrible camera and the inability to lock on in a game designed around lock on
62. Boss: The return of the awful, awful tri head boss
63. Outro: So there’s the final boss fight with Argosax, first form, and it’s just… the worst…
64. Outro: …earning it…
65. Outro: …three negatives

Story Positives:

1. Intro: One of the better Intros in gaming. Silly, serious, tone, animation, acting, presentation, camera, just… everything…
2. Intro: …earning it…
3. Intro: …three positives
4. Atmosphere: In the Intro the game immediately establishes the tone of the work
5. Cutscene: The end of 1 and beginning of 2 is a great establishing moment for both Virgil and Arkham and just oozes cool factor in addition to shoving exposition down our throats rapid fire
6. Humor: The game is legitimately funny more than a few times
7. Character: Dante’s characterization
8. Character: Dante’s character arc
9. Character: Vergil is well characterized and just so damned cool
10. Character: Arkham is honestly probably the best character here, for how monstrously horrible he really is
11. Character: Lady and her inclusion was a great idea and makes for a great dynamic for the others
12. Cutscene: Dante and Lady’s first meeting is a great establisher for both but, let’s be real, it’s also well animated, directed, voiced, and is just fun
13. Voice Acting: The acting chops of each character are top notch
14. Brickwork: Good brickwork periodically
15. Visual Storytelling: Surprisingly good visual storytelling in enemy and terrain design
16. Spritework: Good enemy sprites
17. Cutscene: The big contest between Vergil and Dante is one of the best scenes in the game and encapsulates so, so much between style and flair and efficiency and animation and character and implication and foreshadowing…
18. Cutscene: …earning…
19. Cutscene: …three positives
20. Cutscene: The ‘running down the tower’ scene is silly fluff, but it’s cool fluff
21. Cutscene: And, again, the big scene between all four major characters, and the reveal of Arkham
22. Cutscene: Yeah, the motorcycle bit is pretty cool
23. Cutscene: The entire Arkham scene is great, but when Vergil shows up and the way the two play off each other perfectly, the way they so clearly know each other’s styles and moves, and the way they both agree to unite against Arkham, is the other ‘best scene in the game’…
24. Cutscene: …and deserves…
25. Cutscene: …three positives
26. Outro: The Outro isn’t the best I’ve seen, but it’s damned good, wrapping things up with all the principle characters in a very satisfying way
27. Animation: In general, the motion capture is excellent
28. Plot: The core plot of Arkham and Vergil’s interactions, Dante’s intersection, and Lady’s intervention is actually pretty damned engaging
29. Story Sequencing: In total contrast to the previous game, events follow each other very neatly and smoothly throughout
30. Storyboarding: Some of the better storyboarding I’ve seen in gaming in general…
31. Storyboarding: …earning two positives

Story Negatives:

1. Lindblum Effect: The city feels… not. It feels like a stage, and the total absence of life or movement hurts the work for me
2. Writing: The Jester fights actively hurt the overall consistency and pacing of the work
3. Pacing: The story literally just… stops during the retread segment of the game

Gameplay Positives:

1. NG+: Mission Select is just there, enabled, from the get go, and of course retains all progress…
2. NG+: …earning two positives
3. Core Combat: What more do I really need to say here?
4. Core Combat: Two positives
5. Controls: Combos and their control being in the hands of the player
6. Controls: Control fluidity in general
7. Difficulty Options: Actually changes up enemy AI and moveset
8. Boss: Cerberus has a neat mechanic (the ice armor and head removal) and a great variety of attacks
9. Boss: Agni and Rudra have great kit, compliment each other nicely, and I love how there’s actual tactics in fighting them (oh and their parry design is great)…
10. Boss: …earning two positives
11. Boss: The first Vergil fight is simple but very well executed, and one of the funner fights to-date…
12. Boss: …earning it two positives
13. Boss: Nevan is another of those great fights, seemingly simple but with good escalation and surprisingly good cue design…
14. Boss: …earning two positives
15. Boss: Vergil 2 isn’t quite as good as last time, but still a very fun and excellent boss fight
16. Level: Mission 12 is actually pretty fun, with the gimmick of enemies dropping more health than usual, constant devil trigger, and taking constant chip damage making things fun and interesting
17. Outro: That final fight with Vergil is, technically, ‘just’ an iteration of his previous two, but it’s improved in every way, and is honestly one of the better fights (visuals, sound design, arena, moveset, music) in the franchise…
18. Outro: …earning it…
19. Outro: …three positives
20. Kit: The Cerberus nunchuck are honestly just awesome, good reach and range with a ton of possible moves and combos…
21. Kit: …earning it two positives
22. Kit: Rebellion isn’t the best but it’s still a good sword with a good range
23. Kit: Agni and Rudra have great priority, speed, chaining, and closing and it’s just very fluid and very fun to use…
24. Kit: …but more to the point has actual purpose and variety over the other weapons
25. Kit: Beowulf is a bit less than Ifrit was, but still just as fun
26. Weapon Swapping: Live swapping in between swings? Yes please
27. Styles Kit: While locking them in limits this to just one positive, the styles system is pretty legit
28. Style System: As well as how it varies up how you play across the various weapons
29. Builds: Just about any combo of weapons and Styles works
30. Enemy Variety: Obvious
31. Enemy Design: While not the best, there’s still some good enemy design throughout
32. Core Mechanic: Style timer and score indicator
33. Kit: The Vergil playstyle of Yamato is heavily focused on timing, style, and reach and I love it, honestly just as fun as the other two weapons I’m rather fond of…
34. Kit: …earning it two positives
35. Minigame: Bloody Palace is an optional grind fest but the differing routes and saved ‘progress’ help
36. Animation: Pretty much required for a game like this one
37. Enemy AI: While not the best, it’s tight, responsive, and variable
38. Mid-Mission Checkpoints: Generally good continue system
39. Music: Naturally there’s some bangers here, ironically mostly the stuff that plays for specific fights or scenes
40. Replayability: Yeah between the styles and builds and mission select and everything, the game is quite replayable
41. Viscerality: The sound, the visuals, the presentation of combat in this game is phenomenal…
42. Viscerality: …earning it two positives

