Classics 5

Story Positives:

1. Brickwork: General brickwork is pretty fun here and there, mostly the desert, snow, and cloud levels
2. Outro: For all its simplicity, I like this ending
3. Spritework: I’ve seen better and worse, but the enemies and characters are still nice and fun and colorful

Story Negatives:

Gameplay Positives:

1. Intro: Level: It does so much right so quickly and efficiently. The beginning involves you starting in a spot where there’s no platform, meaning you automatically fall… which immediately tutorializes the new verticality of the game. And the screen wraps, also tutorializing that concept. And all of this is in a mostly safe space, since it’s likely that you’re going to try to jump on the sole enemy here, which quickly conveys the final main mechanic; Picking up and flinging
2. Tutorialization: The initial stages are simple but fun and, if I’m honest, probably my favorite stages in the game. 1-1 is simple but very well laid out, continuing the tutorialization-as-gameplay concept, and I like the symmetry of vertical section to normal section to vertical section. 1-2 introduces flying carpets, the vase interiors, and bombs. And 1-3 is our first ‘final exam’ level (pretty early, really) starting with the temporary platforms on the waterfall, and leading into our first real Phanto segment where we have to go up to get the key then go ALL the way down to use it
3. Visual Distinction: The game has good visual distinction as usual
4. Kit: There’s good variance in playstyle between the four characters
5. Level: Every digging level is a neat little pseudo puzzle take on platforming, most strongly showcased in World 2 where each stage has a digging segment
6. Mid Mission Checkpointing: Mid-mission checkpointing is surprisingly good, putting you back to the last ‘load screen’ on death
7. Level: World 3 honestly does a lot of fun little things, like the top-down maze of 3-2 and the gigantic wrapping scroller of 3-3
8. Level: This is a pretty big aggregate but outside of the irritation there are some cool things in later stages. 6-3 and its massive vertical climb, 6-2 and the albatross ride, the extended waterfall segment of 5-1, stuff like that.
9. Outro: Level: 7-1 is surprisingly fun for what it is. Building your own path with the blocks, tight and inventive usage of terrain with the close clouds, and of course this leads into the behemoth of 7-2 which is a ‘multiple right ways to go’ pseudo maze which rewards the player for deciding their own path

Gameplay Negatives:

1. Controls: The controls are super squirrely, even more so than the Mario norm…
2. Controls: …for two negatives
3. Penalty For Failure: The penalty for failure in this game is just too harsh. Starting over at the world is fine, but having to start the entire game over upon losing continues is awful (especially since nothing indicates where the warp pipes are at all). This is all made worse by a point I make lower; The game REALLY wants you to have those Mushrooms for extra health, but good friggin’ luck finding them
4. Level: General level aggravation, levels just get… straight up irritating from World 4 onwards (more on this in a minute)
5. Itemization: Itemization is… not. Very rare mushrooms (and good luck even finding them), very few lives
6. Level: World 4 can go directly to hell for all the wrong kinds of difficulty spikes. Enemies that come at you almost faster than you can react to, bottomless pits everywhere, and all of this on top of having ice physics. Screw this world
7. Guidance and Flow: The mushrooms and near total lack of direction on which pipes you can use with which potions and general walkthroughitis is awful in this game, practically mandating a map for basic functionality…
8. Guidance and Flow: …for a double negative

Story Positives:

1. Brickwork: This is a huge aggregate. Since this is covering the NES version and its brickwork is… fine… and some of the worlds look… fine
2. Tone: This one’s a bit ephemeral to mention but the whole game has this lovely light hearted, adventurous tone to it. What probably exemplifies this best is World 4, Giant Land, where the big aesthetic just adds to it
3. Visual Continuity: World 5 is great by itself. The climb up the tower, the clouds, the land down in the distance. And of course the progression across the worlds, all the way into Dark Land
4. Spritework: Some of the sprites are fairly simple, but they’re all super well done, and there are a TON of them…
5. Spritework: …easy double
6. Outro: Simple but neat. A fun, bespoke showcasing of each world we’ve done, showing us how far we’ve gotten

Story Negatives:

Gameplay Positives:

1. Kit: The power ups are good in this one. The Leaf sort of steals the show of course (more control in the air, temporary flight, and a melee attack). But also the others, while great, just… don’t have the presence necessary to earn their own positives. Hammer Bros suit is amazing but we get it what, three times? And the Frog suit is neat but similarly limited
2. Music: I was torn on this but this is still the source of a lot of Mario classics for a reason
3. Enemy Variety: Yep. Tons of different types of enemies with multiple ways to deal with them, and almost always well utilized in their respective stages (except Big Bertha…)…
4. Enemy Variety: …easy double
5. Enemy Design: Also some solid enemy design in general. They really got creative with a lot of these
6. Pacing: The seemingly short levels (they’re not actually that short in real size, but they give you tools to blaze through them) really helps the pacing
7. Guidance: Coins! Of course this isn’t necessarily new, but Mario 3 is probably the first game I can point to where they clearly thought about using coins to help guide the player towards progress and hidden bonuses
8. Visual Distinction: Could be better honestly but still good usage of color and visuals to keep the player aware and on top of things
9. Penalty For Failure: So a small but critical change to the Mario format happens in 3. In Mario 1 you only ever had two health max. This means if you have a fire flower but get hit you’re right back down to small Mario. This not only gives less room for failure but also means less steps required to get back to your previous power level (In Mario 1 it’d take two power ups to get back to a Fire Flower, here it would only take 1). This is a nice change and honestly makes the ‘3 HP’ system work in a game where there’s tons of things that will constantly tempt you to take damage. This probably wouldn’t fit except for…
10. Itemization: …there are items absolutely everywhere. Everything is manually placed but there’s tons of it, especially given how many stages there are, and real thought is put into distribution of lives, coins, and power ups…
11. Itemization: …for a solid double. Speaking of which…
12. Core Mechanic: Being able to store power ups to use on the map gives bonus rewards and nice safety net features
13. Guidance: This is a good time to also mention that the game, like many after it, uses coins as a form of guidance to give the player ideas of where to go and what to do, as well as help with secret finding
14. Overworld: Even World 1 immediately has design to it. 1-1 and 1-2 are mandatory but 1-3 and 1-4 are not only optional, but unlock some bonus with the mushroom house. We also get some introductions into basic things like hammer bros and the minigames, as well as the fortress unlocking a path should we game over. I should mention this positive also covers World 2 and 3
15. Overworld: I also want to give credit to most of the other overworlds too. World 4 has the one choice, World 5 does too, but World 6 really nails it with multiple choices for picking your poison
16. Intro: Level: World 1-1 through 1-3 are, functionally, the first stage of the game. We have 1-1 for the basics of tutorialization (the new leaf power up, which is everywhere, the flying as well as indicators for it, and enemy interactions) then 1-2 starts introducing slopes and hidden passages, and 1-3 starts introducing new enemy types
17. Tutorialization: Technically the Intro but honestly a huge portion of the game continues the tutorializing as new enemies and concepts are introduced
18. Level: The rest of World 1’s stages. See, Mario 3 stages are super short, often only having enough time to introduce a theme and then conclude. So we get tutorialization on several concepts, like the slopes and how to find hidden areas
19. Level: World 2’s first bundle of stages are quite smart for how tiny they are. First we see how to find hidden blocks and hidden enemies (who reveal themselves before they attack, so no gotcha! involved), second we see how you can choose to go high or low to change your path, then we have the fortress which brilliantly introduces Thwomps (there’s a block impeding you so you literally have to go out of your way to get under it) and Boos (you have no reason to turn around until after you’re already under it, at which point it’s guaranteed to follow you)
20. Level: World 2’s second bundle follows the same theming. The Angry Sun and avoiding it, the coin level with multiple paths, the hidden paths, and the pyramid with its breakable blocks
21. Level: Honestly World 3 has a few interesting things (like the new Spike enemies, donut blocks, and tons of new enemies)… just enough to qualify for an aggregate, I think. I hate some of these stages though
22. Level: World 4 doesn’t do as much with the big aesthetic as I’d really like, but it’s quite short (which actually works for it) and they do a few creative things (like the transparent elevator tutorial, or the introduction of the flame Boos)
23. Level: 5-2 and 5-3 combined earn their own aggregate. 5-2 is creative in its design (if you’re clever, quick, or equipped you can shortcut it, if not you have a solid path forward) and 5-3 is the infamous Kuribo’s Shoe level which, honestly, speaks for itself (but just in case… The whole stage is designed AROUND the shoe and how it changes your interactions with enemies and objects, and has several tall obstacles to benefit its usage)
24. Level: World 6 actually impressed me this time around. Creative stuff here, like melting ice blocks with fire in 6-10, sliding thwomps in the second fortress, and the clever 6-5 with the pseudo labyrinth
25. Level: World 6, despite some hackles, also has some surprisingly good ‘simple but solid’ stuff like 6-8 (which is just a standard enemies and platforming level), 6-7 and 6-2 (both autoscrollers which play with the concept with donut blocks or clouds), and 6-6 and 6-9 (underwater stuff)
26. Level: 7-1 is a great re-introduction to a purely vertical level and of course the wrapping concept. And 7-3 is a playground level which just lets you ride with the run button (and invincibility stars)
27. Level: 7-5 is our very first stage that’s a whole positive by itself. It’s a maze but incredibly well designed; Everything is loaded on one cell, meaning any platforms you make stick. It also constantly does tiny but well designed things like making sure multiple paths are on the same screen so you can peek at what you need, minimizing the wasted time for backtracking, and visual guidance in platforms to help guide the player. Solid stage overall
28. Level: 7-Fortress is a clever maze. You’re actually pretty limited in where you can go at first (just to a dead end… but there’s a power up there, which guarantees no softlocking because…) the second thing you can do is break blocks, and the blocks are designed around guiding you to the right block which then gives you the coin ‘trap’ of wanting you to drop down (putting you back into the loop), but you can also progress. And if you don’t have flight yet the further door gives you a Tanooki suit, giving you the tools to beat the level. Then there’s 7-6 which puts a huge amount of the level in your hands with the elevator concept and tons of ways around those
29. Level: 7-7, 7-8, and 7-9 are another bundle of positives. 7-7 is the final exam of the earlier 7-3 (stay star or die!), 7-8 is just a ‘straight’ level but very mean, functionally a final exam of a level, and 7-9 is a great final exam of a stage for the maze design
30. Level: World 8 as a whole. It’s mean, but it’s fair mean. Nothing really jumps out at me, but they do some of the same basic concepts but do them well (the fast airship level is preceded by three options for getting Leafs, the maze fortress has plenty of power ups to recover with, there’s shortcut unlocks to help if you game over, etc.)
31. Outro: The final stage and its multiple paths (and rewards) and of course the creative Bowser fight (you can shoot him with fireballs or hammers) but otherwise you break the floor while avoiding him
32. Level: Right here at the end I feel the need to give one last aggregate positive for general stage design. There are a few I didn’t call out like 4-6 (fun gimmick with the size changing) or 3-7 (Spikes!) but it’s still solid stuff
33. Replayability: Of course the game is replayable

Gameplay Negatives:

1. Mid Mission Checkpoints: There are none. This is… weird, at best. In most stages it’s barely noticeable, in some it’s absolutely aggravating. It ends up making stages that would otherwise be fine aggravating…
2. Mid Mission Checkpoints: …earning a double negative
3. Controls: Squiddity. Most Mario games have the squiddity but honestly few have it worse than Mario 3. So to explain, Mario acts like his feet have butter on them (or maybe ice) meaning you have less control than you normally would. But this is cranked up in Mario 3 for whatever reason so it drags the entire game down…
4. Controls: …for a double negative
5. Enemy Design: Big Bertha. Completely bypassing your health is already frustrating, but the way she’s used in various stages is pure dick move
6. Core Mechanic: So this is going to sound weird but I hate the underwater physics in this game (and the quicksand physics, we’ll talk about those in a sec). The whole game already has the squiddity problem (mentioned earlier) and being underwater removes even more control from the player. AND if you don’t have the fireflower you have absolutely no way to defend yourself. Then there’s the quicksand water which requires you to jump constantly to navigate in, and is incredibly aggravating to jump OUT of. Oh and did I mention several of the quicksand water levels almost always include Cheep Cheeps, Big Bertha, or both
7. Level: 5-6. It’s a neat idea, really, but thanks to the timing of the autoscrolling and the fact that you have to use the para-beetles to progress (again, neat idea) leads to the problem of the whole thing being too unforgiving and frustrating if you mess up at all
8. Level: 5-9. Honestly this level is very impressive technically but good lord, screw this stage so hard. The diagonal moves entirely too fast meaning ANY mistake is unrecoverable, but also not immediately so you have a few seconds to flail before you realize you already failed. Then we add in the jackass fire chomps who home in on you AND shoot homing shots to interrupt your jumps and this entire level is easily the worst stage in the entire game
9. Level: 7-Fortress 2 and 7-Airship. 7-Fortress 2 is way too punishing and is made worse almost entirely by the lack of checkpointing. ANY mistake is horribly punished and screw you if you come in without a power up. And 7-Airship is long, brutal, and with very little recovery

Story Positives:

1. Brickwork: Generally good Brickwork
2. Cutscenes: Post castle cutscenes are cute and silly. I always felt like they were the reward for beating a world
3. Outro: As with SMB3, love that light ending with the fireworks and the parade
4. Atmosphere & Tone: Adventure romp throughout. As with Mario 3 the vibe is just that of being out and enjoying life
5. Visual Storytelling: The trip from Yoshi’s Island through Dinosaur Land until we reach the crashed airship, descend into the Valley, and fight Bowser
6. Spritework: In some cases it’s better and in some it’s worse (than Mario 3) but the Spritework is excellent regardless…
7. Spritework: …for double positives

Story Negatives:

Gameplay Positives:

1. Tutorialization: It’s hard to properly explain this but the ENTIRE game is one long tutorial, with introduction and escalation in almost every stage. This makes sense when you consider the whole game IS a tutorial (for the devs and for us). This is still the game I point to when it comes to peak gameplay tutorialization, rivaled only by giants like Portal 2 or Starcraft 2. So we’re going to be giving out positives a little bit differently than normal here. First, consider this a positive for all the tutorializing going on in World 1 (Yoshi’s Island)
2. Tutorialization: Then we have World 2 (Donut Plains) which adds more moving platform concepts and, of course, the cape
3. Tutorialization: World 3 (Vanilla Dome) starts playing with the power of the A jump (spin jump) instead of the regular jump, lava, temporary platforms, and springs
4. Tutorialization: World 4 (Twin Bridges) really leans into the cape of course, but also the seesaw platforms and the conveyor belt lines
5. Tutorialization: World 5 (Forest of Illusion) really starts setting up some cool moving platforms and multiple exits
6. Tutorialization: World 6 (Chocolate Island) is probably the last world that really tutorializes. Yes I know Bowser’s Castle does too, gimme a break. Anyways! Choco Island adds working with enemies as part of the terrain, lots of big moving pieces of the background, and of course slanted ramps
7. Intro: World 1 is a fantastic Intro, each stage setting up the basics of the game (minus the cape) and being generally fun. They go out of their way to line up metaphorical dominos in stage design just so the player has the satisfaction of knocking them over
8. Tutorialization: The title demo that plays gives across a lot of helpful information on how to do certain specific actions
9. Level: Star World in general is all fun, gimmicky stuff (and usually very bite sized) but progressing and getting the optional exits is great
10. Penalty For Failure: As with Mario 3 before it, the more granular loss of ‘health’ without going straight to small helps, and the game also gives you plenty of sources of lives in normal gameplay without relying on the player exploiting or going out of their way to keep up
11. Level: Gnarly is a fun vertical usage of climbing
12. Level: Funky is a short but sweet victory lap of managing the super optionals
13. Level: World 2 has the introduction of multiple paths as well as some fun ghost houses
14. Level: World 3 is nicely themed and continues the multiple path fun
15. Level: The Bridges levels is where the level design really starts to shine…
16. Level: …doing all kinds of fun stuff, especially with flight (and without!)
17. Level: Castles in general throughout the game are fun, mean, and always varied
18. Level: While there’s a few mis-steps, the Forest of Illusion is honestly one of my favorite worlds in the game for its branching and unique levels…
19. Level: …earning two positives
20. Level: Choco-Ghost House is probably the best ghost house by itself
21. Mid Mission Checkpoints: Good usage of mid mission checkpoints again
22. Music: Still some great music in this one
23. Enemy Variety: Not quite as good as 3, but great enemy variety
24. Controls: The game (finally) controls very well and fluidly and is just fun to play
25. Level: The Sunken Airship is great. The ghost maze, the visuals, the victory lap at the end
26. Level: Ghost Houses are, as per usual for the franchise, fun, creative, and wonderful…
27. Level: …for two positives
28. Level: Larry’s Castle gets its own positive for general quality
29. Terrain: Generally good terrain design throughout
30. QoL: Safety net mechanisms. Lives, power ups, coins, stored power ups, banners at the end, ability to replay stages, ability to exit stages at will…
31. QoL: …for a full…
32. QoL: …three positives
33. Itemization: General placement of power ups, coins, and items
34. Itemization: The end of stage banners and the additional player control over additional lives
35. Kit: For as much as people bash it, the cape is one of the better designed power ups in the entire franchise and deserves its own point
36. Kit: Power ups in general are, of course, neat
37. Kit: Yoshi is also pretty legit, for the additional health, the unique way to interact with enemies, and the way it changes your interaction with the world
38. Outro: Bowser’s Castle and boss fight. The Castle is the real standout here, with lots of optional routes and mini challenges depending on your choices
39. Level: Chocolate Land has some truly innovative and fun gimmicks, like the pseudo mazes, the diagonal stages, and the mixing terrain…
40. Level: …for two positives
41. Level: Bowser’s Valley stages are a bit on the mean side, but still quite fun
42. Replayability: First for the fun…
43. Replayability: …second for the routing
44. Visual Distinction: Very good visual distinction
45. Overworld: Lots of fun options and routes throughout the stages. This is true literally in World 1 but escalates pretty much throughout. In fact, unlike (say) Mario 3, this ‘pick your route’ overworld design goes across individual worlds thanks to the multiple hidden exits and warp zones, and of course Star Road (our first Star Road in the series, by the way). So consider this an overworld positive for the entire game, but then…
46. Overworld: …we consider the design and routing in Yoshi’s Island and Donut Plains…
47. Overworld: …Vanilla Dome and Twin Bridges literally have two totally separate routes…
48. Overworld: …and Forest of Illusion is great with its multiple routing depending on exits, but not a lot of people remember Chocolate Island does the same

Gameplay Negatives:

1. Seconds In Minutes: Several, but overworld movement is the biggest offender
2. Boss: Yeah the bosses in this game aren’t great. Underwhelming at best, and glorified tech demos at worst
3. Level: Outrageous is just awful. Enemy spam with obscured stage portions while having aggravating yoshi or spring requirements to progress

Innovator Point: Yoshi Drums

Story Positives:

1. Humor: The tone, music, and humor in dialogue
2. Brickwork: The stages have good, varied visuals within them
3. Outro: The Outro is yet another good example of a simple but enjoyable ending

Story Negatives:

Gameplay Positives:

1. Minigame: The minigame of the Mario face alteration at the beginning needs to be mentioned
2. Tutorialization: The Castle courtyard is a wonderful tutorial. It’s a nice, big, open, mostly safe space to just play around with the concepts the game was introducing; physics and 3D platforming
3. Music: The music is, as usual, awesome
4. Guidance and Flow: The ‘stage select’ for each course gives hints in the star name for how to obtain it
5. Intro: Bob-Omb Battlefield is exactly what it should do as an Intro; It sets up movement, enemies, tech, stars, coins, red coins, etc.
6. Level: Whomp’s Fortress is very vertical and does a lot to encourage the player to figure out the different ways to navigate the 3D space
7. Level: Boo’s Mansion uses its space and camera very efficiently…
8. Level: …and further has an excellent aspect of visual continuity which at all times helps to inform where you are in relation to what
9. Level: Lethal Lava Land has good recovery, multiple interesting stars, and the mid-mission checkpoint of the volcano
10. Level: Bowser in the Fire Sea continues the trend of good platforming and interesting jumping puzzles
11. Level: Dire Dire Docks still has a few irritations (the whirlpool comes to mind) but between the usage of the underwater mechanic and some fun pole hanging puzzles, it’s enjoyable
12. Level: Wet-Dry World is unique, interesting, and fun with its gimmick and layout
13. Level: Tiny Huge island still has issues, but honestly between the gimmick and the visual continuity it’s still fun to go through (unless you’re getting 100 coins)
14. Kit: While there aren’t many power ups in this one, Mario himself is given substantial kit in terms of his moveset and a lot of it is anchored on the Z button, using good shortcutting for the most part
15. Guidance and Flow: Most stages do something very right; they show you something very specific as part of the initial stage direction, so you are ‘inclined’ to certain areas or avenues
16. Level: Tick Tock Clock is a great example of what a difficult stage should be, short and dense with the changeable speed walking into it
17. All Roads Lead To Rome: The game goes out of its way to allow you to route your own way through stars
18. Replayability: Generally replayable
19. Level: Bob-Omb 1, raising the ship, penguin slide, King Thwomp, Bowser’s Sub, Tall Mountain Slide, climbing the Volcano
20. Mid Mission Checkpoints: Checkpointing, when it’s there, is nice
21. Kit: The power ups aren’t that great and aren’t that frequent but when they’re there they’re well designed
22. Level: Cool, Cool Mountain and Jolly Roger Bay both don’t do much really exceptional, but both serve as guides and tutorials for their respective concepts and still have aspects of decent design to them
23. Song: The underwater music
24. Song: Bowser’s stage theme

Gameplay Negatives:

1. Level: Hazy Maze Cave. First of all it’s visually disinteresting, it’s full of small corridors which compounds the camera issues which already are problematic, made worse by the fact that the camera controls literally don’t work in half the areas, with bad initial stage direction and a near total lack of visual continuity on top of the absolute jank of the arrow platform…
2. Level: Shifting Sand Land is substantially worse designed than virtually every other stage to-date. The core ideas aren’t bad but the prevalence of the instant-kill quicksand and the unusual physics interactions with weird ledges in the quicksand and the pillars makes the level more frustrating than it has any right to be
3. Controls: The controls in the game are imprecise, at best…
4. Controls: …and absolutely aggravating at worst
5. Camera: The camera ranges from being irritating to being actively antagonistic…
6. Camera: …and are some of the worst camera controls I’ve ever seen. The camera by itself is not good (getting stuck on things, awful random angles) but the controls or lack thereof are even worse
7. Level: Tall Tall Mountain sucks in general but especially for Blast to the Lonely Mushroom, one of the worst stars in the game. It’s a cannon shot into nothing with no possibility of recovery after a small to medium trek to the spot to attempt it again with no actual method by which to see your arc other than trial and error which, of course, involves dying each time
8. Level: The 100 coin stars are a bit arduous and a bit too many, take away healing potential, and have no checkpointing built in, which also completely kills the pacing and, worse, means it’s quite easy to lose a lot of progress for no good reason to a small mistake…
9. Level: …and for this reason (most especially the checkpointing issues) it earns a second negative
10. Level: Rainbow Ride is easily one of the least designed stages in the game. It’s random geometry in a boring skybox with clearly-made-for-2D platforming on top of relying on the long, slow, boring carpet ride which is very easy to screw up and lose all your progress on for no less than three separate stars…
11. Level: …leading to a second negative for Rainbow Ride
12. Level: Special bonus negative just for Rainbow In The Sky and the bullcrap trick it pulls with dumping you outside if you fall
13. Core Mechanic: Physics in general
14. Terrain: Slope physics in some specific areas are some of the worst I’ve ever seen
15. Outro: That final boss fight is just honestly annoying
16. Level: The snowman in Snowman’s Land is a dick, compounded by the penguin being a dick
17. Controls: In addendum, the underwater and flight controls suck
18. Terrain: Generally problematic terrain design (way too much leaning on levels floating over a death pit)

Codifier Points: 3D Platformers and Collectathons

Story Positives:

1. Visual Continuity: Visual continuity really helps tie the whole island together, and further, effort was put into distance and relative angles. What I mean is they clearly actually mapped out the island and then placed the other levels relative to each other. It really adds to the cohesion of the whole game and is neat to boot…
2. Visual Continuity: …for a strong double positive
3. Lindblum Effect: The entire game. The Hotel has staff doing their thing, there’s treats and drinks by the beach, the theme park is bustling, the hub is amazing… the entire island just oozes the tropical vacation vibe
4. Atmosphere: The atmosphere of the tropical paradise is awesome
5. Music Direction: The music almost always adds to the aforementioned atmosphere
6. Sound: The sound design really pops, from different footfalls to the various Piantas
7. Brickwork: Delfino Plaza is legitimately gorgeous…
8. Brickwork: …deserving of two positives
9. Brickwork: Pianta Village is another brilliant looking area, with a lot of thought put into what is where and how…
10. Brickwork: …for two positives
11. Brickwork: Ricco Harbor really looks like a harbor and it’s awesome
12. Brickwork: Gelato Beach is gorgeous, I’d love to visit someday
13. Brickwork: Pinna Park is starting to fall apart a little bit, but still visually distinct and interesting
14. Brickwork: Noki Bay looks exactly like a giant cliffside waterfall should
15. Brickwork: Love the subdued sunset of Sirena Beach
16. Doodads: Ricco Harbor kinda nails it on the Doodads side of things
17. Doodads: Ditto for Gelato Beach
18. NPC Set Dressing: Delfino Plaza, again
19. NPC Set Dressing: Bianco Hills and the villagers
20. NPC Set Dressing: Ricco Harbor and the workers and fishers
21. NPC Set Dressing: Gelato Beach and the tourists and loungers
22. Lighting: Bright and happy, relaxing sunsets, chill nights
23. Doodads: Delfino Plaza. I’m personally most fond of the little stalls by the beach

Story Negatives:

1. Intro: The Intro is stupid for three major reasons. The first is obvious (the hell is this nonsense?), the second is it’s totally unnecessary (of course Mario would help! Why wouldn’t he?!) and the third is it never comes up again
2. Cutscene: The ‘big reveal’ scene where Bowser Jr. reveals himself is… not good. The reveal is lackluster, Peach doing nothing is weird, Mario doing nothing is cutscene incompetence, and the… ‘plot point’ of Peach being Bowser Jr’s mother is so weird I don’t even know where to begin
3. Character: Peach is just… way too airheaded in this one, to an extent that it’s actually aggravating
4. Outro: The Outro is just… weird and bad and awkward, between the weird cheesiness that doesn’t fit the attempts at seriousness, the 1 minute 28 second death (I counted) of FLUDD, and Bowser Jr’s randomness… no

Gameplay Positives:

1. Intro: Bianco Hills doesn’t do much, but it is a good, safe environment where each of the shines helps get you into most of the interactions and movement tech in the game. I always remember it fondly and for good reason
2. Music: The music is, as usual, consistently excellent
3. Visual Distinction: The game is exceptionally visual distinct
4. Visual Continuity: Visual continuity in helping to navigate
5. Terrain: Terrain design is, sometimes, built around the levels and movement
6. Kit: The game retains the tight movement set and kit of the 3D Marios in general
7. Kit: FLUDD surprisingly adds a lot to the overall kit and mobility of Mario’s moveset, functionally being the ‘power ups’ of the game
8. Guidance and Flow: As with 64, the game keeps shine hints in title and in the opening pan
9. Level: Noki Bay is just generally fun, with several interesting and enjoyable gimmicks between the unique boss fights, movable ruins, and enjoyable platforming…
10. Level: …leading to a second positive for it
11. Level: Ricco Harbor still has some good, fun stuff like Bianco Hills
12. Controls: The game honestly controls pretty slickly, especially compared to its predecessors
13. Boss: While few really stick out, the bosses were generally enjoyable
14. Song: Delphino Plaza. I know, weird pick, but I stand by it

Gameplay Negatives:

1. Level: FLUDDless stages. They take away your tool… okay, that’s fine, but they don’t do anything to really add to it. Instant death, wonky physics, no checkpoints, all contribute to them just being more frustrating than they should be
2. Level: The red coin on the water shine in Ricco Harbor. The shine itself isn’t actually that bad, getting the red coins is fun enough and the timer is generous, but nothing indicates the different controls of the bloopers and, much worse, you can still die (easily) after finishing the coins
3. Level: The Sand Bird level is legitimately badly designed. It’s very easy to physics to death, doesn’t track your jump properly, is slow and boring, and any mistake results in death and starting over from the beginning
4. Level: Pinna Park’s ferris wheel shine sucks. It’s several fun, tight jumps absolutely ruined by a camera that’s constantly fighting you and an ease of losing all progress instantly
5. Level: Sirena Beach in general sucks, without a single enjoyable shine…
6. Level: …but some of those specific shines suck so badly they literally made me quit the game over it back in the day (manta ray, clean the beach, Bowser Jr)
7. Level: Pianta Village’s goopy inferno is probably one of the worst stages in the entire game. It’s frustrating, very narrowly railroaded into one intended path, the lava does the exact opposite of what it does in every other 3D game, and the bottomless pit can go to hell…
8. Level: …for two negatives
9. Level: Also Pianta Village just sucks in general
10. Level: The chuckya secret stage, by itself, is just awful. It’s astonishingly easy to be slightly off and just flung to your death and there’s nothing you can do about it
11. Info In Game: Lack of info in game on shine requirements. Some of these are just silly
12. Penalty For Failure: Lives system. It’s normally excusable but here there’s so few lives, and restarting adds a crucial Seconds In Minutes problem to already frustrating shines, compounded by the game over sound
13. All Roads Lead To Rome: Mandatory progression in the first 7 shines of each course. As usual, something bad that’s mandatory is worse
14. Raspberry Jam: Low health Beedleeps
15. Level: 100 coin shines are even worse than in Mario 64
16. Prime Opt: Blue coins in general can go to hell. There’s a reason 100%ing this game is a thing
17. Level: So, so many of the 100% shines are just the worst, entirely too many to list here…
18. Level: …deserving of, honestly…
19. Level: …one of the worst 100% games I’ve ever covered, and a full 3 negatives
20. Difficulty Curve: The difficulty… ‘curve’ is one of the most insanely all over the place I’ve seen
21. Difficulty Curve: …which deserves a second negative
22. Walkthroughitis: While some of the game’s secrets and shines are well guided, the rest are… absolutely nonsensical or completely hidden. Worse, some of the primary shines’ hints are just absent
23. Level: The boat in Corona Mountain is so, so, so bad it deserves its own negative. For those who haven’t played it you use your jet to propel the boat in a direction. Okay. It’s also how you turn. Also any bump, and I mean ANY bump, is instant death without recovery. Also it’s all on the already wonky physics engine
24. Outro: The Outro in general is lackluster at best. Corona mountain has that damned boat, there’s limited retries on the cloud, and the Bowser fight is disinteresting at best and literally buggy at worst

Story Positives:

1. Intro. The initial section does everything it needs to to establish hooks, tone, and get you invested in both the backstory and the plot… and of course that lovely camera work
2. Animations in cutscenes
3. Music across the board really adds to the atmosphere and tone of each distinct area
4. Camerawork in almost every cutscene is legit
5. Castle Town after time skip. The lack of music, the wind sound effect, the change of lighting, the redeads in town
6. Forest Temple. Implications, quiet horror, atmosphere, tone
7. The Fire temple, the implications for Darunia, the slow dread
8. While I hate going through it, the Shadow Temple and all it means for the background of the setting
9. The Spirit Temple is just a treat… narratively
10. Dialogue is sparse but good
11. Background lore in the war, the world, and the setup
12. Reveal of Ganon in final battle. It’s still an awesome, terrifying scene, and I love it to death
13. The Outro build up through the tower is fantastic, and the ending is nicely enjoyable
14. Sheik, aka Zelda (spoilers!) is actually treated reasonably well. The reveal is nice, but ultimately it’s the little snippets of character moments she gets that helps sell it
15. Generally good visual storytelling throughout
16. Special mention to the tone-setting Brickwork throughout
17. Excellent Brickwork throughout
18. Generally good, smooth spritework

Story Negatives:

1. The general vibe and atmosphere and tone of the Shadow Temple is so bad I honestly hate going through it everytime I replay the game

Gameplay Positives:

1. The Kokiri Forest ‘town’ is an excellent example of tutorialization in-design, with very little of it being mandatory
2. The Intro in general is incredibly well built, from the town to the Deku Tree and how the game (as per Nintendo’s standard) informs through gameplay and level design, camera usage and presentation…
3. …which gets a second positive
4. Most if not all dungeons built in ‘shortcuts’ to their design so as you progress you have less repetition
5. Master Deku Tree. The recurring fire motif, having to be clever about avoiding lo**sing the torch, and frantic gauntlet rooms
6. Master Dodongo Caverns. The bombs are used to much greater effect overall, and the puzzle routing is generally enjoyable
7. Master Jabu-Jabu’s belly is as gross as ever, but the re-arranged procurement of the boomerang works quite well and smooths out the whole dungeon
8. Master Forest Temple. A bit too heavy on backtracking, but still enjoyable overall
9. Sound design is some of the best in the business…
10. …earning two positives
11. The interface is smooth and very quick to use
12. The map is informative and helpful, especially once you get the compass
13. Controls are good in general, but…
14. …between the shortcuts and the gyro aiming it gets a second positive
15. Music is, as usual, excellent
16. Fast travel in the form of the songs
17. Good pacing in non-dungeon, dungeon content, followed by the mini-dungeon / dungeon format…
18. …earning two positives
19. While not the fanciest of stuff, there’s still good kit in items and the like
20. Core combat is enjoyable
21. Minigames are fun, optional, and rewarding
22. Animations of enemies are always indicative and helpful
23. General positive for boss design
24. Enemy variety in terms of how you’re attacked and general encounter design
25. The ascent and descent through Ganon’s Tower is legit. Perfect fun, hoype, and presentation along with proper pacing and engagement
26. The final Outro and final boss fight are just generally awesome, and easily the best boss fight in the game…
27. …earning two positives
28. The difficulty curve remains legit, as it usually is for Nintendo games
29. Good itemization in drops and distribution
30. There’s generally good mid mission checkpointing within dungeons, usually keeping all progress unless you quit the game
31. Game is quite replayable
32. Generally good visual distinction (except in the Shadow Temple)
33. Generally good visual continuity with regards to landmarking (especially in the ‘overworld’)
34. Navi and Saria assistance and guidance
35. Dodongo’s Cavern is very staggered in staircase design; introduce, introduce, escalate, escalate, and it’s good fun
36. The Forest Temple is the perfect ‘first adult dungeon’, encapsulating what is required for future dungeons and getting across everything you need to know about routing, mapping, backtracking, and the overall escalation
37. Spirit Temple is honestly one of the best dungeons in the game. Sure it does a lot right visually and audibly, but the puzzles are interesting and engaging, and nicely mirror each other the two times you go through
38. Jabu Jabu’s Belly has its issues, but its well laid out and loops in on itself nicely, and has good built-in shortcut progression
39. The Fire Temple has some aggravations (don’t fall!) but aside from that the verticality is nice and the variety in obstacles is great
40. Song: GANON
41. Song: Forest Temple
42. Aggregate: Barinade // Twinrova

Gameplay Negatives:

1. Unskippable cutscenes (nice, long tracks of them too)
2. Kaepora Gaebora (long, unskippable dialogue with the default option being please repeat,which is easy (thanks to how the text is coded) to hit by accident
3. Low health beedleeps
4. The Ice Cavern is… not a good dungeon. It has no good puzzles or encounters, is needlessly repetitive in its texturing, has nothing but irritating stun-locking enemies, and ice physics
5. Walkthroughitis sections in Master’s Quest dungeons periodically
6. Mandatory double damage in Master’s Quest and unnecessary mirrored thing
7. Camera woes, as per usual
8. The Master Quest Water Temple is all the problems of the original but honestly worse, with esoteric dungeon design and weird puzzles but worst of all no possibility of reset, which can lead to being ‘stuck’ trying to figure out how to get back to where you need to be with the water levels
9. The Master Quest Shadow Temple is honestly the worst dungeon in the game. It uses gotcha! Mechanics, relies entirely too much on platforming for a game that doesn’t support it, and the visual distinction is actively bad between the tight corridors and samey brown and grey terrain
10. …second negative for MQ Shadow Temple
11. The Spirit Temple is… tedious. Everything takes too long and the whole thing is honestly just boring
12. The final spirit trials are the weirdest inclusion in the entire game. They absolutely destroy the otherwise excellent pacing of the game, and kill any momentum prior to the finale
13. Memes and jokes aside, the Water Temple has issues. The dungeon requires you to keep multiple variables in mind at once, which isn’t bad, unless you skip over any one of them, in which case not only is your progress completely halted but it’s an entire chore to backtrack thanks to the water level thing and figure out what you missed
14. The Shadow Temple has issues in vanilla as well, mostly the same as the Master Quest version (palette, cameras, corridors), mixed with some questionable layout decisions

Story Positives:

1. Demo does a lot to establish the style and tone of the game
2. The Intro does a great deal to set up the tone of malaise and gloom, both in the initial tidbit and in the first loop of the town. They also establish the casual racism of Termina, people’s reactions to events and how they change over time, and the reality of what you face
3. The lead up to Snowhead, with Darmani, the elder, and the son is nicely melancholic and well done
4. The Skull Keeta moment, the pause before the salute, great scene
5. Generally good quantity and quality of dialogue throughout
6. Just a stupid amount of detail in every crack and crevice of the game
7. Visual storytelling is all over the place
8. Wonderful doodad utilization
9. The internal continuity of this game is bonkers, with so much of it referencing and acknowledging itself…
10. …earning a second positive
11. Gameplay and story integration
12. Little moments. Most aren’t worth a plus by themselves, but there’s lots of little moments which are well done. The Gidbo father and his daughter, Lulu’s despondency, the goron worried about his comrade…
13. …which doubles up for a Characters positive, just for the sheer depth and breadth of the supporting cast
14. As with Ocarina, the music is always used beautifully and accurately to accentuate each area it’s played for
15. The general atmosphere, tone, and vibe of Ikana is beautiful. The desolation, the worn-down feeling of the eternal war, it’s all appropriately horrible
16. Clock Town deserves special mention for being one of the better Zelda towns, not just with plenty of NPCs but each one having their own route, schedule, role, etc.
17. The game hits themes harder than most games I’ve played. Themes of division, themes of age, themes of experience, themes of powerlessness and helplessness, and over all of it is the theme of death. And yet it takes these themes, weaves them into almost every side story (and main), and at all times promises a point of hope at the end (which we can provide)… for this…
18. …the themes of the game…
19. …deserve a full three positives
20. The big quest. Anju and Kafei. It’s fun, it’s emotional, it’s heartwarming, it’s a positive
21. Good animations to assist with cutscenes
22. Second positive for several interesting and engaging characters throughout
23. Majora (and Skull Kid) are well characterized in their absence, as almost everywhere we go is touched by their influence
24. The Outro is really good stuff, an absolute smash hit really. The confrontation with Skull Kid, the Majora interactions, the inside of the moon, the final boss fight…
25. …and the ending, all great stuff
26. Generally good world building throughout
27. Generally good Lindblum Effect throughout, with lots of people doing lots of things on lots of days
28. Love that Zelda Brickwork
29. Generally good spritework

Story Negatives:

1. The Intro has some almost unavoidable pacing issues with regards to its waiting around or forcing time forwards as well as general confusion and drugginess (as an addendum, I literally put this game down during the Intro… twice… before forcing myself to play through the game proper years later)

Gameplay Positives:

1. Intro. Gets you used to the Deku form’s abilities, forces you to learn the town, learn the concepts of the days and the changing schedules, and gets you into the mindset of sidequests = main content
2. The Bomber’s Notebook is a very good ‘quest log’, with events and people’s schedules tracked automatically, the ability to set alarms, locations on map, as well as useful information and stuff you’ve completed or not…
3. The interface is, as per Ocarina, good stuff, but it’s made even better with the shortcuts…
4. …and how that coincides with the Mask mechanics and gimmicks
5. Controls are, as per Ocarina, good…
6. …but improved even more via the QoL features and additional shortcuts and gyro aiming
7. Generally good checkpoints, just like in Ocarina
8. Woodfall is a nice layered dungeon with good design around pseudo backtracking
9. Snowhead is very nicely vertical in its complexity, slowly climbing and knocking down parts of the temple in order to progress, with some neat ice and melting puzzles…
10. The optional fairy pieces in the dungeons are a great way to escalate the difficulty of each dungeon in a rewarding manner
11. GOHT! Goht isn’t exactly super complex, but it is very fun
12. Gameplay and story integration
13. A second positive for the quest log
14. Transformation kit
15. With the stones, generally good info in game
16. Minigames are, as with the previous game, optional and rewarding
17. The Skulltula houses deserve special mention for being fun minidungeons, very dense but still interesting
18. As per usual for a Zelda the game is quite Replayable…
19. …but due to the time loop, mastery, and breadth of side quests and ‘do it however’ gameplay, it earns the coveted second Replayable plus
20. Between enemy drops and plants, as well as what you can get where (notably the ‘drops’ next to warp points), the game is well Itemized
21. The Stone Tower Temple is easily the best designed dungeon in the game, though it has some issues it’s very clever and serves (functionally) as the final dungeon concept (a ‘final exam’ of all the other modes and puzzle types)
22. Anju and Kafei’s quest is quite a fun puzzle to do and easily the best quest in the game, and further even has a Princess Peach segment
23. Core combat is still enjoyable
24. Core mechanic of timer and loop is well designed (if polarizing) with lots of options to mitigate it and get through or around it
25. Good fast travel system
26. Guidance and flow of exploration
27. Good map design
28. While more ambient, the music is nonetheless good
29. Much better overworld design, with good item distribution, routes, density, and general design
30. Clock Town also gets a positive for being a generally well designed hub town
31. It’s fun to get around in this game, between the Goron, Zora, Deku, and of course Epona (and bunny)
32. Visual continuity is the usual good stuff
33. Visual distinction is high quality throughout
34. Sound design is the usual Zelda quality
35. The final boss fight with Majora is legit. There’s not much else there in the lead up, but the fight itself is multi-phased, multi-tiered, properly difficult, and has the Fierce Deity Mask as an option to absolutely crush it
36. There’s a good variety and enjoyment to the various side quests in the game
37. Aggregate: A partial positive for item kit // Animations assist in gameplay sometimes // The fun parts of the Twinmold fight are fun

Gameplay Negatives:

1. Intro. There’s other things they could’ve done to smooth it out the general lack of guidance and understanding of the tutorial loop, such as allowing us to actually progress or more clearly indicating the ideas of the townspeople and the ‘instances’ of time, alongside the obvious problem of not being able to get anything ‘real’ in the first loop except some rupees and a few heart pieces
2. Low health beedleeps
3. …Snowhead has some serious issues with lack of shortcutting. Normally the Zeldas are good about this, but Snowhead it’s exceptionally easy to lose some, a lot, or a huge amount of progress due to no shortcutting in the layout or design
4. Unskippable cutscenes
5. The entire section leading up to the Great Bay Temple kind of sucks. The extended stealth sequence is pretty easy to lose progress in and not helped by the camera, the eel section is pretty slow and boring and repetitive, and the water controls in this version don’t help anything
6. The Beaver race can honestly go to hell. Bad controls on a timer through rings that have physics while dealing with water physics and wobbly visuals and a bad camera barely keeping up… no
7. Twinmold. It’s actually pretty awesome, but takes so long it destroys its own impact, going from fun to actively boring (a common problem in this kind of thing in gaming)
8. The final Goron and Zora sections in the moon suck. Between too-tight controls and unforgiving start-over-from-scratch difficulty
9. A second negative for the final Zora segment in the Moon
10. The camera has the same issues that Ocarina did

Story Positives:

1. Atmosphere: Atmosphere and tone of cheesy noir is prevalent throughout
2. Character: Mona and Max have good chemistry and banter with each other
3. Character: Generally enjoyable characters throughout
4. Cutscene: The comic book style approach to the cutscenes is good…
5. Sound: …but the audio design of said scenes is just fantastic
6. Dialogue: The dialogue is beautifully noir
7. Doodads: Doodads remain good in most areas
8. Foreshadowing: There’s small but critical points of foreshadowing throughout
9. Humor: The television shows are, honestly, just hysterical and always worth a watch (and advance as you go through the game!)…
10. Humor: …for two positives
11. Internal Continuity: Game, as per Remedy standard, has great internal continuity
12. Intro: The Intro is risky but rewarding, and not only sets the tone and characters immediately but has some great hook straight of the bat
13. Cutscenes: Well written dream sequences (each one is Max putting together pieces already laid out in the previous section, and a proper insight into his mind)
14. Pacing: The narrative beats follow a good beat and pattern of pacing throughout
15. Storytelling Mechanic: Max’s narration is cheesy, tone-setting, and honestly somewhat required for the overall vibe of the game
16. Brickwork: The brickwork does an excellent work of selling the setting
17. Voice Acting: Most of the characters were well voice acted and did a good job with their lines
18. Writing: The writing is, let’s be honest, very high quality throughout almost the entire work

Story Negatives:

1. Cutscene: The confrontation of Mona, Vlad, Max, and Woden is… honestly very ham-fisted and not well blocked, especially weird in an otherwise excellently written story

Gameplay Positives:

1. Save: Save system (autosaves, quicksaves/loads, multiple easy to access manual saves)
2. Core Combat: Shoot dodging is honestly just fun to do, leaping and diving around while dodging and shooting, what else to add
3. Intro: The Intro was well done tutorialization without being overbearing or undercooked
4. Itemization: Itemization, primarily in drops but also in locations (mostly for pills), ensuring you have a good variety and flow of ammo and pills
5. Level: Part 2, Chapter 2 (explosives factory) is noticeably better designed than the other stages in the game. The layout, looping route, enemy placement, it was good
6. Level: The Part 2 Chapter 5 (escort mission with Mona) is actually quite fun, and shows off the sniper gunplay well
7. Pacing: Game is generally well paced, rotating between exploration, combat, and mild platforming
8. Core Mechanic: General fun in ragdolling, janky physics, and entertainment in kill cams

Gameplay Negatives:

1. Music: Absence of music for action sequences
2. Difficulty Options: Lazy difficulty (health and damage) which…
3. Difficulty Options: …you also have to beat the game to even unlock the other difficulty options (and dynamic difficulty doesn’t really mitigate the issues)
4. Encounter: The Vinnie escort was frustrating, irritating, and … honestly a typical bad escort quest

Story Positives:

1. Intro: Intro. The game does a pretty good job of establishing the cheesy tone with the creepy village and (while it does get a bit irritating later) the dull brown village really sets the mood
2. Visual Storytelling: The entire Village sequence has generally good, appropriate visual storytelling
3. Doodads: Doodad placement and utilization is pretty good
4. Atmosphere: Lovely atmosphere as usual in the Castle section
5. Voice Acting: The game has generally good voice acting
6. Camera: Cinematics are reasonably well presented in terms of camera
7. Character: Salazar is probably the best character in the game overall, make of that what you will
8. Atmosphere: The cheese is embraced, as it should be, and it adds to the game’s enjoyment substantially
9. Pacing: The narrative pacing is actually quite tight, with no real issues in its flow
10. Sound: The sound design is absolutely on point narratively, really selling the scenes
11. Cutscene: The knife fight between Krauser and Leon is honestly probably one of the better cutscenes in the game, cheesy and ridiculous and just the right blend of camp and stupid
12. Cutscene: Mike and his big scene were, honestly, kinda awesome
13. Storytelling Mechanic: Usage of the enemies as a storytelling mechanic. First we have the villagers, then we see the plagas, and we see quite a few other examples but special mention goes to the regenerators
14. Cutscene: The cutscenes and QTEs had a lot of ridiculous / fun animations (dodging lasers and the like)
15. MSQ: DLC: Separate Ways did add some neat stuff and flesh out some things (puzzles, characters, etc.) and of course Wesker

Story Negatives:

1. Outro: The Outro is honestly one of the only narrative beats that just doesn’t fit. It’s not weird or cheesy or awesome enough for the tone of the rest, and it’s not serious or interesting or engaging, and it has that awful line with Ashley

Gameplay Positives:

1. Intro: Intro and tutorialization in first Village (teaches you about the flingers, slow advance vs. charge, barricading in houses to survive, and has good distribution primarily of healing items with little ammo encouraging you to mainly just live)…
2. Intro: …for a solid two positives
3. Mid-Mission Checkpoints: Generally good checkpointing regardless of saves
4. Inventory: Tetris inventory and making inventory management an actual mechanic…
5. Inventory: …getting itself two positives, and ties neatly into…
6. Itemization: …the itemization, which is not only good in general but…
7. Itemization: …is actively dynamic based on what you need and what you’re using
8. Itemization: This is on top of the treasure you can garner which functionally serves as ‘exp’ aka ways to upgrade and gear up
9. MSQ: The first three bosses aren’t super special, but they are enjoyable for what they are in terms of arena design and ‘phases’
10. MSQ: The entire Village segment is well constructed and well paced, dipping in and out of heavy combat, light combat, ‘empty’ areas, puzzles, and of course loot distribution
11. Encounter: Village encounter design
12. Level: The Castle adds some nice variety to affairs, really mixing it up between the maze, the tunnels, the dungeon…
13. Princess Peach: …and of course a surprisingly fun Ashley Princess Peach section
14. Encounter: Castle encounter design
15. Enemy Variety: The enemy variety is, of course, quite good
16. Music: Music is, when it’s there, quite good
17. Kit: Weapon variety is not just good, but…
18. Build: …between the upgrades (especially the Exclusives) just about any combo of guns is feasible as a ‘build’
19. Terrain: The terrain is almost always designed around the manually thought-out encounters
20. Pacing: The game’s pacing is really excellent…
21. Pacing: …deserving a second positive
22. Boss: The Krauser fight (the actual one) is legit. Nice, complex arena with multiple paths and items, and a good variety of things to fight through or avoid, while dealing with Krauser himself
23. Outro: The Outro (mostly the final boss fight with Saddler) is legit. Good arena with lots of options for how to damage and defeat and bring him down
24. QoL: Use items on loot, visual distinction on interactables and items, ‘push’ mechanics on enemies, etc.
25. Optional Mode: Mercenary Mode is a fun little Horde mode, with unlockable characters that play differently and a nice quick repeat loop
26. NG+: As usual, good new game plus is a plus
27. Overworld: The game does a lot to encourage you to enter, see, or explore for treasure, items, and routes
28. Replayability: Between unlocks, difficulties, and new game plus (and general fun factor) the game has good replayability
29. Sound: The sound design is always informative on what you’re fighting and relatively where it is
30. Enemy Design: The Regenerators (and also in general)
31. Guidance and Flow: Actually quite well done throughout

Gameplay Negatives:

1. Controls: Controls are… just kind of bad
2. Controls: Port Issue: The controls have issues on any version but they are just actively awful on the PC port
3. Boss: The Krauser QTE fight is easily the worst QTE in the entire game. The window for hitting the buttons is far too short, any failure means death (and restart), and worst of all…
4. Boss: …(and what prompts a second negative), there’s no real indicators of when QTE’s pop up in the cutscene itself other than the actual button prompt
5. MSQ: DLC Assignment Ada is honestly thrown together a bit, lacking most of the polish and level design of most of the other parts of the game, but worst of all it’s just kind of boring. It’s just going through, looting the things, and leaving and that’s it
6. MSQ: DLC Separate Ways was honestly pretty padded in terms of design. Too many enemies with too little encounter design and too little enjoyment
7. Music: The music in Ada’s sections was so repetitive I almost pulled my headphones out

Story Positives:

1. Intro: Intro does everything it needs to to quickly establish the characters, the setting, the villain, and is amusing to boot
2. Foreshadowing: There is a large amount of foreshadowing, brick laying, and general construction of events well in advance
3. Cutscene: The entire Loader Bot duel in town is well storyboarded, written, and awesome
4. Cutscene: The deal scene, seeing it from both angles, brilliant and fun stuff
5. Cutscene: Rhys’ plan montages
6. Cutscene: The entire roller derby sequence is, as usual, awesome (and a surprisingly good action sequence)
7. Cutscene: The Intro for episode 2 is, as usual, legit. Starts with an action scene, great credits sequence, push the stakes forwards, and of course pulls the tone down to keep the pacing good
8. Humor: Bro bro bro bro bro.
9. MSQ: The entire Hollow Point sequence does a lot of great stuff, establishing their past, re-establishing perspective, and emphasizing how much the sisters are hurt by what’s been happening
10. Cutscene: The finale of Episode 2, the musical build up, the escalating threat, de-escalating, re-escalation, and overall vibe of the scene is great
11. Pacing: The narrative is very well paced, usually dipping up and down pretty smoothly throughout…
12. Pacing: …easily earning a second pacing positive
13. Storytelling Mechanic: The proper usage of unreliable narrator
14. Banter: General banter in the exploration segments
15. Moment: The entire Sasha / Rhys ‘I’m gonna let go!” sequence
16. Character: The friendship between Rhys and Vaughn is just legit
17. Character: The camaraderie between Rhys and Fiona is amazing
18. Moment: Face pizza… it’s amusing, but more to the point it’s a great scene for Jack and his growing accustomed to his new environs
19. Cutscene: Scooter’s final send-off. Catch a riiide…
20. Cutscene: Honestly, Scooter’s final scene is arguably the best scene in the game. Second positive for it
21. Cutscene: The finger-gun scene is really just all kinds of hysterical and awesome…
22. Cutscene: …and worse, really says so, so much about Hyperion, the setting, and the people therein
23. Cutscene: The finale of episode 4 really, really shows the kind of person Jack is
24. Cutscene: The final death of Handsome Jack is a powerful, emotional, incredible scene…
25. Cutscene: …easily deserving two positives
26. Cutscene: The honest, smile-inducing, heart-warming scene of Loader Bot’s reveal
27. MSQ: The entire Traveler fight is legit
28. Camera: Camera-work really adds to the scenes
29. Humor: The game gets a laugh out of me…
30. Humor: …sufficient to warrant a second positive
31. Character: Rhys is just an awesome character, with a full arc and a wonderful showcasing of what Jack could have been…
32. Voice Acting: …and his voice acting is just fantastic
33. Character: Vaughn is a great bro, well voice acted, and a great presentation of the person wanting to break out of their mold
34. Character: Vasquez is one of the best written ‘Krennic’ character types I’ve seen in fiction…
35. Character: …earning a second positive
36. Character: Loader Bot isn’t just a meme, he’s actually a pretty awesome character who has his own motivations and struggles
37. Theme: The theme of ‘the ants as they struggle amongst the giants’ and the constant perspective usage…
38. Theme: …for some of the stronger themes and usages of themes in gaming…
39. Theme: …especially considering how the ants end up changing things permanently (ignore BL3 for the moment)
40. Character: Scooter is at his best here, and manages to be sweet and hilarious at the same time
41. Character: Gortys is adorable, cute, and fantastic…
42. Voice Acting: …in addition to being amazingly well voice acted
43. Character: Fiona is, of course, a very well done character…
44. Voice Acting: …and special credit to her voice actress
45. Sound: Generally good sound design, especially in the space sequence
46. Storyboarding: General storyboarding throughout, especially in the action sequences
47. Consequence Storytelling: The game is fairly consistent about following through logically on the consequences of its own storytelling
48. Dialogue: The dialogue is tightly crafted, well presented, well written…
49. Dialogue: …easily deserving a second positive
50. Doodads: Surprisingly good throughout
51. External Continuity: The external continuity is fantastic. It connects seamlessly with the rest of Borderlands, changes the status quo thereof, and does a better job with the setting than the ‘main’ games do…
52. External Continuity: …earning a second positive
53. Internal Continuity: Internal continuity is good when it’s there, and totally absent when it’s not
54. Outro: The Outro is a nice balance of serious and silly and is a good capstone for the whole work
55. Plot: The Plot is, as so correctly put by Pillarsofsnow, a comedy of errors
56. Story Sequencing: The story is very well sequenced, with few (if any) holes in events
57. Voice Direction: Voice direction is generally great across the board
58. World Building: The game does more and better world building than the main Borderlands games do
59. Character: Handsome Jack. He is easily the most dynamic, well written, well presented character in the entire game. He’s brilliantly voice acted, manages multiple tones and styles, and is integral to the entire piece…
60. Character: …easily earning…
61. Character: …the coveted three positives
62. Brickwork: The Brickwork manages that Borderlands aesthetic consistently…
63. Brickwork: ..earning itself a second positive
64. Spritework: And the artistic style of the characters is frankly the best we’ve seen in the Borderlands series…
65. Spritework: ..also earning a second positive for Spritework
66. Animation: Death animations are varied and multitudinous
67. Atmosphere: Probably the best Borderlands atmosphere in the franchise…
68. Atmosphere: …for a solid two positives
69. Moments: So I usually don’t give Moment ‘aggregates’ like this, but it needs to be mentioned that there are just so, so many good, tiny moments in this game…
70. Moments: …thusly earning…
71. Moments: …three positives

Story Negatives:

1. Character: Yvette suffers the most from the writer change-off, and is honestly just kind of… inconsistent

Gameplay Positives:

1. Choice: The choices and how they affect the flavor of the story are well designed consistently
2. Music: Music is very well selected and suits the scenes
3. MSQ: The exploration sections offer good connective tissue which is in service of feeling like you’re playing the game (and offer some small cosmetic changes throughout the work depending on your choices)
4. Core Combat: The usage of ‘combos’ in QTEs is honestly inspired (I’m amazed no other games do this) and helped make the last boss actually fun
5. Replayability: Despite the lack of a load option, the ‘choose your lane’ linear adventure is built for replays and the game is good enough to support it

Gameplay Negatives:

1. Save: No ability to load, rewind, or otherwise try out other choices without just starting a whole episode (or the whole game) over
2. Unintentional Skipping: Once you ‘succeed’ you miss out on all the other text during interaction segments

Story Positives:

1. Intro: The Intro is astonishingly well done on how it gets you into the mode, tone, and vibe of the game
2. Visual Storytelling: Visual storytelling in ‘blank’ design
3. Voice Acting: Ellen McClain as GlaDOS…
4. Character: …and GLaDOS herself
5. Atmosphere: Knock at the door approach to horror…
6. Atmosphere: …mixed perfectly with the horror
7. MSQ: Level 16. It’s our first REAL look into a lot; The test malfunctions, we see our first Ratman area, it gives us an idea of the rot underneath the pristine, and we see portions of the test chamber literally malfunctioning
8. Character: The turrets in general
9. MSQ: Level 19 and everything to do with it
10. Visual Storytelling: From level 19 and onwards really helps sell the nature of the underbelly of the test chambers
11. Outro: The Outro in general is excellent, but most notably for the way GLaDOS just sort of descends throughout the fight as we destroy her cores. Her dialogue sells it (especially the part about what’s going on ‘out there’)…
12. Outro: …for a very memorable Outro
13. Dialogue: The dialogue is generally awesome, between the Turrets and GLaDOS

Story Negatives:

Gameplay Positives:

1. Tutorialization: Tutorialization is, really, some of the best in gaming…
2. Tutorialization: …establishing concepts and allowing you to play with them…
3. Tutorialization: …before naturally, seamlessly, escalating them
4. Visual Distinction: Many, many little things are done to add to visual distinction
5. Guidance and Flow: There is an astonishing amount of work done in designing the cameras, the corridors, and the flow to guide you in what and how to do…
6. Guidance and Flow: …earning a second positive
7. Core Mechanic: The core portal mechanic needs its own positive to really emphasize how genius it is and the impact it has, really branching out with what you can do and how you think about puzzle design…
8. Core Mechanic: …easily earning a second positive
9. Level: Level 15 and the introduction of dynamic puzzles
10. Level: Level 16 does such wonderful, beautiful things with the introduction of the turrets
11. Level: Level 17 serves as a wonderful final exam level, and really challenges you on everything you’ve learned throughout
12. Level: Level 19, the real one, is an even better take on the puzzles… because it’s suddenly non-standard, and effectively serves as a mutator on top of the existing game design…
13. Level: …earning it two positives
14. Level: The entire sewerish / pumps section of the game…
15. Encounter: …and the big ‘combat’ arena with the turrets
16. Sound: Sound design is generally good, especially at warning you about what is where
17. Outro: The Outro is surprisingly engaging and ultimately a good snapshot of the game as a whole; It starts off completely safe and contained, slowly escalates as we progress, and adds a stressor (the timer) to make it seems more complex than it is
18. Minigame: Meaty post-game with mutator maps and time trials
19. Optional Mode: Developer commentary and all that it adds to the game
20. Difficulty Curve: The difficulty curve is wonderfully staircased, always adding new concepts and letting you play with them before really throwing them at you
21. Intro: The entire Intro is, of course, very well designed
22. Replayability: The game, of course, gets a Replayability positive
23. Save: The save system is, of course, quite good…
24. Save: …plus the usual quicksave and quickload…
25. Save: …and multiple quicksave slots
26. Save: The game also has good general autosaves…
27. Save: …with good autosave placement…
28. Save: …with multiple autosave slots

Gameplay Negatives:

1. Music: Honestly the radio is just irritating, and there are surprisingly large swaths of the game where you just hear it audio spamming you

Story Positives:

1. Character: Wheatley. ‘Nuff said
2. Character: Second positive for Wheatley
3. Voice Acting: Stephen Merchant really just nails his role as Wheatley, it’s silly…
4. Voice Acting: …to the point of earning a second positive
5. Intro: Intro is fantastic, it establishes tone, sets up the setting, and gets us into things very efficiently with so much info dumped so quickly…
6. Intro: …for one of the best…
7. Intro: …intros in gaming
8. Animation: The animation on Wheatley is just weirdly good…
9. Animation: …earning a second positive for the sheer design of it
10. Animation: Ditto on GLaDOS
11. Humor: The game is hysterical…
12. Humor: …easily earning two humor positives…
13. Humor: …and the unprecedented three positives
14. Atmosphere: The game is beautifully horrifying
15. Atmosphere: …and just gets worse the further in you get
16. Foreshadowing: There’s a weirdly large amount of foreshadowing leading up to the fall (and the potato)
17. Dialogue: The dialogue pops in almost every single section of the game…
18. Dialogue: …for a full…
19. Dialogue: …three positives
20. Banter: The banter with first Wheatley and later GLaDOS really adds when it needs to, and is absent when it shouldn’t be
21. Character: GLaDOS is, as usual, awesome
22. Character: …more so than in the first game
23. Voice Acting: Ellen McLain is, as usual, incredible
24. MSQ: Chapter 1 in its entirety
25. MSQ: Chapter 2 and GLaDOS’s attempts at hurting you while rebuilding the rooms as you go
26. Pacing: The pacing of the story is just fantastic…
27. Pacing: …easily earning a second positive
28. Cutscene: The big confrontation between GLaDOS and Wheatley at the fulcrum of the story is a great scene
29. Music Direction: Music direction is spot on
30. Character: Cave Johnson is just absolutely horrifying and brilliantly done
31. Voice Acting: Made even better by JK Simmons and his incredible voice acting
32. MSQ: The slow descent of available test people and the Background Lore of Aperture’s fall
33. Visual Storytelling: Of the salt mines depth
34. Visual Storytelling: Of the Wheatley Laboratories
35. Banter: Banter between GLaDOS and Wheatley
36. Moment: This Is The Part Where He Kills You
37. Outro: The final boss fight is just an awesome scene, between the cores, Wheatley’s falling apart, and of course the moon shot
38. Humor: Co op campaign is, let’s be honest, amusing
39. MSQ: It’s not much, but it should be mentioned that the co-op campaign is a nicely fun romp
40. Humor: The overall atmosphere and tone of the game’s dark humor is, as usual, spot on
41. Doodads: Doodad utilization is just spot on…
42. Doodads: …to the point of being worth a second point
43. Character: Turrets are still cute, the Prometheus Turret is neat, but the Frakenturrets are just awesome
44. External Continuity: The External Continuity from Portal 1 really helps the work
45. Internal Continuity: Tightly crafted and constantly tracks its own events
46. Sound: The sound design constantly adds to everything
47. Story Sequencing: The story events are always sequenced logically and brilliantly
48. Brickwork: Excellent Brickwork throughout the ruins of the laboratories
49. Brickwork: For the depths
50. Brickwork: For the Wheatley laboratories
51. Visual Storytelling: Special Visual Storytelling positive for the human vaults
52. Character: Third positive for Wheatley being an amazing character
53. Character: Third positive for GLaDOS being, y’know, GLaDOS

Story Negatives:

1. Outro: The opera ending is, honestly, tonally jarring and comes out of no where and just feels weird and out of place

Gameplay Positives:

1. Intro: The Intro, as usual, does a wonderful job of all that it needs to and getting the player into the game smoothly
2. Tutorialization: Tutorialization is, as usual for the franchise, fantastic..
3. Tutorialization: …easily earning a second positive
4. Music: The game actually has music, and uses it well
5. Mod Support: The game has proper ‘mod support’ in the map making, TTS, and campaign design tools…
6. Mod Support: …easily a second positive for mod support
7. Mod Support: Also a positive for ease of modding
8. Mod Support: And a positive for depth of mods
9. Visual Distinction: Visual distinction is everywhere, in fact…
10. Visual Distinction: …it’s a central theme of the game (dark grey vs. light grey, orange, blue, etc.)
11. Sound: Sound design is on point (indicators of danger, whether something turns on or off, is activated, etc.)
12. Lighting: The game uses its Lighting insanely well, between the indicators of what is facing where…
13. Lighting: …as well as in the darker segments of the game, to indicate where you should go, and help you progress
14. Level: Chapter 1 in its entirety
15. Level: …earning…
16. Level: …three positives for general excellence in puzzle design
17. Level: Chapter 2 in its entirety
18. Level: …earning…
19. Level: …three positives for general excellence in puzzle design
20. Level: Chapter 3 in its entirety
21. Level: …earning…
22. Level: …three positives for general excellence in puzzle design
23. Level: Chapter 4 in its entirety
24. Level: …earning…
25. Level: …three positives for general excellence in puzzle design
26. Level: Chapter 5 is brilliantly constructed and does wonderful stuff with the lighting and puzzle design
27. Level: …earning…
28. Level: …three positives for general excellence in puzzle design
29. Difficulty Curve: The difficulty curve is fantastic, not only does it build smoothly but it actually lowers when new mechanics are introduced before escalating again
30. Core Mechanic: The core mechanics of the portal gun remain interesting and fascinating…
31. Core Mechanic: …and are used to brilliant effect
32. Core Mechanic: The hard light, laser, and launcher really add to the depth and complexity of the puzzle design throughout
33. Pacing: The pacing of the game is brilliant. At no point does it overstay its welcome in any given tempo or tension level…
34. Pacing: …easily earning two positives
35. Save: The save system is, as per Half Life usual, just excellent…
36. Save: …with ease of saving and loading, as well as quicksave and quickload…
37. Save: …and multiple quicksave slots
38. Save: And, as per Half Life standard, good autosaves…
39. Save: …good placement of said autosaves…
40. Save: …and multiple autosave slots
41. Yoshi Drums: While it’s mild, the Yoshi Drums are used to good effect
42. Tutorialization: Easily one of the best tutorialized games ever, third positive
43. Optional Mode: Special praise, as usual, for the developer commentary
44. Core Mechanic: The repulsion gel by itself really adds to the core mechanics, alongside the movement beam…
45. Core Mechanic: …the propulsion gel and moon rock gel
46. Outro: The final boss fight is actually pretty fun and well done, making for a good Outro
47. Co-Op: Full campaign co op…
48. Co-Op: …which deserves its own credit…
49. Co-Op: …for being one of the best co-op campaigns in history
50. MSQ: Okay so the co op levels are really, really good. They escalate well, they’re challenging, they’re fun, they’re awesome… but rather than try to parcel out pluses per package of puzzles, let’s just go ahead…
51. MSQ: …and give two for the first chapter
52. MSQ: Another two positives…
53. MSQ: …for the second chapter
54. MSQ: Then there’s chapter three…
55. MSQ: …for two positives
56. MSQ: Another for chapter four…
57. MSQ: …for two positives
58. MSQ: A few more for the joy that is chapter five…
59. MSQ: …for a full…
60. MSQ: …three positives
61. MSQ: And then we have the finale of Chapter six…
62. MSQ: …for two positives
63. Guidance And Flow: Guidance and Flow of Exploration is, usually, good
64. Replayability: Replayability, of course…
65. Replayability: …earning two positives

Gameplay Negatives:

Story Positives:

1. Intro: Opening briefing (VCR segment)
2. Character: Roy Campbell is, honestly, probably the second best character in the piece, with layers and nuance to him but managing to remain relatable throughout…
3. Voice Acting: …especially in part thanks to Paul Eiding’s voice acting
4. Babylon 5 Effect: Babylon 5 Effect is on full display
5. Foreshadowing: The game has a surprisingly large amount of competent foreshadowing
6. Animation: The animation, while a bit canned, does work quite well to add to the scenes
7. Humor: The game is hilariously ridiculous
8. Character: Hal is, honestly, pretty awesome and while he absolutely races through his character arc…
9. Character: …his almost immediate connection and chemistry with Snake is just awesome
10. Storytelling Mechanic: CODEC as a storytelling mechanic (extra bits of dialogue and storytelling)
11. Storytelling Mechanic: The expressions and usage of the CODEC faces during CODEC ‘cutscenes’
12. Cutscene: Wolf’s death has some issues, but is overall well done and well presented
13. Plot: The plot point of a stealth nuke is, unlike several other things in the game, treated without a shred of cheesiness, melodrama, or elsewise, and is just as terrifying as it sounds
14. Character: Generally good supporting NPCs
15. Voice Acting: Generally good voice acting
16. Outro: Outro is, in general, enjoyable
17. Plot: The overall plot is, let’s be honest, actually pretty interesting and engaging
18. Character: Liquid is surprisingly charismatic and engaging, despite everything…
19. Voice Acting: …honestly helped tremendously by Cam Clarke and his wonderfully hammy voice acting
20. Brickwork: For an early PS1 game the Brickwork is surprisingly well designed

Story Negatives:

1. Writing: Repeating exposition with unnecessary questions
2. Pacing: Exposition pacing
3. Dialogue: The dialogue really has issues at times, flitting from topic to topic without proper segway and jerking about in tone wildly
4. Theme: Preachiness. I get the message but the game doesn’t handle it well and beats you over the head with it in a way that defeats its own point
5. Padding: The game feels the need to repeat a cutscene we just saw 20 minutes ago for no good reason, then tries (too hard) to make us feel sad about it, then immediately does a very awkward segway into setting up a ‘twist’ with Naomi
6. Padding: The game overall has a pretty bad padding issue with dialogue and scenes

Gameplay Positives:

1. Music: The music is, of course, quite good
2. Mid Mission Checkpoints: Similarly, the checkpointing is better than expected
3. Boss: The Psycho-Mantis boss fight is probably one of the better designed ones in the game
4. Minimap: Minimap is very useful in determining what and where in the immediacy, exactly like a minimap should
5. Itemization: Itemization and spread thereof is always thought out and well designed
6. Boss: Vulcan Raven boss fight is pretty legit
7. Boss: There are multiple bosses where there’s different tactics and strategies you can use to take said boss down
8. Boss: The Grey Fox fight isn’t super amazing, but it’s interesting enough and varies things up from the rest of the encounters of the game
9. Core Mechanic: Avoid / Evade mechanic, while simplistic and obviously just getting started really, actually works pretty well
10. Difficulty Options: The difficulty options change quite a bit other than just health and damage
11. Intro: The Intro is, at the very least, well designed and a good intro to what this type of game will be
12. Outro: The final boss fight with Rex is at least fun, despite issues
13. Visual Distinction: Surprisingly good visual distinction despite color issues
14. Sound: Sound design, while not super well used consistently, is good for when it’s there

Gameplay Negatives:

1. Graphics: This particular version of the game has several issues with the port. Graphics not rendering properly, issues with cutscenes, controls being honestly pretty terrible, etc.
2. Boss: Backtracking issues during the Sniper Wolf fight
3. Backtracking: The PAL padding. It’s straight up dull backtracking for no good reason
4. Boss: The final fights with Liquid and the turret section aren’t… great, especially in this port
5. Padding: The entire Meryl codec number problem and the run up the communications tower are just a little it too padded

Story Positives:

1. Intro: The Intro starts off classic, but almost immediately subverts it, but also does two important things; it establishes tone (humorous) and it establishes tone (horror)
2. Animation: Animations. It’s actually silly how good the animations are in this game…
3. Animation: …not just in general, but giving ‘voice’ to Mario and the various puppetry sequences…
4. Animation: …for a full three positives
5. Atmosphere: The light-hearted tone still gets a smile out of me to this day
6. Cutscene: Bowyer’s scene leading up to his boss fight is awesome
7. Dialogue: The dialogue is really well crafted overall
8. Localization: The localization is really on point (especially for the time)…
9. Localization: …for two positives
10. Lindblum Effect: NPC Set Dressing is on full display, really making the towns pop…
11. Lindblum Effect: …for two positives
12. Storyboarding: The storyboarding for cutscenes is weirdly well done…
13. Storyboarding: …so consistently as to deserve…
14. Storyboarding: …a full three positives
15. Character: Bowser is just plain awesome…
16. Character: …for a full…
17. Character: …three positives
18. Character: Mallow has a weirdly engaging story arc across the game
19. Character: Peach is, similarly, awesome
20. Internal Continuity: There’s a large amount of internal continuity as the game builds up to its eventual payoffs
21. Visual Storytelling: There’s a lot of visual storytelling in general…
22. Humor: The game still gets a laugh out of me, to this day
23. Character: Especially with Booster! Booster’s awesome
24. MSQ: The entire Marrymore sequence is hysterical, and probably one of the more memorable parts of the game
25. MSQ: Nimbus’ section kinda rocks, with great dialogue and general amusement…
26. Character: …and special bonus points to Valentina and Dodo
27. Background Lore: There’s so, so, so many tiny details and fluff and general tidbits that add to the flavor of the game
28. Visual Storytelling: The visual storytelling and honest horror of the final dungeon is beautiful…
29. Visual Storytelling: …between the dead world, the Machine Made enemies, the assembly line, the broken and the damned
30. Character: Smithy is a very well done example of a negative-space villain, we don’t even see him until the very end but we’ve built him up and characterized him in his absence
31. Outro: The Outro does some wonderful stuff, the final boss fight by itself is fantastic and psychologically horrifying…
32. Outro: …but then the ‘here’s where they are now’ ending and parade really cap it off
33. Character: Supporting cast is good across the board
34. Character: Mario is surprisingly well characterized in a game where he has no dialogue
35. Brickwork: Castles and towns
36. Brickwork: Greens and fields
37. Brickwork: Booster, Moleville, and Star Hill
38. Brickwork: Nimbus, Land’s End, and the Volcano
39. Brickwork: Bowser’s Keep
40. Brickwork: Factory… chilling, bleak, brutalist Factory
41. Spritework: So this is going to be a weird one, but for all the unique and interesting sprites in the game, the pseudo clay look has always rubbed me the wrong way and I can’t give it full marks
42. Doodads: General, but decent

Story Negatives:

1. Tone: The game is just… weird at times, and usually for completely random, pointless reasons (Punchinello? Bowyer??)

Gameplay Positives:

1. Intro: The Intro does everything it needs to and properly, giving you time to get used to combat, movement, etc.
2. Controls: The shortcut menu system is great, as it actually reduces unnecessary padding in menuing and selection, keeping combat and the game flowing smoothly
3. Music: While one of her first full games, Yoko Shimomura’s music does some great stuff in this one
4. Pacing: Gameplay pacing is on point, bouncing between dungeons, towns, and using minigames as ‘breather’ segments
5. Boss: Bowyer. Aside from being generally well balanced, his gimmick of cancelling out menus (and changing his pattern to suit) is cool
6. Encounter Rate: Encounter avoidance design (can just dodge enemies in areas)
7. Power Progression Curve: Staircase leveling (each stat and level matters, gear can overcome levels)
8. QoL: General QoL features (memory cursor, equip convenience, equip in shops, etc.)
9. Level: Bowser’s Castle is probably the best dungeon in the game, with the Bowser-makes-enemies-flee mechanic, multiple paths forward via the doors, and generally better than average layout and itemization
10. Itemization: Itemization in the game is actually quite good, both in consumables and in equipment, always pushing you towards upgrades
11. Outro: The Outro has some stumbles, but really nails it where it counts; in the final boss fights
12. Enemy Variety: Enemy variety is reasonably good across the game
13. Viscerality: There’s surprisingly enjoyable viscerality to the animations of the various weapons and spells
14. Replayability: The game is short (and funny) enough to warrant a Replay positive
15. Song: Factory

Gameplay Negatives:

1. Music: Some of the songs (not all of them) are honestly just way, way, way too repetitive (in an extreme case, one song’s loop is literally 14 seconds)
2. Unskippable Cutscenes: The bane of JRPGs
3. Boss: Croco. Both encounters are unbalanced, in terms of stats and moveset…
4. Boss: …earning a second negative
5. Level: The sunken ship isn’t a good dungeon to begin with (crammed hallways, status effects everywhere) but the Johnny fight really pushes it into negative territory
6. Boss: There are several bosses that are clearly lacking the polish of others, either in terms of overtuning or the stats being ‘off’ or their placement making no sense
7. Info In Game: Generally bad Info In Game
8. Core Mechanic: Platforming is not good in this game, between perspective and lack of depth at multiple segments
9. Level: Nimbus’ section kinda sucks. It’s very tight hallways with very hard to dodge enemies who are irritating to fight, but what really takes the cake is the RNG solo fight with Dodo with no warning
10. Encounter Rate: The game likes to just bucket-dump encounters in dungeons… in a way that would make sense if they were Mario enemies, but each one involves a full encounter, and they don’t give enough reward to really be worth doing all of them, making the whole thing unnecessary and irritating
11. Guidance and Flow: There is a huge amount of secrets with no indication where or what they are, ranging from neat to actually useful
12. Bug: Timed Hits issues. Hitboxes vary, sometimes they’re outright deceptive, and nothing indicates this other than trial and error
13. Boss: The Bundt fight has several issues (difficulty spike, unclear directions, mean if you’re not ready for it) but what really pushes it into negative territory is the long, long stretch between the last save and the boss (multiple cutscenes, a minigame, and a fight)…
14. Boss: …for two negatives
15. Kit: Generally decent spread of abilities across the party members