Gameplay Negatives:

1. Difficulty: Overtuning
2. Boss: …the placement of Cerberus is arguably wrong. He’s legitimately one of the hardest bosses in the game… and he’s the first boss
3. Level: The interconnectivity of the earlier tower levels honestly works against it
4. Enemy Design: Irritating enemies ahoy
5. Walkthroughitis: There are several ‘now where?’ moments throughout the tower stages
6. Pacing: The Jester fights aren’t bad, but they’re complete nothing burgers and, worse, make no sense at all and completely destroy the pacing of each level they’re in
7. Boss: The doppelganger fight honestly sucks. First off it’s boring (lure into area, hit a couple of times, rinse and repeat) and second the resets, total invuln, and long periods of non interactiveness make the whole fight drag
8. Level: Mission 14 and the padding returns
9. Level: Mission 15 and the quest for more padding
10. Padding: The entire later section of the game really serves no purpose other than to drag the game artificially onwards
11. Boss: The boss refights are back… as if this was a Megaman game or something
12. Boss: Gigapede is the worst combination of boring and long invuln periods boss design
13. Boss: The second phase of Arkham should be a Hyperbeam Moment, and instead it just makes it aggravating
14. Intro: The Intro is… weirdly lacking. The first mission is a fairly boring fight interrupted by pop ups, the second is a difficulty wall, and then we’re smashed into Cerberus

Story Positives:

1. Intro: This is honestly an even better Intro than 3’s in several ways. It has so many nuanced details, emotional establishment, characterization, movement, animation, choreography, and might be one of the better story beats of the entire game…
2. Intro: …earning it…
3. Intro: …three positives
4. Writing: Bonus positive for the amount of showing not telling in the Intro
5. MSQ: And a bonus positive for the (optional) tutorial continuing the aforementioned Intro
6. Cutscene: The scene where Nero is reborn via Yamato is, let’s be honest, just plain legit
7. Character: Dante is a bit out of character at times, but he’s still Dante
8. Character: Nero, weirdly enough, gets some of the best characterization in this one
9. Animation: Excellent usage of animation for the characters throughout
10. Storyboarding: While it’s a bit too ‘cool for cool’s sakes’, there is still some legitimately good storyboarding going on for the cutscenes…
11. Storyboarding: …earning two positives
12. Doodads: Good doodad usage in the city
13. Brickwork: Best brickwork in the game is early on, in the city
14. Brickwork: While varied in quality, there is generally good brickwork throughout
15. Visual Storytelling: Lots of showcasing that tells on display
16. Voice Acting: Generally good voice acting
17. Character: Agnus is probably the best character in the game by himself
18. Cutscenes: Dante’s cutscenes as he gets the Gilgamesh and Pandora are just awesome
19. Cutscene: Dante and Agnus is the best cutscene in the game for sheer enjoyment. The dialogue is so awful… and so brilliantly presented and showcased, with great usage of camera, music, effects, and voice acting…
20. Cutscene: …earning it…
21. Cutscene: …three positives
22. Spritework: Excellent spritework for enemies and players

Story Negatives:

1. Pacing: Early game pacing is honestly terrible as the plot just sort of… meanders
2. Character: Kyrie is such a non character it actually detracts from the narrative. She’s a great idea (a civilian who can’t hang at the level of the mains, but is important nonetheless) but they do nothing with this other than make her a plot coupon
3. Character: Credo is such a nothingburger, a typical General Leo with nothing to back him up
4. Cutscene: The scene where the Savior is activated is… REALLY bad, even by this series’ standards. A whole lot of people standing around doing nothing, then suddenly bursting into action, a whole lot of incompetence, and a whole lot of bad dialogue…
5. Cutscene: …earning it two negatives
6. Cutscene Incompetence: Except… the opposite. There’s a segregation between gameplay and story in cutscenes that goes above and beyond
7. Writing: General writing flaws…
8. Dialogue: …which really drifts into the dialogue especially
9. Pacing: Good lord that nice big block of meandering as Dante
10. Outro: For a game that leans so heavily on Nero and Kyrie, that outro sure did suck

Gameplay Positives:

1. Tutorialization: While hand holdy, the tutorialization is well designed and a good example of tell, demonstrate, repeat
2. NG+: As per what is now the usual, immediately available mission select…
3. NG+: …which carries progress across the save
4. Intro: While there’s better, the Intro does a good job of getting across the basic loops, and has an actually decent boss at the end of it
5. Core Mechanic: Style indicator, as before
6. Boss: Ice frog is interesting, has a few tactics that work against it, and is in general just fun
7. Boss: The Credo fight is, honestly, probably the best boss fight in the game (as usual for the series, it’s the one on one duel) and does a lot right…
8. Boss: …earning two positives
9. Difficulty Options: As per 3, the difficulty options do a good job of varying up AI and attack patterns based on your setting…
10. Core Combat: I mean come on. Of course the game is fun to fight in…
11. Core Combat: …earning two positives
12. Enemy Design: Generally decent enemy design
13. Core Mechanic: Arm and revving as Nero’s primary kit
14. Kit: Rebellion is, as usual, a well designed weapon
15. Core Mechanic: The Styles themselves continue to be enjoyable
16. Kit: And the additional positive for how Styles vary up your gameplay
17. Core Mechanic: Finally being able to swap Styles on the fly
18. Music: Some really fun and enjoyable music throughout
19. Controls: The combos once again being fully in the hands of the player
20. Controls: And are quite enjoyable to play with in general
21. Animation: As usual, decent enemy animations for indicators and combat
22. Enemy AI: The enemy’s AI continues to be enjoyable as it was in 3
23. Mid-Mission Checkpoints: Generally good continue system, though placement is a little wonky at times
24. Boss: Agnus 2 is the first refight that’s actually fun and worth a damn
25. Kit: Gilgamesh is, as usual, legit
26. Kit: General weapons kit
27. Difficulty Options: Sparda mode is actually quite fun
28. Viscerality: Not quite as good as 3, but still there
29. Minigame: Bloody Palace is still a decent minigame
30. Replayability: Yep, very replayable, as per usual
31. Kit: Vergil and the Yamato are pretty legit, very well designed, and quite fun
32. Kit: Trish is exceptionally well designed, her attacks fluidly going in and out of each other as she has great movement and reach…
33. Kit: …earning her two positives
34. Kit: Okay, you win game, Lady also gets the same two positives for how unique, fun, and engaging she is to play as…
35. Kit: …cuz, hell yeah

Gameplay Negatives:

1. Bug: Game was literally unplayable until manually hex editing the EXE file…
2. Bug: …which is absolutely bonkers
3. Level: So then there’s the torture room… which is easier than it looks of course, but is TERRIBLY designed to have awful margins of error, inconsistent indicators, and of course the refight every gorramned time you fall…
4. Level: …leading to two negatives
5. Guidance: So where do I go next? As with 3, there are portions where you can massively backtrack when you shouldn’t, and the game lets you… for good or ill
6. Minigame: So the dice… it’s relatively inoffensive, but it’s slow, boring, and almost totally unexplained
7. Level: The first Forest stage is irritating in general but that stupid segment where if you screw up you start over, hard hitting flying enemies with barrier HP attack you and if you let them fall their barriers regenerate, and if you fall you fight a recurring encounter, sucks…
8. Level: …earning two negatives
9. Level: Mission 11 is unnecessarily irritating with its ‘platforming’
10. Difficulty: The game is heavily balanced around the arm and revving, and its especially bad on boss fights
11. Enemy Design: There are just several very irritating enemies to fight
12. MTX: Paid DLC cheats… ‘nuff said
13. Level: The retreat through the HQ level is already irritating (and backtracking!) but the flashing lights are just awful eye cancer
14. Level: Then there’s the backtracking through the forest! Which in addition to backtracking isn’t fun (and the audio cues screw up periodically)
15. Boss: The Echidna boss refight with Dante is a boss refight with Dante
16. Level: Forest 2 backtracking is awful, but then you add in the padding trap enemies! Oh and lots of forced encounters
17. Level: Then there’s the Castle… again…
18. Boss: Then there’s the frog… again…
19. Level: Then there’s the lab… again (but worse!)…
20. Boss: Then there’s Duriel… AGAIN…
21. Level: Mission 19 is just… awful, between boss refights…
22. Level: …and the return of that unnecessarily padded dice mechanic
23. Enemy Variety: Lacking
24. Encounter Rate: Way too many
25. Outro: The second to last boss is boring, and commits a lot of sins (rushes back in a melee focused game, while summoning adds, which he respawns instantly, while having trial and error gameplay) and worst of all once you figure out the method to success the fight is just a boring refight…
26. Outro: …for…
27. Outro: …three negatives
28. Outro: And a bonus negative for the final pseudo QTE and the final escort quest

Story Positives:

1. Codex: Good stuff in there, mostly in character, but most importantly…
2. World Building: …actually providing some real world building finally
3. Doodads: The doodad utilization in the initial city is legitimately excellent
4. Brickwork: Similarly the brickwork design in the entire city is just fantastic
5. Visual Storytelling: And… yeah I’m talking about the city area again
6. Character: Nero has a few bumbles but he’s still Nero and he’s still the same wholesome, cool kid he has been for a while now
7. Character: Nico is just a treat every time she’s on the screen
8. Character: V is, ironically, the best character this time around (just like Arkham and Agnus… huh…) and gets all the best moments, development, and character…
9. Character: …pushing him to double positive territory
10. Character: Dante and Vergil bounce off each other well but don’t really move that much this time around
11. Animation: Motion capture is top notch this time around…
12. Animation: …earning two positives
13. External Continuity: While it touches on 1, 2, and 4, this game is a near direct sequel to 3 (and designed to conclude it, though I’m not sure I agree with that)
14. Banter: Griffin (and the rest) have some great banter with each other
15. Voice Acting: Everyone is well voice acted and directed this time around
16. Cutscene: Nico geeking out over meeting Dante is adorable and wholesome…
17. Cutscene: …and Dante dancing it up with Fauste just clinches it
18. Cutscene: Okay, it’s all kind of condensed into one scene, but I DO like Nero’s big moment
19. Outro: The outro stumbles a few times, but it’s good enough to crawl into positive territory… mostly for that excellent scene between Nico and Nero
20. Babylon 5 Effect: It’s minor, but it’s there, mostly for V
21. Storyboarding: Excellent storyboarding, though not quite as good as, say, 3’s or 4’s

Story Negatives:

1. Intro: So despite the quality of presentation on display, I actually don’t care for where it starts. It tries (too hard) to establish the stakes and Urizen and it just falls flat with how hard they Worf everyone
2. Brickwork: The latter half of the game
3. Brickwork: Honestly the tree levels all kinda suck here
4. Plot: Failure to capitalize on the ‘mystery’
5. Character: Nero literally has contradictory character motivations and doesn’t have the time or breathing room it needs to make that work
6. Plot: The final insistence upon ‘settling things’ is sort of… weirdly misplaced

Gameplay Positives:

1. Animation: Enemy animations are their usual on-point selves…
2. Animation: …earning two positives
3. Boss: Angelo team
4. Boss: Artemis
5. Boss: Cavaliere Angelo and the tutorial on parrying
6. Boss: Gilgamesh
7. Boss: Goliath
8. Boss: Goliath is the end of the Intro but starts boss design off on the right foot
9. Boss: King Cerberus
10. Boss: Malphas
11. Boss: The DMC1 Trio
12. Boss: Urizen 3
13. Boss: Vergil 1 is, honestly, just fantastic. Two phases, both massively timing and skill based, both incredibly satisfying…
14. Boss: …making it one of the best fights in the game
15. Controls: The game controls like a dream, using all kinds of tricks to allow for the level of precision these games really demand…
16. Controls: …earning it…
17. Controls: …three positives
18. Core Combat: The combat is as fluid and smooth and awesome as it ever has been, in ways I’d fail at describing…
19. Core Combat: …earning it…
20. Core Combat: …three positives
21. Core Mechanic: Dante, Style Switching
22. Core Mechanic: Loadouts for Dante and Nero
23. Core Mechanic: Loadouts for Nero and Dante
24. Difficulty Options: The usual high quality difficulty options (and more selectable this time around too)…
25. Difficulty Options: …earning two positives
26. Encounter Design: For one of the first times in the series, thought is put into which enemies should be fought alongside which others
27. Enemy AI: Enemy AI is, of course, very good (and variable based on difficulty)…
28. Enemy AI: …for two positives
29. Enemy Design: For I believe the first time in the franchise, no irritating enemies, just high quality throughout…
30. Enemy Design: …earning two positives
31. Enemy Variety: Enemies have a huge variance in how they can be tackled and how they fight…
32. Enemy Variety: …earning two positives
33. Kit: Dante, Balrog
34. Kit: Dante, Gunslinger
35. Kit: Dante, Rebellion
36. Kit: Dante, Royal Guard
37. Kit: Dante, Swordmaster and Trickster
38. Kit: Dante, general
39. Kit: Nero Breakers
40. Kit: Nero Breakers
41. Kit: Nero, general
42. Kit: V is seemingly simple but massively complex under the hood, and is just an absolute joy to play as…
43. Kit: …earning him…
44. Kit: …three positives by himself
45. Kit: Vergil
46. Level: There’s some really good escalation on display, introducing an idea and then expanding upon it, for both Nero and V
47. Mid-Mission Checkpointing: Pretty good in general, though the rez-through-red-orbs mechanic helps
48. Minigame: Bloody Palace, timer, and general fun
49. Minigame: The Void is one of the better ‘training room’ things I’ve seen in gaming. Fully customizable, up and down, for a totally controllable and safe experience in getting used to enemies, animations, timing, moves, etc…
50. Minigame: …earning it…
51. Minigame: …three positives
52. Music: Yeah there’s some legit bangers
53. NG+: Usual mission selection awesomeness…
54. NG+: …and usual two positives
55. Outro: While it’s mostly a victory lap, the final fight against Vergil is legitimately satisfying
56. Replayability: Between all the additions and modes and, let’s be honest, the high quality of the content, the game gets…
57. Replayability: …two replayability positives
58. Tutorialization: The game lets you try out moves straight from the upgrade screen, which is just so good…
59. Tutorialization: …earning three positives
60. Tutorialization: …in addition to letting you try it yourself it also gives you exact inputs on how to do it…
61. Viscerality: Our first triple positive in viscerality as all of your attacks look, sound, and feel just awesome across all the playable characters…
62. Viscerality: …for the full…
63. Viscerality: …triple positive
64. Yoshi Drums: A precedence setter in Yoshi Drums as the songs and their escalations as you rank up are friggin’ awesome in general, but also give you additional encouragement to want to style as much as possible…
65. Yoshi Drums: …for…
66. Yoshi Drums: …three positives
67. Difficulty Curve: The game is generally well curved throughout
68. Guidance: The red orb usage is back
69. Intro: Generally good, good escalation and good lead up to Goliath

Gameplay Negatives:

1. MTX: Same as last time, we have purchasable cheats (among other things)….
2. MTX: …leading to two negatives
3. Visual Distinction:
4. Padding: Mission 14 is, let’s be honest, pure padding (also boss refights!)
5. Padding: And then there’s Mission 15…
6. Padding: …and 16…

Story Positives:

1. Brickwork: Absolutely lovely brickwork everywhere
2. Brickwork/Spritework: Bonus point to both
3. Spritework: Absolutely gorgeous spritework
4. Doodads: Lovely doodad usage
5. Animations: And a bonus point for how everything from terrain to mobs bops to the beat

Story Negatives:

Gameplay Positives:

1. Boss: Gleeokenspiel
2. Boss: Gohmaracas
3. Boss: Wizzroboe
4. Co-Op: Full proper campaign co-op…
5. Co-Op: …for two positives
6. Controls: Controls very tightly (as it has to)
7. Core Mechanic: The core rhythm mechanic is fantastic, and balances itself nicely on rewarding you for doing it right, punishing you but not too much but not too little for failing, and for paying attention to the movements and beats of all the enemies and projectiles…
8. Core Mechanic: …earning…
9. Core Mechanic: …three positives
10. Enemy Design: Almost every enemy in the game is well designed
11. Enemy Variety: And they all have a wide variety of how they’ll move, attack, and can be attacked
12. Fast Travel: Great fast travel system, usable just about anywhere and very quickly (and in combat) after finding the spot, and tons of fast travel nodes…
13. Fast Travel: …for two positives
14. Guidance: Usage of little hints for guides (my favorite are the blue butterflies)
15. HUD: Very tight HUD design, lots of info on display
16. Intro: While not extensive, a lot is explained in a very short time about what to do and how to play the game
17. Itemization: Lots of thought going into diamond, rupee, and kit placement
18. Kit: Generally good Zelda-esque kit
19. Level: Fire dungeon
20. Level: Frost dungeon
21. Level: Frozen lake
22. Level: Wind Dungeon (neat gimmick, usual fun dungeon crawling)
23. Map: The map isn’t the best, but it shows a huge amount of information in the legend at a glance
24. Music: I mean come on, of course the music’s a bop…
25. Music: …it’s the main reason we’re here
26. Starting Options: Mutators, and lots of ‘em
27. Outro: The Ganon fight where you control all three characters simultaneously is quite fun
28. Overworld: While it’s random, what’s there is good, interesting, and a nice connective tissue and way to progress
29. Sound Design: Usually good Zelda-esque sound design
30. Visual Distinction: Easy to discern things at a glance
31. Viscerality: Surprisingly good viscerality with the hits and the beats
32. Yoshi Drums: While there’s ‘only’ three layers to each song (menu, peace, combat) they’re VERY well tied into each other, and flow seamlessly…
33. Yoshi Drums: …earning two positives

Gameplay Negatives:

1. Early Game: Early game hell
2. Outro: That last dungeon is just enemy spam HELL
3. Overworld: Thanks to the random nature of the game, the overworld can just be… whatever

Story Positives:

1. Animations: Mostly the little cutscene animations, but they’re surprisingly good at expressing mood and tone
2. Atmosphere: The general vibe and tone of the game speaks for itself really
3. Background Lore: Surprisingly large amount scattered everywhere, in items, layout, character interactions, etc.
4. Brickwork: A bonus positive for Summer…
5. Brickwork: Special mention to the town itself
6. Brickwork: The game’s visuals are legitimately gorgeous and do a great job of getting you into the setting
7. Brickwork: …and Winter
8. Brickwork: …Fall…
9. Characters: While few characters individually stand out, most are memorable and interesting…
10. Characters: …for two positives
11. Cutscenes: The character ‘cutscenes’ are probably the biggest meat of story in the game and deserve their own recognition
12. Doodads: Do I need to explain this one?
13. Doodads: Honestly, two positives
14. Intro: The Intro is pretty strong all things considered, despite Grandpa’s bed
15. Prime Opt: Most Heart events form the core story of the game and are, generally, good stuff…
16. Prime Opt: Special mention to some of the better events, notably Shane’s and Abigail’s
17. Prime Opt: While there’s some variance, there’s some legitimately sweet dialogue and moments for several of the romances
18. Prime Opt: …worthy of two general positives
19. Spritework: While not the best, there’s still some good spritework on display here
20. Visual Storytelling: Hard to summarize as it’s everywhere. What the characters have up in their rooms, how the town is laid out, the different houses, just tons of it
21. World Building: A surprisingly well fleshed out world behind everything
22. Sound Design: Decent, if variable in quality, soundscape for areas

Story Negatives:

1. Prime Opt: Inconsistent quality of character heart stories

Gameplay Positives:

1. Co-Op: Good, proper, well thought out campaign co-op…
2. Co-Op: …earning two positives
3. Controls: Game controls reasonably well for most activities
4. Core Mechanic: Crop growth time is thought out in relation to…
5. Core Mechanic: …sales price as well as…
6. Core Mechanic: …position, size, time, and water consumption (real life factors rather than in game ones)
7. Core Mechanic: All of this makes for an excellent, in-depth, well fleshed out economy of price, time, energy, and sale…
8. Core Mechanic: …earning two positives
9. Guidance: The game does a lot to help keep you roaming and exploring
10. Difficulty Curve: The game in general is very tightly designed in terms of time and energy costs for most activities, both becoming resources you can spend however you like (with one notable exception)…
11. Difficulty Curve: …earning two positives
12. Early Game: The early game has an enormous amount of things you can do and, combined with the aforementioned energy economy, is designed to sort of funnel you into trying things and deciding upon which things you want to do when…
13. Early Game: …earning two positives
14. HUD: HUD design is smart, neat, and efficient
15. Info In Game: About half the info you really need is readily available in game through smart tooltips, mouseovers, and quests
16. Interface: Generally good interface design
17. Intro: The game’s intro is a long one (befitting such a long game) but its surprisingly good at what it does. There are birthdays, quests, and events positioned to help get you into what to do, and mechanics are unlocked quickly and readily
18. Music: While inconsistent, there’s some good music there
19. Core Mechanic: The reputation mechanic is arguably the most core mechanic in the game, but even from a gameplay perspective it does several things right (indicators of who you’ve talked to and when, gifts, current progress, and of course there’s tangible rewards)
20. Overworld: The design and layout of the areas and how they connect with one another
21. Progression Curve: The various ‘leveling’ is one of the better use-it-level-it systems I’ve seen (mostly because of how the game is structured) and so the progression is actually quite tight, unlocking new items and new recipes as you go
22. QoL: Lots of quality of life features speckled throughout…
23. QoL: …earning…
24. QoL: …three positives
25. Starter Options: Good general starting options
26. Visual Distinction: Great visual distinction
27. Mid Game: One of the strongest mid-games I’ve seen, as all the tons upon tons of content from early game really comes into its own (finally) and the door is essentially blown open on what you can do, and yet it perfectly continues to fit the multiple playstyles approach…
28. Mid Game: …earning it…
29. Mid Game: …three positives
30. Core Mechanic: So, Husbandry. It’s not as in depth as the farming, but it’s still clearly well thought out and well designed. Purchasing animals is a huge up front cost (in opposition to seeds) but provides slow, steady, and reliable income and goods, which helps with reputation and money both, and as long as you’re on managing your coop and barn will also be a steady incline in quality, and there’s the usual double layer of processing to help the entire chain too…
31. Core Mechanic: …this is on top of the variety of animals and their respective products and general visual flair…
32. Core Mechanic: …earning it three positives
33. Core Mechanic: Then there’s processing in general, which tends to require specific resources to get going but once you have it set up can improve the value of (almost) any good. This works in general, of course, but adds a necessary layer of complexity to everything…
34. Core Mechanic: …for two positives
35. Level: Spring is the perfect tutorial month. Mostly early, quick growing crops available, lots of basic and easy to catch fish, and several events and birthdays peppered
36. Level: Summer then augments this with even more birthdays (because by this point surely you’ve figured out who’s where), and a nice mixing up of what’s available
37. Level: Autumn is then fascinating because it’s when some of the more rare seeds and fish become available, and is designed to have less of a rep focus so the player can do what they need to in preparation for…
38. Level: Winter. Winter is easily the best designed month in the game, perfectly sandwiched between Autumn and the build up, and Spring which becomes payoff. It also encourages the player (in game, not just in design) to branch out and try things other than farming (though you can farm as well), ranching really comes into its own here, but its also a great time to focus on lots of other activities. Consequently it’s also (tied for Summer) the other big ‘rep month’ to really raise people’s reputations…
39. Level: …and so overall earns itself two positives
40. Itemization: The traveling fleet and merchant (along with a few other tidbits here and there, mostly during festivals) offer a bit of item coverage to help bridge gaps in seed and item availability
41. Cosmetics: While there isn’t a super huge range of cosmetics for the characters, there is a fairly large amount…
42. Cosmetics: …for the layout of the farm itself (and the town, technically). Between different tiles and floors and positioning and farm layouts and buildings and wallpapers and placable items, there’s a good spread to customize things
43. Guidance: Direction and flow of Ginger Island
44. Level: Design and slow opening of Ginger Island
45. Kit: Some cool options and kit in Ginger Island and related areas… though suffers from being available way too late
46. Replayability: Game is reasonably replayable, at least up to mid game