Story Positives:

1. Intro: The Intro does a lot to establish the tone, the main character, and the vibe of the game very quickly and efficiently… for good and for bad
2. Visual Storytelling: Usage of background visuals, like the battle with Ares or Kronos crawling in the desert
3. Humor: As much as it sucks elsewise, the puzzle where you drag the screaming man into the fire is great
4. Brickwork: The general visuals of the Temple of Pandora are honestly quite legit, with the unique and interesting Zelda-esque areas for each puzzle segment
5. Character: Pathos Verdes III’s story is, honestly, one of the most engaging and interesting ones in the first game, detailing in such an elegant way how he slowly lost everything in servitude to the gods (and neatly mirroring Kratos’ own existence)
6. Tone: The general tone and vibe of the game does a pretty good job of getting across consistently just how messed up the greek pantheon is and how its mere interactions with mortals, as playthings or tools, shapes the events to come
7. Moment: The sequence where you have to save your family, while being legitimately awful gameplay wise, is legit storywise; Kratos fighting against slavering monstrous versions of himself to save his family
8. Foreshadowing: The foreshadowing with the box, the sword, and the grave is actually pretty nice

Story Negatives:

1. Atmosphere: A general negative for excessive edge factor. Later games would refine this into something more interesting, but in the first game it just comes across as juvenile
2. Outro: The Outro overall is a bit rushed and feels flat after the build up to it

Gameplay Positives:

1. Control: There is a good amount of control in how you maneuver, between animation canceling and being able to adjust aim in mid swing
2. Core Combat: The core combat is (surprise) pretty enjoyable
3. Core Combat: The way you can combo between attacks is, further, a great way to keep things interesting
4. Enemy Variety: Enemy variety is pretty good
5. Encounter: Encounter design in how and what is fought with what is great
6. Music: The game’s music is appropriately big and bombastic
7. Viscerality: Game is generally good in the viscerality department
8. Intro: The Intro (with one notably huge exception) does a lot right, getting us a feel for what to play, and easing us into things in the form of a big epic sea battle disguising the tutorial
9. Mid Mission Checkpoints: Mid-mission checkpointing is actually quite good in this one
10. Kit: The Blades of Chaos are, by themselves, worthy of a positive for how well designed and generally fun they are to use
11. Level: Generally good puzzle design in the Temple of Pandora
12. Level: Special mention to Hades’ entire section which honestly feels better designed and more engaging than the rest
13. Boss: The Minotaur was a surprisingly fun boss fight, and well designed too; successful phase transitions reward health and mana, multiple methods of attack, and a small puzzle component too
14. Pacing: The game has generally good pacing, bouncing between exploration / puzzle sequences and action sequences
15. Kit: The various spells and their upgrades are good kit…
16. Kit: …as is the variety of combos and moves you get as you upgrade the blades
17. Itemization: Generally good itemization in power ups, pick ups, etc.
18. Power Progression Curve: Good power progression curve as you increase in kit and abilities throughout
19. Level: A general positive for the neat platforming segments of the Architect’s Tomb

Gameplay Negatives:

1. Difficulty Options: Lazy difficulty settings
2. Intro: Box section of the Intro is honestly really, really bad… not only does the box have entirely too little HP, but their arrows are rapid and accurate and you’re slow in both pushing and kicking, AND it’s during the tutorial…
3. Intro: …leading to a second negative
4. Mid Mission Checkpoints: Ironically for a game that has good mid mission checkpoints, it also has bad ones… just depends on where and when
5. Encounter: The bullcrap with the dragging the guy into the fire puzzle can, itself, go into the fire (enemies that are designed to waste time, that spawn infinitely, while having to slowly drag an item up a hill)
6. Lighting: Lighting isn’t just too dark, it’s too difficult to even see and worse there’s distinction issues periodically due to color usage
7. Camera: The fixed camera really does have some issues. Ignoring the total lack of camera control, there are several areas where sudden jarring camera swaps can and do cause issues
8. Padding: There’s some definite health issues with regards to certain enemies throughout, which leads into…
9. Pacing: …a general drag in pacing, mostly due to animations or actions simply taking too long
10. Encounter: The spike box pit puzzle is absolutely awful, entirely too tightly tuned to be anything other than frustrating. Only the quick checkpoint and reset prevents this from being worse
11. Encounter: The final gauntlet before Pandora’s Box is honestly more irritating than challenging; moving floor, no safe place to stand, and only two types of enemies spawning (and a LOT of them) both of which do interrupt attacks
12. Outro: The Hades segment is clearly unfinished, with a lack of detail in terrain and design, and actually incorrect hurtboxes on some of the hazards
13. Outro: The Hades climb the bladed tower section can go straight to hell… no pun intended. A long, irritating climb with a camera too zoomed in and starting all over when you screw up
14. Outro: The final boss fights have a few issues which I won’t recount here…
15. Outro: …but special mention must be made for Phase 2. Essentially everything is wrong with the fight; An escort mission with a huge number of fast, high armor enemies that stagger you easily, that can absolutely obliterate them effortlessly, with a ranged jackass and no ‘hp bar’ (aka no way to tell how far you are in the fight) while fighting on a very small space where the enemy can juggle you off the ledge, and on top of all of it there’s a degree of pure RNG to the fight…
16. Outro: …making the whole thing two negatives by itself
17. Encounter: The aggravation of the siren desert sequence

Story Positives:

1. Intro: The opening cinematic is honestly quite legit, immediately and brilliantly establishing theme and tone, Kratos’ position versus Athena and Zeus, and the brutal collateral damage of the uncaring gods fighting amongst each other
2. Intro: The Intro is just damned good. Well paced, good tone setter, good foreshadowing, great cinematography, and not only resetting us in lore but giving us our next goal and quest…
3. Intro: …thus earning the Intro a second (or arguably third) positive
4. Visual Storytelling: The visual storytelling of the first section of the game is spot on, with sweeping vistas and great background events, the frozen wastes of Typhon’s prison, and the slowly encroaching island in the distance
5. Doodads: Doodad utilization is substantially better than the first game, really accenting each area
6. Visual Continuity: Good general visual continuity, at almost every point of the isle you can tell where you are in relation to where you’ve been
7. Character: Several of the ‘side characters’ who try to kill you as you go are amusing in general, but also serve as interesting foreshadowing for the central plot
8. Music Direction: The game generally has good, dramatic, and epic set pieces for sequences
9. Brickwork: The temple to the Fates, especially in direct contrast to the previous bogs, swamps, and ruins
10. Brickwork: The bogs, swamps, and ruins
11. Brickwork: It’s not much, but the cityscape areas really work well
12. Plot: The primary plot of the game… or more accurately the background plot of the Fates being the actual cause of all the horribleness in the Greek plane, including all the nonsense with the Titans and the Gods long before the series started, really adds to things…
13. Plot: …for two positives
14. Visual Storytelling: The visual detail of the beauty hiding the rot is wonderfully overt in how understated it is in the final Fates section
15. Foreshadowing: The game has plenty of foreshadowing in the dialogues, background details, and small snippets throughout
16. Internal Continuity: The game maintains good internal continuity with itself
17. Music Direction: The music direction absolutely adds to scenes repeatedly
18. Atmosphere/Tone: The game’s overall tone of epicness, tragedy, and similar atmosphere
19. Voice Acting: Voice acting is actually quite improved, and does what it needs to to be a positive
20. Outro: The Outro has several problems, but that final shot of Olympus and the build up to the final battle is just fantastic
21. Spritework: Lovely greek mythos enemies, bosses, and people…
22. Spritework: …for two positives

Story Negatives:

1. Writing: The inconsistency of the time travel is, as usual, problematic and trips over what would otherwise be an excellent plot twist

Gameplay Positives:

1. Intro: The Intro is just fantastic. Good pacing, good tutorialization in gameplay, good viscerality and spectacle, good encounters, just generally awesome across the board and (frankly) one of the best Intros in gaming…
2. Intro: …earning…
3. Intro: …three full positives
4. Tutorialization: The ‘demo’ segment each new power comes with is great (infinite mana and enemies designed to play around with it)
5. Kit: The improvements to Rage of the Titans (making it a spendable resource rather than a lengthy cooldown) makes it a nice and useful addition to kit, putting more control of your output into the hands of the player
6. Minigame: The Pegasus sections are fun diversions that are functionally minigames but (importantly) don’t overstay their welcome
7. Boss: The Theseus boss fight is actually kind of fun; His attacks are well telegraphed (with one noteworthy exception) and the fight gives you tools to refill while fighting him, and it doesn’t wear out its welcome with its gimmick
8. Boss: The barbarian king boss fight is nicely layered and escalates well as it progresses, and is generally fun (especially when an familiar face pops in)
9. Level: The platforming and puzzle sequences of the horses and temple are fun, well spaced, and enjoyable
10. Level: The poison swamp and navigating the loop is a very tightly designed, well crafted level
11. Kit: The Golden Fleece, by itself, is a game changer. While the ‘parry’ mechanic has been present since the first game, many enemies can now be interacted with differently via this unique parry and the ‘reward’ part of parrying is suddenly added to the equation
12. Control: The game controls beautifully, with reduced input lag and a great deal of (ironically) control over what you do when and how…
13. Control: …leading to two positives
14. Core Combat: The core combat gets a plus by itself
15. Core Combat: The way you can combo and shortcut into movesets also gets a plus by itself
16. Core Combat: The animation canceling and animations and… just everything has so much fat trimmed that the flow of combat is fantastic
17. Animation: The enemy animations really help with reacting and acting around attacks
18. Pacing: The game’s pacing is fantastic. There is almost a metered rhythm to the shuffling between combat, exploration, puzzle, talking sections…
19. Pacing: …and it easily deserves…
20. Pacing: …three positives
21. Kit: Athena’s blades, as in the first game, deserves a positive by itself for its excellent design
22. Music: The music is not just great, it’s excellent and varied too…
23. Music: …leading to two positives
24. Level: The post-Barbarian bog, ruins, and forest level
25. Level: While I honestly think it’s too gross, the core mechanics and design of the Atlas stage are actually quite good
26. Level: The early portion of the Fates Temple has inventive and fun puzzles and platforming…
27. Level: …the second area has even better stuff, foreshadowing and playing with temporal mechanics
28. Level: And the third area is just some great danger puzzles, timed fights, and general quality
29. Boss: The Kraken puzzle-boss is one of the better puzzle-bosses in the game, good escalation of events without changing the core concepts
30. Mid Mission Checkpoints: Generally good mid-mission checkpoints throughout
31. Boss: The Fates boss fight is probably the best fight in the game, with good reward and multiple methods of progression on top of great escalation of establishing 1, establishing 2, then combining…
32. Boss: …plus the entire sword sequence is great
33. Encounter: The final gauntlet is actually well designed in terms of the rotating walls, the combinations of enemies, and the refills designed throughout (chests, kills)
34. Boss: The Clotho final gauntlet is not quite as cool as the Kraken, but is still a good ‘environmental’ puzzle boss
35. Boss: The final fight against Zeus was a lot better than I remembered, only really stumbling right at the end (and even that has a mid mission checkpoint right before it)
36. Kit: The spear is just an awesome weapon in its own right, with fantastic impact and reach and range
37. Guidance and Flow: Generally good guidance of exploration and flow
38. Encounter: Generally good encounter design, where what enemies you fight where is clearly well thought out
39. Enemy Design: Enemy design is top notch
40. Enemy Variety: Enemy variety is honestly a bit better than the first game, even though similar enemies are used, they are refined in their usage
41. Difficulty Curve: The difficulty curve is a nice gradient curve upwards
42. Power Progression Curve: The power progression curve similarly makes you feel more and more powerful as you progress
43. NG+: Good New Game +
44. Itemization: The game is very well itemized, to the point where there’s clear thought and design into where bonus chests are, what gives health, mana, and rage (and based on which weapon you’re using), as well as chest placement…
45. Itemization: …leading to two positives
46. Replayable: The game is fun, has new game plus, and is generally replayable
47. Visual Distinction: The game has good visual distinction, only rarely is it unclear what you’re looking at or have to do
48. Visual Continuity: The game’s visual continuity and general navigation is almost always helpful in how to go when and where
49. Viscerality: The game has excellent viscerality, from the sound, to the sights, to the impact…
50. Viscerality: …earning it a second positive

Gameplay Negatives:

1. Difficulty Options: Difficulty options are, as usual, lazy
2. Bug: Remaster bugs (including 1 hardlock, and double jumping issues post-Icarus)
3. Encounter: The final gauntlet also kind of sucks because it has no mid mission checkpoint and it is loooong

Story Positives:

1. Intro: The general spectacle and presentation of the Intro is, as usual, excellent
2. Visual Storytelling: The visual presentation of the underworld is honestly excellent; In just a few seconds we know everything about this place, and as we go through the stage we learn even more just by looking around
3. Character: Hades is actually made into something approaching a character here, both in his modus operandi but also his sadism, and is brilliantly presented regardless
4. Cutscenes: The stylized presentation and usage of the cinematics is really good this time around
5. Humor: I just… I have to give a plus for Hermes’ death. It’s too amusing
6. Moment: The contrast in Hera’s concern for her flowers alongside the dead and dying is one of the better analogies in the whole game
7. Voice Acting: Voice acting is pretty legit, just like in the last one, with a decent spread of cast members adding to the pile
8. Plot: The apocalypse’s progression as we kill the gods one by one, and all implied therein
9. Animation: The body language and animations of Kratos in particular are great, especially in how differently he interacts with those around him…
10. Character: …tied in with Kratos actually having actual characterization and character growth in this one, as his tone and movements slowly shift around both Pandora and Athena
11. Brickwork: The visuals and tone of the labyrinth are great as usual
12. Outro: So the Outro does have some issues, but I honestly love Kratos’ journey into his mind and his coming to grips with his grief, his guilt, and his trauma
13. Outro: And honestly I really enjoy the final Outro. Kratos, the god of hope, killing himself to release everything to the mortals, ending the reign of the gods entirely… and Athena being revealed as the one behind everything from the beginning, just like before
14. Character: While not many individual characters leap out at me, there’s a pretty good supporting cast in this one
15. Music Direction: The music direction, as with the last game, really adds to things
16. Foreshadowing: The foreshadowing is, as usual, all over the early parts of the game
17. Atmosphere: As usual the atmosphere oozes and presents itself well throughout
18. Doodads: Back to the good doodad presentation
19. Integration: Several surprising moments of gameplay/story integration

Story Negatives:

1. External Continuity: Pandora’s box and subsequent retcon. Confirmed by interviews and shown in the game, the idea sort of deflates a lot of the previous games, making for bad external continuity
2. Pacing: The story’s pacing does suffer a bit of Kingdom Hearts Syndrome; entirely too much of the story is at the very beginning and very end

Gameplay Positives:

1. Intro: The Intro isn’t quite on the gameplay level as the second game, but it’s still generally awesome to fight the giant water crabs and pummel Poseiden
2. Tutorialization: Demo mode returns (infinite usage / mana when gaining new abilities)
3. Intro: The construction of interlocking combat and puzzle in the early Underworld segment is a good, fun tutorialization
4. Encounter: The entire Hades statue puzzle sequence is pretty clever and fun
5. Boss: The Hades fight might actually be one of the best ones in the game. Hard hitting, fair in his telegraphing, good and multiple ways to counter, rewarding to execute, multiple escalating mechanics, and great presentation…
6. Boss: …easily a two positive fight
7. Level: The ascent up to Helios is alright, but the surprisingly well designed darkness section thereafter (and the proper tutorialization of the mounted combat mechanic) is legit
8. Minigame: Further praise to the ‘minigame’ of ascending the chain of Olympus, does most of what the Pegasus sections in 2 did right but a bit better
9. Boss: The Hermes boss fight (aka the race) is actually a really good setpiece, well presented and tightly designed
10. Boss: The Hercules boss fight is still quite enjoyable, using him against himself, phase changes refilling, and the slow escalation of his attack style as he loses his armor
11. Kit: The weapons are above and beyond the previous games. Starting with the Blades of Chaos which are even more refined than before…
12. Kit: …with huge coverage, reach, range, and timing, they are the catch all
13. Kit: The claws of Hades are deceptively mobile, difficult to direct properly but allowing you to ‘dodge play’ to your hearts content while doing damage
14. Kit: The cestus is a brawler’s dream, each swing giving us huge range… We get caught in animation locking longer, but can break out of it effortlessly with proper blocking and the aforementioned maneuvering
15. Kit: And finally the nemesis blades, which encourage and reward careful input with insane damage output at a cost of reduced reach but increased area
16. Kit: A final general aggregate positive for all the weapons being just fantastic
17. Level: The brief but interesting portal room and surrounding areas are fun, interesting puzzle segments
18. Level: The Garden of Hera is honestly one of the more interesting puzzle segments in the entire game, with the unique perspective movements and maneuverings
19. Kit: The way spells are tied to weapons is somewhat limiting but the spells and moves are still good kit
20. Music: The music isn’t quite at the level of 2, but it’s damned good
21. Viscerality: As with 2, the viscerality is fantastic and spot on, both in audio, visual, and feel…
22. Viscerality: …leading to a full…
23. Viscerality: …three positives
24. Boss: The Scorpion boss is enjoyable and a great way to play around with the cestus
25. Encounter: The entire cube puzzle is short but very sweet, and very fun and creative
26. Encounter: The labyrinth gauntlet is actually kinda a neat elevator sequence, especially in how you can use it against the enemies
27. Level: The second bundle of star fox segments is even tighter than last time, and more fun to boot
28. Boss: The Zeus fighter section is actually really good, surprisingly well designed given the genre shift
29. Boss: The second Zeus fight is similarly brutal, but well balanced with good recovery and a great setpiece
30. Boss: The final boss with Zeus is enjoyable in its own right, but the fact that they give you the first person beatdown of Zeus as the victory lap, and finally being able to beat the snot out of Zeus for however long you want to
31. Integration: Gameplay/story integration throughout
32. Animations: Gameplay animations help with maneuvering, especially the attacks designed to be blocked…
33. Animations: …for two positives
34. Controls: The game controls exceptionally well, the player has a stupid amount of control over what happens and where and it all flows in terms of layout of buttons to chain abilities and attacks…
35. Controls: …leading to…
36. Controls: …three positives
37. Core Combat: The core combat has already been talked about a bit but must be emphasized how fantastic it is, anything I could say wouldn’t even be a good summary of it so instead…
38. Core Combat: …I’ll just…
39. Core Combat: …give it three positives
40. Difficulty Curve: The game’s difficulty curve is very smooth and well designed…
41. Difficulty Curve: …earning two positives
42. Encounter: As before, encounter design is good. It flounders a bit earlier, but gets good later on
43. Enemy Variety: The enemy variety is, once again, fantastic…
44. Enemy Variety: …for two positives
45. Guidance and Flow: The game has legitimately great guidance and flow of exploration…
46. Guidance and Flow: …at almost all points encouraging and rewarding thereto
47. Itemization: Between drops, optional kill methods, chests, and the variable chests…
48. Itemization: …the game once again has great itemization
49. Mid Mission Checkpoint: Good mid mission checkpointing is back
50. Pacing: The game once again continues 2’s trend of fantastic pacing, bouncing between platforming, puzzle, and combat…
51. Pacing: …leading to a second positive
52. Power Progression Curve: The pace and progression of power is much more noticeable and enjoyable in this one
53. Replayability: The game is generally replayable
54. QoL: A final bonus positive for how awesome the ‘swap between weapons in combat’ move is

Gameplay Negatives:

1. Difficulty Options: Difficulty settings are, as usual, lazy difficulty

Story Positives:

1. Intro: The opening cinematic does so much with so little; text on a screen, careful word choice, and debris in space. Love it
2. Intro: The Intro in general does a great job of setting up everything you really need to about the marines, guard, Orks, etc.
3. Voice Acting: Generally good
4. Visual Storytelling: The visual storytelling, brown aside, is quite good; the savagery of the orks, the portrayal of the Guard (locked out to die, fighting to the last), the Marines, the car-sized ammunition, etc.
5. Storytelling Mechanic: The audio logs, as usual, add some nice additional background storytelling
6. Character: Captain Titus is weirdly down to earth and humble, helped by his voice actor (Mark Strong), and is generally likable in addition to being awesome
7. Atmosphere: A bonus positive for the game retaining a general vibe of total badassery; for the Guard, the Marines, and the Orks
8. Cutscene: The big reveal about Drogan, Chaos’ introduction to the narrative, and the Warboss being awesome
9. External Continuity: For the parts that work, the external continuity really adds to the flavor and vibe of the game

Story Negatives:

1. Outro: The Outro overall is weak at best, and a cliffhanger to boot
2. External Continuity: For the parts that don’t work, the external continuity and retcons and other handwaves kind of detract from things

Gameplay Positives:

1. Viscerality: The viscerality of the attacks and guns and enemies and everything is great…
2. Viscerality: …easily worthy of a second positive
3. Core Combat: The entire system of attacks, stuns, and executions is a great concept that encourages the player to keep moving and killing as the primary vehicle for progression…
4. Core Combat: …easily earning a second positive for flow of combat
5. Music: Music is the exact awesome rawr it needs to be
6. Tutorialization: The tutorial is quick, efficient, and to the point; here’s everything you need to know to be able to play the game in about a minute and a half
7. Kit: Jump jets! Just… the joy of leaping into the air and crashing down on a target you control
8. Level: The initial ‘mission’ (deal with the cannon) is a great intro threat; establishes the Orks, their threat range and variety, and challenges you in a good variety of activities (jump jets, meleeing minibosses, ranged shoot outs, large packs, holdouts, etc.)
9. Sound: Sound design is great, not just in distinction and adding to enjoyment…
10. Sound: …but in letting you know what’s attacking when and where
11. Enemy Variety: The enemy variety just in the Orks is fantastic, with lots of enemies encouraging different tactics and themselves approaching you in different ways
12. Encounter: The encounter design almost always takes into account terrain and weapon kit, making for fun and interesting design
13. Kit: The kit is surprisingly good for how relatively small it is, but each gun and melee weapon acting and feeling differently
14. Power Progression Curve: A bonus positive for how the game properly escalates your power progression
15. Mid Mission Checkpointing: The mid mission checkpointing is inconsistently good, but when it is it’s good
16. Hyperbeam Moment: The Hyperbeam Moment of the assault up the spire is exactly as awesome and fun as it should be
17. Visual Distinction: Surprisingly good visual distinction despite the brown issue
18. Viscerality: The game’s sound and impact of attacks has generally good viscerality…
19. Viscerality: …but what pushes it into two positive territory is the satisfying finishers, variety of kill animations, and pink mist

Gameplay Negatives:

1. Save: One save slot issues (PS3 problem)
2. Options: Lack of proper options
3. Party AI: The companion AI is honestly awful; they do very little damage, infrequently, rarely take aggro, and essentially provide nothing to gameplay
4. Raspberry Jam: Not the worst, but decently bad raspberry jam
5. Controls: The controls in general (PS3 problem) are not great
6. Outro: So that last boss fight, if you can call it that, is not great… it’s essentially just a mook fight and then a QTE sequence
7. Terrain: There are several shootout areas where the terrain design… isn’t, without proper mechanics or elsewise to support good arenas

Story Positives:

1. Intro: The Intro is actually quite strong; Within about an hour we know the nature of the setting, our role in it, the underbelly problems, and have hints of how things are more complex than they appear
2. Character: While most individual characters don’t shine much, each one usually gets one scene of amusement or characterization
3. Character: The game has decent dynamics between several characters
4. Atmosphere: Though vague, the political undercurrent is nice
5. Cutscene: Gremio’s sacrifice still hits a bit, and the way the game lets you process it briefly afterwards is still well done
6. MSQ: The Neclord chapter is fully sidequesty, but actually works pretty well as a little insight into where Flik is from, does some good stuff with Viktor, and ties the Ted thing up with the jaunt to the past
7. Humor: While infrequent, the game is legitimately funny more than a few times
8. Background Lore: Generally good background lore
9. Moments: The ‘before the battle’ character tidbits we get before Shasarazade are micro, but good
10. Character: Mathiu is one of the rare characters who is good by himself, having an actual presence and arc throughout most of the game and being a consistent source of competence
11. Character: For what it’s worth, I liked Barbarosa just being an incompetent idiotic ruler rather than mind controlled, and his foolish confessions to Windy are appropriate
12. Outro: I do like the finale ‘here’s what happened to them’ tidbits
13. Pacing: The pace of the game is surprisingly tight, with events flowing well through each other
14. Spritework: Not the best, but it is good

Story Negatives:

1. Localization: Not the best. It’s not the worst but there is consistent bad grammar and awkward sentence structure
2. Localization: I’m going to go ahead and add a second negative for the localization getting noticeably worse further into the game (and the game’s insistence on calling Mathiu a medical officer…)
3. Cutscene Incompetence: The early game is plagued with a combination of cutscene incompetence and us just sort of… going along with everything, which honestly gets aggravating pretty early
4. Doodads: There’s what I can only call anti-doodads in this game, as several areas literally feel more basic and plain than they ‘should’, reminding me of NES RPGs and pulling me out of the narrative as a consequence…
5. Doodads: …and while I’ve seen worse, not by much
6. Brickwork: Bad in general but made all the more stark when compared with virtually any other game, even previous ones…
7. Brickwork: …leading to two negatives
8. Cutscene: Gremio’s sacrifice… is ridiculous. The scene leading up to its necessity has at least two examples of cutscene incompetence, and the presentation really just isn’t there
9. Writing: The morons who shouldn’t be our enemy who die for melodrama’s sake because moronic loyalty are morons
10. Outro: The finale ‘here’s what happened’ has the usual localization problems, but that was entirely too fast paced to be worthwhile (and there’s no pausing or rewinding)

Gameplay Positives:

1. Grind/Leveling: The catch-up level mechanic and its anti-grind support…
2. Grind/Leveling: …earning it two positives
3. Party AI: The at-will auto-battle option is a nice feature
4. Music: Music isn’t the best, but it is catchy (and actually directed well…)
5. Encounter Rate: Let go and its presence as an auto-avoid encounters
6. Power Progresion Curve: The game’s power progression curve is actually quite smooth, and only gets better over time
7. Kit: The rune system itself is basic, but good
8. Core Combat: Combat is swift both in, during, and out
9. Fast Travel: Decent fast travel system (mirror and Viki), which doesn’t get more positives due to limitations and the fact that you can permanently lose the mirror
10. Build: Lots of possible party members and the six sized party means a lot of possible combinations and the option to bring your favorites
11. Strategic Layer: The Keep mechanics are basic, but fun
12. Difficulty Curve: When it’s good, the difficulty curve is quite smooth
13. Enemy Variety: There is a decent amount of enemy variety overall
14. Itemization: Generally good, good spread of items and gear throughout
15. Replayable: Due in part to its mechanics and systems as well as the tightness and pace of it, the game is generally replayable
16. Pacing: Due to the overall segmentation of ‘chapters’, not an excess of fights or bosses, and spread of dungeons to ‘town’ sequences, the game has good pacing
17. Pacing: The fact that actions can resolve at the same time or after enemies die in combat
18. Alternate Leveling: The weapon upgrade money sink as a way to keep up on raw damage

Gameplay Negatives:

1. Overworld: Rather lacking in design
2. Level: The first three dungeons are, per the series standard, pretty crappy dungeons (plain paths with bad graphics and absent design)
3. Level: The next bundle of dungeons continue the boring and bland approach to dungeon design
4. Interface: The interface is clunky at best, requiring too many inputs to accomplish even basic tasks, and with very little info in game to assist or smooth over inventory management
5. Music: There’s some good songs in this game, but there’s also lengthy swaths of the game where a very short, repetitive song plays
6. Tutorialization: The total lack of tutorialization on both the army and the duel mechanics isn’t the worst, but it’s not great
7. Core Combat: The extremely basic rock paper scissors ‘strategy battles’ are entirely too random and luck based
8. Walkthroughitis: The 108 are pretty walkthroughitisy in this one
9. Grind: Further, several 108 recruits are straight up grindy… pure luck based or pure grind based
10. MSQ: Pahn’s survival by itself is its own problem
11. Backtracking: The second chapter’s backtracking problems are awful, and the only reason it’s not more negatives is the presence of the fast travel system
12. Mid Mission Checkpoints: Legitimately bad, repeated stretches of no mid-mission checkpoints between dungeons, battles, bosses, and duels
13. Encounter Rate: The encounter rate could be worse (and it is mitigated a bit) but it’s definitely too high for a game like this
14. Difficulty Curve: When it’s bad, the difficulty curve is awful, lunging up and down at will
15. Level: More bad dungeon designs
16. Walkthroughitis: General but consistent 108 recruitment aggravations
17. Save: Saving your game is very limited, only able to save at inns or crystals, which is further compounded by the slow irritating save method
18. Outro: Where do I begin. It’s a series of boring corridors with the same fights over and over and over again…
19. Outro: …made worse by the repetition and length…
20. Outro: …and further compounded by the last boss being the suckitude
21. Info In Game: There is a pretty bad lack of info in game on top of the interface issues

Story Positives:

1. Intro: The Intro is pretty strong; actually shows us the battle of legend, implies connections between characters and the Sinistrals, and mentions a few key things like our energy and the Dual Blade
2. MSQ: While rushed, the game does a good job of establishing Hero, Lufia, and the state of the world in brief
3. MSQ: The first encounter with Gades is well built up (the dead and dying in town) and paid off (he absolutely stomps us, and only retreats because of Lufia)
4. MSQ: Medan’s fake ruby to bring in tourism money (and as a stealth tax) is surprisingly interesting, especially since there is no ‘real’ ruby
5. Humor: The game is legitimately amusing multiple times
6. Foreshadowing: There’s some weirdly well done foreshadowing early on
7. Lindblum Effect: The world feels surprisingly lived-in, with little references and NPCs that have nothing to do with your quest, just people living their lives and interacting with each other
8. Character: The dynamic between the main party is actually pretty decent, leading to several good banter scenes
9. Theme: The over-arcing theme of complacency isn’t very well presented, but it’s almost continuously showcased throughout, as people simply stopped trying or bothering since… why bother? And this leads to most of the issues in the game, as a properly prepared and resolute populace probably could have dealt with the resurgence of monsters and Sinistrals themselves
10. Moment: The big reveal of Lufia’s identity could be handled better, but it still has some impact, especially in how its used (namely, people’s reactions to it)
11. Moment: I will admit I do like how Lufia’s final moments with the Hero are all about how she preferred her brief time with him over her endless time as a Sinistral
12. Brickwork: Y’know, after covering Brickwork in extensive detail, there’s not terrible brickwork here… especially in towns

Story Negatives:

1. Cutscene: Guy’s death is… weird. It’s literally his second (and final) scene in the entire game, has none of the impact it’s clearly going for, and comes out of no where
2. Doodads: While not as bad as some other games, the Doodad utilization is pretty bad
3. Pacing: The pacing of act 1 is… weird. It starts off strong, then meanders really badly for a really, really long period of time
4. Pacing: The pacing problems continue as the game essentially tries to have a central plot and a lot of seemingly unrelated side quests at the same time
5. MSQ: The entire ‘find the professor’ sequence is aggravating in the worst way
6. MSQ: And then we have the extended sidequest of ‘find the Alumina’… good lord
7. Localization: Not good. It’s not the worst, but it’s not good
8. Outro: That Outro is… not good. Ignoring the massive repetition problems, and the irritation with Lufia surviving, the fact is that it’s rushed and involves a year skip for no good reason and just kinda falls flat