Gameplay Negatives:

1. Combat: Animation locking
2. Combat: Frame timing
3. Combat: Kit and lack thereof
4. Combat: Reach and lack thereof
5. Combat: Required for so much of progression
6. Combat: Straight up boring
7. Controls: Periodic irritation in controls
8. Fishing: Can go straight to hell. The bar’s too small, the wait for a nab is too long, and the rate of loss is too high
9. Info In Game: The game criminally does not indicate a fairly large amount of mechanics within said game
10. Level: Skull Cavern
11. Prime Opt: Locking content behind heart events, specifically romance content
12. Save System: Very, very limited
13. Traversal: Walking around is… not great
14. Walkthroughitis: Honestly fishing itself is just the worst in figuring out what to fish when and how
15. Late Game: Far too many cool things that would’ve been nice to play around with earlier unlock so late that they have FFVII Syndrome; All the neat toys you get so late you can’t enjoy them

Story Positives:

1. Intro: A great deal is conveyed very quickly and brilliantly in just a few short minutes. Even if you don’t speak or read the language you can tell the premise
2. Worldbuilding: It’s scattered throughout but we learn a fair bit about the setting through the voice and data logs
3. Sound Design: It’s damned rare I praise a game on the story axis for sound but good lord…
4. Sound Design: …easily deserving two positives
5. Atmosphere: I mean let’s be honest here, this game absolutely oozes atmosphere from every pour…
6. Atmosphere: …easily earning two positives
7. Visual Storytelling: There’s actually not much relatively speaking, but most crash zones, ruins, and lifepods have wonderful visual storytelling
8. Brickwork: The Shallows is easily one of the best designed zones in the game and it shows. Everything from the color, lighting, proximity to the surface, and low danger areas…
9. Brickwork: …earning two positives
10. Brickwork: The Plateaus and Kelp Forests are both pretty
11. Brickwork: The Mountains, Bulb Zone, and Dunes are too…
12. Brickwork: …but then you have the really great zones. The Grand Reef is just the right mix of beautiful, vast, and terrifying
13. Brickwork: The Blood Kelp Zone manages to contain some of the more situationally dangerous enemies, but also look like you’re at the ocean floor, in all the right ways
14. Brickwork: The Lost River deserves special mention by itself, somehow looking like a beautiful Metroid level while retaining semblance of its own visuals
15. Brickwork: By itself, the Edge is very appropriately terrifying. Lighting, absence of music, the cliff edge, and of course the Ghost Leviathans
16. Lighting: The usage of lighting to accent every individual zone is fantastic
17. Characters: This is a rare one, but Reapers are great on the story axis. They are brilliantly designed to be absolutely terrifying, even when there are other, arguably more dangerous creatures. The way they move, the way they sound, and the way they will absolutely destroy you if allowed to
18. Music Direction: The usage of music to accent zone and tone is wonderful
19. Moment: The Sunbeam and its rescue is a very powerful moment, whether you know what’s going on or not
20. Outro: For all its flaws on the gameplay axis, the Outro is pretty legit
21. MSQ: The main plot is weirdly engaging, and has some very nice twists and reveals and just generally had me quite into it
22. Doodads: Hard to see often, but some generally great doodad design throughout

Story Negatives:

1. 0

Gameplay Positives:

1. Tutorial: The game tutorializes most of its basic features within literal minutes of starting the game, and does a good job of it
2. Intro: The game’s Intro is honestly one of its better segments. The design and build of the Shallows, the distribution of resources, the visual distinction and encouragement to explore, and ready access to three very distinct biomes within just a short swim’s reach, along with clear initial objectives culminating in the exploration of the Aurora
3. Terrain: Landmark design. I’ve seen better, of course, but the usage of the Aurora as a near universal centering piece which you can see from anywhere in the caldera is brilliant
4. Lighting: Even in areas where it should be quite dark the lighting design is excellent, you can always see what you ‘should’ be able to see, no matter how deep you go…
5. Lighting: …earning two positives
6. Overworld: The manually crafted map by itself deserves its own praises and recognition
7. Overworld: Absolutely excellent design in overworld layout, itemization, enemy spread, location, etc. to the early game areas…
8. Overworld: …the mid game areas…
9. Overworld: …and the terrifying late game areas
10. Penalty of Failure: Almost every aspect of the game is designed around gradient failure. Dropping some items, a few extra seconds to grasp for breath, the Edge being gradient, the depths being gradient, etc.
11. Difficulty Curve: Similarly the entire game flows naturally into a smooth difficulty curve thanks to how things escalate
12. Exploration: Lots and lots and lots of resources and blueprints and things to find everywhere
13. Core Mechanic: Building is, of course, fun to do and surprisingly intuitive and the game allows for a lot of crazy base building
14. Visual Distinction: The game is startlingly visually distinct, every biome and type of interactable is quite easy to spot at a glance
15. Sound Design: You can navigate a huge amount of this game via just sound, as each creature (and area) has a distinct sound and a wonderful soundscape
16. QoL (mark recipe, battery indicator, haven’t-scanned-yet indicator)
17. Early Game: Early game isn’t as strong as some games, but it’s still interesting as you slowly expand your range and access
18. Mid Game: Mid game is super strong in Subnautica. As tools and resources become solved problems, it’s all about efficiently progressing and exploring, and it’s awesome…
19. Mid Game: …easily earning two positives
20. Controls: The game controls surprisingly smoothly (on Switch too, not that it matters here)
21. Kit: The scanner is a seemingly innocuous building that quickly becomes one of the most useful tools in the entire game, easily making the very dynamic of the game change drastically
22. Enemy Design: In general the enemies are very well designed (with one notable exception) and work very well for the areas they are in
23. Enemy Design: Reapers. Reapers are, by themselves, brilliantly designed. They are simultaneously easy to spot from a distance and can easily sneak up on you, and they won’t (necessarily) kill you instantly… but they sure can hurt
24. Enemy Variety: Great enemy variety, given the situation
25. Visual Continuity: The game does a pretty good job of helping you navigate purely by visuals

Gameplay Negatives:

1. Core Mechanic: Inability to craft from chests which leads to inventory padding
2. Enemy Design: In a game with really well designed enemies, the exploding fish really suck, especially given the related issue…
3. Controls: …the swing of the knife. I know this isn’t a combat heavy game but even when using the knife on a plant the hit detection is just wonky
4. Save System: The save limitations are… weird. You can save state essentially anywhere, but only to one save file, and there’s no auto save to speak of in case something happens (like a crash or having to leave the desk)
5. Info In Game: Some specifics on how base buildings and tools work isn’t really explained anywhere in game
6. Core Mechanic: Water drain is just way, way too fast
7. Bugs: The game is known for its minor hiccup bugs, but then there’s the occasional, easy-to-stumble-into major bugs (like getting your Prawn permanently stuck in the terrain)
8. Outro: The Outro is… very, very weak. After a near nonstop escalation of gameplay up to and including the late game, the Outro is just… backtracking and building, as if we were in the beginning of the game again, which is already bad, but then there’s…
9. Outro: …the severe padding which just draaags it down
10. Inventory: So, limited inventory is fine (good, even) in Early Game… fades a bit in Mid Game… and is actively obnoxious by End Game

Story Positives:

1. Brickwork: Hub. Also in general. The oil painting aesthetic is brilliantly done…
2. Brickwork: …easily earning a second positive
3. Brickwork: House of Pleasure. Contrasting colors, great usage of layout and that particular blend of fancy and rotten
4. Brickwork: Bridge. Really helps sell the ironpunk aesthetic
5. Brickwork: Lady Boyle’s Last Party…
6. Brickwork: …easily one of the best stages in the game, visually too
7. Doodads: I’ve seen better, but the doodad usage is still very good, especially in a few particular areas (like the hub)
8. Intro: The Intro is a bit rushed, but the immediacy of it followed by the good pacing of the prison segment flows nicely
9. Background Storytelling: NPC dialogue is not only interesting to listen to but often informs about the mission you’re on
10. Character: The Outsider is, easily, the best character in the game. From the eyes to the slightly unnatural movement to the voice acting
11. Storytelling Mechanic: The heart. Best voice actress in the game, and very informative and interesting info throughout
12. World Building: We only see snippets of it, but there are multiple peeks into this doomed and decrepit world and it’s very well fleshed out
13. Visual Storytelling: Lady Boyle’s Last Party
14. Atmosphere: As much as I hate it, the game oozes the dirty, grimey, awful atmosphere

Story Negatives:

1. Voice Acting: Honestly there’s several performances which, while not ‘bad’, are noticeably off, and it detracts from several scenes, especially considering…
2. Foreshadowing: …the way the foreshadowing is handled is clumsy at best and amateur at worst
3. Writing: There’s several times the game crosses the line in ways that just drag the whole work down
4. Character: Several of the villains, most notably the Spymaster, are just… morons. They are really stupid and it does not work
5. Character: Corvo. Silent protagonist does not work here
6. Outro: The endings… aren’t that interesting, and honestly tie in to another problem…
7. Storytelling Mechanic: …chaos. The way Chaos is used narratively is disjointed and disconnected, at best, and honestly I think they should have just committed to it not being good/evil, or committed to it being good/evil
8. Atmosphere: The grimey, dirty, awful atmosphere actively pushes me out of the game

Gameplay Positives:

1. All Roads Lead to Rome: Lady Boyle’s Last Party
2. All Roads Lead To Rome: Return to the Tower
3. All Roads Lead To Rome: The High Overseer level
4. Intro: While brief, the escape from the prison and sewer sequence are brilliantly constructed to get you into how things operate and how to interact with what, effectively…
5. Itemization: Generally good spread of ‘currency’ gains and subsequent upgrades and costs
6. Kit: Abilities, powers, and tools
7. Kit: Lots of options in how to progress through stages, in the DLC too
8. Level: Bridge
9. Level: House Of Pleasure
10. Level: Lady Boyle’s Last Party
11. Level: Lady Boyle’s Last Party 2
12. Level: Return to the Tower
13. Level: Return to the Tower
14. Level: The Loyalists
15. Level: The Loyalists
16. Outro: The final stage continues to be generally excellent, with lots of options and throughputs
17. Outro: The ways the final stage can vary are generally excellent and well
18. Prime Opt: The High Overseer level
19. Save System: Good saves, autosaves, and quicksaves…
20. Save System: …for two positives
21. Terrain: House of Pleasure
22. Terrain: Return To The Tower
23. Terrain: The High Overseer level
24. Terrain: The Loyalists
25. Tutorial: …tutorializing you on the tools you’ll have at your disposal throughout
26. DLC Minigames: Optional Challenge maps…
27. DLC Minigames: …with good variety
28. DLC Level: Slaughterhouse
29. DLC Level: The lawyer’s estate
30. DLC Level: The Dead Eels
31. DLC All Roads Lead To Rome: The Dead Eels
32. DLC Level: The Witches level

Gameplay Negatives:

1. Graphics: Depth of Field, Bloom, and other headache-inducing problems
2. Core Combat: Stealth and non lethal are fun. Front-faced combat is not
3. Enemy AI: The enemies can be… really… really dumb

Story Positives:

1. Brickwork: It’s inconsistent, but there’s some decent spritework and visuals to help sell the game
2. Voice Acting: Exaggerated, but distinct
3. Atmosphere / Tone: General nightmare tone
4. Dialogue: Surprisingly well done dialogue, especially in selling the horror of it

Story Negatives:

1. Atmosphere / Tone: General nightmare logic
2. Pacing: The game starts with a bunch of things about Lazarus and Albrecht then… trails off for several hours… then suddenly Lazarus and Albrecht and by the way Cain is a Horadrim!

Gameplay Positives:

1. HUD: Good at-a-glance with the HUD, especially with health, mana, and hotkeys
2. Minimap: For how simple it is, the minimap does a good job of indicating what is where
3. QoL: Some few small general quality of life things (colored outlines on mouseover, auto equip consumables, ‘mouseover’ text, etc.)
4. Music: Tristram’s theme is what it is
5. Leveling: Stat distribution and spellbook system
6. Replayability: Several built in options that encourage replayability

Gameplay Negatives:

1. Audio Spam: It actually gets WORSE later
2. Audio Spam: Uhh! Huh! Uhh! Uhh! Huh! Uhh!
3. Audio Spam: Seriously, shut up!
4. Boss: Lazarus devolves into the same problem all enemies do after the caves; ranged spam
5. Boss: The Butcher and Leoric and… really all the bosses are kind of the same thing. Big stat sticks that walk up and punch you
6. Build Into A Corner: Between lack of respec, the lack of information in what classes matter how, the variance between their max stats and unique abilities, it’s pretty easy to reach a point where the game just kinda starts to suck
7. Combat: Balance between classes… and lack thereof
8. Combat: Hit Chance is wonky as hell and heavily slanted against melee classes
9. Combat: Stunlocking and its wondrous joys. The best part is it actually gets worse…
10. Combat: …the further you get in
11. Controls: Lack of tunneling, awkward mouse controls, ease of misclicking, punishing misclicking, having to swap between arrow keys and mouse, etc.
12. Difficulty Curve: More like difficulty staircase
13. Durability: Not the worst I’ve ever seen, but not fun
14. Encounter Design: General. There’s a few enemy types but they’re mean in how they combine… and by mean, I mean irritating
15. Encounter Design: Then in the hell levels you get enemies immune to damage types (of which there are only four total) and they like to just spam the crap out of interrupting ranged attacks
16. Enemy Design: Special negative for the ranged runners for juuust being annoying
17. Friendly Fire: Yep, there’s friendly fire in D1. Literally
18. Hub: Between the slow walk speed and the weird spread of gameplay NPCs, the hub kind of sucks to navigate and utilize
19. HUD: The HUD isn’t bad, but it takes up an onerous 27% of the screen
20. Inventory: Bonus complaint about how large items are, and how money takes up space, and how money only stacks to 5k, and how you need way more than 5k gold…
21. Inventory: Limitations. The inventory space is absolutely miniscule
22. Inventory: Loot distribution isn’t great, and sort of relies on a lot of repetition to get good stuff thanks to RNG
23. Inventory: Loot is pretty boring, almost entirely being just basic stats, and most items can only have one or two modifiers
24. Kit: Or lack thereof
25. Levels: Hell levels… so first there’s the brevity and lack of design to it, even for how simple the previous levels are
26. Levels: The caves (navigation, minimap avoidance)
27. Music: The majority of the music is one song per tileset and it repeats (and restarts upon changing floors)
28. Options: Lack thereof (no rebinding, no options to speak of)
29. Traversal Mechanics: Movement speed. It’s bad in town…
30. Traversal Mechanics: …it’s bad in dungeons…
31. Traversal Mechanics: …it’s bad in general
32. Visual Distinction: General. The game is murky and brackish and it’s just hard to see
33. Visual Distinction: The Catacombs get their own visuals problem due to being even darker and harder to see than usual
34. Visual Distinction: Then there’s the fact that it’s hard to see things like interactables, loot, and enemies without just waving the mouse all over the place