Gameplay Positives:

1. Music: Music has a few flops, but there’s still some great songs here
2. Intro: The Intro serves as a serviceable tutorial in its function as a taste of power, letting us try out abilities and get used to combat in what is effectively a safe environment as we push through the Fortress (and of course giving us a hint of what we’ll eventually get)
3. Kit: The way the game uses spells is actually pretty cool; They’re not the best kit I’ve ever seen, but they are useful, and (this is the important part) they’re cheap, meaning they go from being big cooldowns (or useless) to a regular part of your strategy
4. Enemy Variety: Enemy variety is bolstered almost entirely by the spell kit, which they have access to
5. Fast Travel: The Warp spell functions as a decent fast travel system (especially when combined with Escape)
6. Penalty For Failure: Decent penalty for failure system (warp back to previous save spot, minus money and with some people staying dead)

Gameplay Negatives:

1. Core Combat: The game doesn’t change target automatically upon target death, a problem that was solved in the NES era
2. Difficulty Curve: The goblin boss is a hell of a difficulty cliff, and grinding at this point (even with a free instant heal nearby) takes forever
3. Encounter Rate: Not the worst I’ve ever seen, but it’s pretty bad…
4. Encounter Rate: …earning two negatives
5. Traversal: For reasons best left to the imagination, the movement speed in dungeons is slow…
6. Traversal: …this is a recurring irritation, only mitigated by not being active outside of dungeons
7. Music: The music restart problem has the usual issue (everytime you enter/exit a state, like combat or the overworld, the music starts over)…
8. Music: …but anytime you change major zones (usually within a dungeon) the music stops, then restarts
9. Info In Game: The game at least tells you how spells work, but it does not tell you anything about equipment…
10. Info In Game: …or items
11. Save: The game’s save limitations (can only save at the save dudes) is bad on several levels…
12. Save: …earning two negatives
13. Gotcha: No real indicators of when you can or should save or heal before, surprise, doom fight
14. Core Combat: Targeting issues. The game literally prevents you from targeting enemies, only enemy groups. This makes several aspects of the game worse, not the least of which being it literally removes an aspect of tactics from the player’s hands, but also makes encounters ‘harder’ by preventing you from focus firing…
15. Core Combat: …leading to two negatives
16. Backtracking: There’s worse games for it, but the backtracking problems are definitely there (walking out of dungeons and back to town being the biggest offenders)
17. Difficulty Curve: The game has one of the worst difficulty curves I’ve seen in a JRPG, with some enemies being push overs, others in the same zone being capable of killing you entirely based on RNG, and boss battles that yo-yo up and down in relative difficulty…
18. Difficulty Curve: …leading to two negatives
19. Power Progression Curve: Now this is made worse by the power progression curve being legitimately awful, with every encounter giving you a tiny increase in overall capacity…
20. Itemization: …which further bleeds over into the gold problem, as you get so little gold from encounters…
21. Itemization: …while everything in town is super expensive. It’s quite literally possible to run a gold deficit for several stretches of gameplay
22. Power Progression Curve: Meanwhile that experience problem I mentioned wouldn’t be the end of the world if each level meant something, but instead you’re literally expected to run in a circle and straight grind at EACH major area in order to keep up with the yellow line… In our playthrough we fell behind the orange line and into the red line inside of just a few hours…
23. Grind: …so this isn’t the grindiest game on the face of it, but it is a lot of grind…
24. Grind: …and it is MANDATORY grind
25. Level: Meanwhile the dungeon design is not what I’d call inspired. I’ve seen worse (recently, even, with Suikoden 1) but most dungeons are straight boring slogs through disinteresting areas with too many encounters and samey visuals
26. Boss: Meanwhile! The boss designs in general in this game suck. Each boss is designed to be a straight stat wall (contributing to the grind problem earlier), and most of them have ‘screw you’ attacks that can, for no other reason than pure randomness, screw you…
27. Boss: …leading to two negatives just for boss design
28. Level: The towers section deserves special mention for being absolutely awful. First there’s the ease of falling and having to start over. Second is the increase in status effect enemies (notably petrify, which we have very few ways to cure at this point). Then there’s the fact that you have to do the towers a minimum of two times (more if you screw up), oh speaking of which you can screw them up too…
29. Level: …so, yeah, screw the towers section
30. MSQ: Then we have the entire ‘find the professor’ section. It’s not the worst… until you start the backtracking, then the backtracking on top of the backtracking, then the near total lack of direction, then the wasting our time, all to go up yet another tower and find out our target is back in town
31. Unskippable Cutscenes: As per usual for the genre
32. Encounter: This is partially related to the multiple grind issues earlier, but the game has too many large swaths of sections where random trash encounters simply take too long or are too costly to beat (for how little reward they give)
33. Padding: One more bonus negative for the entire islands side quest of time wasting
34. Outro: The Outro continues the trend of not-good-itude, with literally repeating the same dungeon as the beginning of the game which would be forgivable if it wasn’t just another boring dungeon with too many encounters and the music restarting constantly. Further, the last boss ‘rush’ is… weird, literally flawed, and essentially requires yet more grind to just stat wall your way through it
35. Controls: Controls aren’t great, between the odd button choice and the weird ‘having to hold down to select’ problem
36. Guidance and Flow: The game’s guidance and flow of exploration is not good
37. Map: Absence of an in game map
38. Overworld: I’ve seen worse, but the overworld isn’t great
39. Walkthroughitis: There are several segments of the game which are moderately walkthroughy

Story Positives:

1. Intro: The opening cinematic does so much in a very short period of time; We learn about the Sinistrals, Erim, Arek, and a small character tidbit for each of our major characters (playable and otherwise)…
2. Intro: …earning it two positives
3. Intro: The Intro overall is still good, quickly establishing world, characters, and stakes
4. MSQ: The entire Ruby Apple scenario continues the series’ trend of amusing ruby ‘gems’
5. Moment: The scene where Maxim chastises Selan for falling down after Tia falls, but then immediately lunges after Selan when she falls, is beautiful in how under-stated it gets across its point
6. Cutscene: Much as I don’t care for the character, Dekar’s establishing scene does a lot to set up the type of person he is very quickly; Stupid, strong, arrogant, and competent
7. Character: Tia is probably the most complex character in act 1, with multiple signs of actual depth to her emotional web, her focus on Maxim being clearly more complicated than she shows, and the dynamic between the two remaining good throughout…
8. Character: …earning her two positives
9. Cutscene: A bonus positive for Tia demonstrating that intelligence and emotional strength in loving Maxim sufficient to… leave, and no longer be in his way, despite what this will mean to her, and despite actually being right overall
10. Visual Storytelling: The visual storytelling of the destroyed towns is rather well done
11. Spritework: I’ve seen better, but still some good spritework
12. Brickwork: Some of the better Brickwork on the SNES. We have great towns…
13. Brickwork: …earning two positives…
14. Brickwork: …great caves…
15. Brickwork: …great mountains…
16. Brickwork: …great labryinths and fortresses (and final dungeon)
17. Doodads: Doodad usage is back to some good stuff… in towns primarily, but still…
18. Doodads: …for two positives
19. Architecture: As per usual for the good SNES RPGs, there’s also decent work done to make towns that consist of four buildings somehow feel like actual villages. Zoomed in cameras, lines and density, et cetera
20. Music Direction: Music direction is on point, being used to good effect in essentially every scene…
21. Music Direction: …worthy of two positives
22. Animation: Animation does a good job of helping with the…
23. Storyboarding: …storyboarding of cutscenes
24. Lindblum Effect: There’s a definite amount of Lindblum Effect going on with the towns…
25. Lindblum Effect: …earning a second positive
26. Humor: The game doesn’t offer it often, but there is good humor throughout
27. World Building: The game is surprisingly well constructed in terms of world building, with lots of bits and pieces implying and connecting the world around it
28. Theme: The Sinistrals using agents, who in turn use monsters, is an interesting insight into how they operate
29. Cutscene: The scene with Karyn is surprisingly logical, and helps to set up Amon for future interactions; She required the stored energy of the shrine merely to banish him, and the effort cost her her life
30. Moment: While too short to be better, I actually rather enjoy the bit where Maxim and Selan agree to not even look into the mirror of truth to determine their feelings for each other
31. MSQ: The followers of the ‘Dextrals’ are neat in their own right, but what really turns the whole sequence on its head…
32. MSQ: …is the women who willingly, and are asked just to verify, give their lives to assist the heroes in their endeavors. They can’t go and fight, but they can do this to empower and assist, and that’s the whole point
33. Moment: The cutscene leading up to Doom Island is honestly pretty good
34. Outro: The victory lap of just curb stomping the Sinistrals, while weak in gameplay, is great in narrative; We’ve already won, really, we’re just cleaning up a few loose ends
35. Character: Daos doesn’t get much characterization, but he uses his screen time surprisingly well, and his petulant and childish refusal to accept that either someone else should rule than him, or that someone else can be better than him, is something that makes him lash out and refuse to accept reality repeatedly
36. Moment: Selan’s death hits so hard, even after knowing it was coming
37. Character: Erim and Iris’s dynamic and personality are fascinating, and show sides of what has been and what will come
38. Music Direction: Bonus narrative points for the music. The Last Duel and For The Savior are amazing, and beautifully and perfectly carry the emotions and scenes they play throughout
39. Outro: Maxim giving his life and ‘laying down’ besides his wife at the end is just… powerful, painful, and tragically beautiful…
40. Outro: …for a full…
41. Outro: …three positives
42. Outro: The actual final ending sequence is just as touching as it is fantastic
43. Outro: I have to give one final, bonus point to Tia’s scene. It’s… I can’t put it into words, but it hits, even to this day…
44. Outro: …for a full…
45. Outro: …three positives
46. Character: Maxim isn’t much of a character (really), but there’s implications and inferences that he’s literally not normal which help
47. Character: Selan similarly is on his wavelength (she literally waves a sword around when they argue after marrying) but still is an interesting character
48. Character: A bonus point for the party’s dynamic with each other
49. Banter: And a bonus point for banter
50. External Continuity: Decent, if not great, external continuity with Lufia 1

Story Negatives:

1. Pacing: While it’s periodic, there are pacing and placement issues with the overall story across act 1; From the weird meandering early on, to the very sudden and offputting timeskip at the end
2. MSQ: So there’s this story sequencing / padding / pacing issue which is kind of all over the place in the second-to-last arc, where some things of relevance (either character or plot or world building) happen but come and go with weird rapidity, and just a weird amount of padding without proper fluff in between
3. Localization: While infrequent, the localization issues are there and do have issues
4. Pacing: The shortcutting towards the end of the game gets pretty bad
5. MSQ: The just… weird, honestly out of character-ness of the main party in the Gratze section is… weird. It would fit if they established Gratze as, y’know, evil (nazis and all that), it might work if they tried to negotiate or work with them and were turned down, but instead it’s just… off
6. Writing: Dekar’s random survival out of no where just to have him help keep our rear guard is pointless and, as usual, cheating death

Gameplay Positives:

1. Music: Music? Music
2. Music: Yeah no, second music positive
3. Tutorialization: The puzzle dungeon tutorial is a bit overt, but honestly necessary, and does a good job of getting across how the puzzles will work and introducing the rules thereof
4. Intro: The Intro overall is very simple, but effective in its own right, with basic puzzles, access to items and spells, a simple boss, but still gets you into the mindset of exactly what type of game this is
5. Core Combat: IP moves serve as a nice additional layer of tactical choice (before and during combat)
6. Itemization: Similarly, the design of equipment and which had IPs and which didn’t, as well as when you got it, was well designed
7. Core Combat: The option to make spells hit a number of targets (rather than just all or one) is actually a nice additional choice for putting more choice and options in the player’s hands
8. Level: The first ‘real’ dungeon (the Alunze labyrinth) does a really good job of tutorializing the bombs and what the game expects in puzzle design
9. Level: Alunze cave is a well thought out, fun, interesting cave with only one real flaw
10. Level: Tanbel Tower is another good example of another good dungeon
11. Level: The lava dungeon continues the trend of good dungeon design
12. Level: You guessed it; Sword dungeon is a good dungeon
13. Level: Gades’ Tower continues the dungeon trend
14. Core Mechanic: The bonus party member aspect of the Capsule Monsters is kind of neat, as well as the way you progress them by feeding them items
15. Level: The Northern Labyrinth continues the quality trend
16. QoL: QoL Features (color indicators of stat changes, showcase of how many items you still have, hold A on results screen, equip in shop, R and L swapping, HUD party bars)
17. Fast Travel: Generally good fast travel system
18. Kit: Good usage of spells as kit (relatively cheap, good utility)
19. Minigame: The Ancient Cave is an interesting challenge-mode minigame for people who are really into the combat
20. Level: The final Idura shrine gets back to good dungeon design
21. Level: Priphea Mountain (I know that’s not its name) is still a good dungeon
22. Level: The Amon tower of doom continues good puzzle design
23. Level: The Mountain of No Return is STILL good puzzle design
24. Level: I’m going to interrupt myself and give a bonus positive to dungeon variety, as they somehow keep coming up with new gimmicks and new mechanics across quite a few dungeons…
25. Level: …earning a bonus positive
26. Replayability: Retry Mode adds some good replayability to the work
27. Level: Gratze is our last real dungeon, but it’s still decent
28. Difficulty Curve: Curve is quite smooth
29. Power Progression Curve: Similarly smooth
30. Enemy Variety: Generally good enemy variety
31. Itemization: The game is surprisingly well itemized, with most dungeons having the right spread of items and gear, and actual thought going into what you get where
32. Song: The Last Duel is my favorite song of all time…
33. Song: …for a full…
34. Song: …three positives
35. Song: For The Savior is amazing…
36. Song: …for two positives
37. Song: Tears of the Heart still brings me to tears to this very day…
38. Song: …for two positives

Gameplay Negatives:

1. HUD: There’s some feedback issues with regards to the HUD, buffs, debuffs, etc.
2. Music: The music restarts everytime it’s triggered
3. Unskippable Cutscenes: The bane of JRPGs
4. Walkthroughitis: There is a total lack of in-game information on the specifics of how Capsule Monsters work
5. Core Mechanic: There’s also a frustrating amount of RNG in how Capsule Monsters work
6. Core Mechanic: Finally the fact that they can just decide to do whatever (including ‘nothing’ and ‘RUNNING’) is ridiculous
7. Gotcha: So there’s a thing where you ‘lose’ the gear off party members as they leave the party. It can be found later in an optional town, but it happens frequently (and with no warning) and is essentially only mitigated down to one negative via the aforementioned town
8. Minigame: The Ancient Cave is long. Looong long long, and with no way to stop, pause, or save on the way down, it all has to be done in one run…
9. Minigame: …earning it two negatives
10. Minigame: The Ancient Cave is random… entirely too random, which can completely screw over your run or otherwise prevent you from progressing, and that’s on top of the relevant chests (the blue ones) also being random…
11. Minigame: …earning two negatives
12. Minigame: A final negative for the Ancient Cave for general boredom (long, empty rooms with enemies… and that’s… it)…
13. Minigame: …earning two negatives
14. Encounter Rate: Okay so there’s not really an encounter issue or a grind issue, buuut I do think there’s too many combat encounters in this game, so it gets a solitary negative for it
15. Bugs: They aren’t the worst, but they can be game breaking, and then there’s the bugged shrine
16. Map: The lack of map is not super great
17. Outro: The Outro has several issues gameplay wise… First the Three Towers are, honestly, pretty simple (they’re literally just corridors with encounters), second the bosses are pretty boring (big health blocks and not much else to them)
18. Seconds In Minutes: The combat has a bit of a seconds in minutes problem with just how plodding and slow everything takes
19. Saves: The limitations on when and where you can save is actually pretty bad