A unique, qwirky top down ARPG which has its own fun gimmicks and game mechanics. Recommend giving it a try out, see if you like it; comes pretty cheap.
Type Of Review: Blind Run
Total Story Score: +3
Total Gameplay Score: +1
Golden Number: 10.61
Cheats: No
Total Play Time: 2 Days // 13.25 Hours
Time Reviewed: 11-18-2022
Story Positives:
- Brickwork: Generally good brickwork
- Doodad: Surprisingly good doodad design
- Voice Acting: I will accept that the voice acting, while bad, is amusingly so
- Outro: The endings are quite silly
- NPC Set Dressing: Towns are surprisingly lively and have people (voice acted) commenting on recent and local events
- MSQ: The warrior story arc is surprisingly interesting and well done, showing hints of the mage vs. warrior bias plaguing the area
Story Negatives:
- Outro: The endings are… too short and too poorly constructed. I legitimately had issues understanding what was even happening in several of them, and it feels like they chop off halfway through
- Dialogue: The dialogue is… bad. It’s not goofy, it’s just bad
- Cutscene Incompetence: There is a weirdly large amount of cutscene incompetence going on… for everyone, really, pretty equally
Gameplay Positives:
- Intro: The initial dungeons are pretty legit, well itemized and well tutorialized in what you should expect and how to interact with the world, and of course how to play your class
- Level: The Mana Mine is a surprisingly well designed dungeon, with lots of strategically placed mana crystals, mostly enemies you are likely to already be able to charm, and a good spread of enemy encounters spattered with larger challenges
- Music: Generally good music (and it changes fluidly per area too!)
- Core Mechanic: Charming is a fantastic feature, allowing for a good variety of ‘pets’ who are of varying use throughout
- Core Mechanic: Conjurer Bombers are an awesome bit of tech; setting up traps in advance and customizing what spells they trigger in what order really rewards the player with either combos or forethought
- Sound Design: Some issues with spam aside, there’s some cool sound design
- Sound Design: Also, each type of equipment gives a different sound effect upon looting
- Kit: Conjurer is a reasonably fun class to play; the moment I shifted from ‘mage’ to ‘archer with some spells’ it clicked, and the pets are at least mildly useful
- AI: AI in general is pretty decent
- QoL Features (too many to list, but a lot of ‘smart’ decisions with regards to interactions and pathfinding)
- Hyperbeam Moment: So getting the finished staff of oblivion is pretty sweet, and the game gives you plenty of ways to really enjoy it (lots of enemies, bundled in tight areas, with lots of mana crystals to refill on)
- Outro: The final dungeon’s laser puzzles are unique, fun, and interesting
- Kit: The Wizard’s array of spells is legitimately interesting, especially with the mark and recall
- Replayability: Between the three differing classes and their respective unique areas, the game is moderately replayable
- Encounter Design: With a few exceptions, there is good usage of which enemies are balanced against which to make for some fun encounters
Gameplay Negatives:
- Controls: The controls are… finicky. Movement is okay but attacking is awkward and looting is kind of awful
- Audio Spam: It… it gets pretty bad
- Difficulty Curve: Overtuning / difficulty curve issues (some pretty bad spikes here and there)
- Level: The entire ogre village invasion kinda sucks. Lots of high health, hard hitting enemies with few recovery periods or tools to use, and dull music and visuals compared to the rest of the game
- Itemization: So for the second time this week we have a game that has a nice long swath of gameplay with no vendor access. Which would work if designed around it, but it isn’t and it doesn’t
- Enemy Design: The fact that some enemies can random into one shotting you is ridiculous
- Difficulty Curve: A special mention for the friggin’ castle where you fight ogres (who can 2-3 shot you) and demons (who can 1-2 shot you)
- Encounter Design: And on the same castle, they like to bundle up large groups of enemies that are hard to dodge that can 1-2 shot you with no real variety or design on display, in areas with no real dodging
- Level: And finally just one big screw you to this stupid castle stage
- Padding: Essentially every level in the game really should be a bit shorter. Too many floors, too many enemies
- Outro: The Outro suffers the padding issue much worse than the previous dungeons…
- Outro: …to the point of being honestly pretty boring
- Outro: The final boss fight is… way, way too boring. The fact that she has healing is bad enough, the fact that she has infinite healing makes it much worse, the fact that she can teleport across a HUGE area randomly with no indications is even worse…
- Outro: …earning it two negatives for a colossal waste of my time
If you are a fan of surreal, abstract, or generally weird stories about lovecraftian cults, you will probably enjoy this game.
Type Of Review: Blind Run
Total Story Score: 0
Total Gameplay Score: +2
Golden Number: 5.29
Cheats: No
Total Play Time: 1 Days // 6.82 Hours
Time Reviewed: 11-21-2022
Story Positives:
- Doodads: Okay, the city is actually quite well designed overall visually
- Background Lore: The actual story is presented piecemeal throughout the background elements of the game
- Internal Continuity: The game does a very good job of keeping track of itself and its lies…
- Internal Continuity: …earning two positives
- Outro: The final trial was clearly the shining moment of the game, and really deserves recognition for it
Story Negatives:
- Voice Direction: Infrequent voice acting and usual problems
- Empty Text: As is honestly standard for games of this type, there’s a fairly large amount of repeat text all over
- Atmosphere: Nonsense. The game is just… too nonsensical. Too surreal, too abstract, it makes it legitimately difficult to even process the game, and it absolutely reduces my enjoyment thereof…
- Atmosphere: …earning two negatives
- Intro: The Intro made me want to put the game down almost immediately
Gameplay Positives:
- Guidance and Flow: Audio indicators of nearby items and roughly where they are
- Options: Accessibility options are quite good in this one
- All Roads Lead To Rome: The way the game has multiple crimes with multiple outcomes is already cool…
- Core Mechanic: …but the fact that you can pull the trigger at any time on the trial is actually pretty interesting and well designed
- QoL: The detect collectibles power up is rather useful, and the ability to see when people have something new to say is nice too
Gameplay Negatives:
- Map: The map is… pretty bad
- Overworld: So there’s a weird, ‘bad’ design to the overworld in how it flows into itself, leading to some navigation issues throughout that make it kind of irritating to get around
- Pacing: The pacing of the gameplay is… absolutely awful. Huge swaths of exploration, talky sections that are way too dense, then tons of swaths again
Do not play this game. This game commits so many gameplay sins it’s ridiculous. However, weirdly, I do recommend watching a playthrough on Youtube, as the parody and humor are legitimately worthwhile.
Type Of Review: Blind Run
Total Story Score: +6
Total Gameplay Score: -35
Golden Number: -15.91
Cheats: Yes (screw the hell out of doing this legit)
Total Play Time: 2 Days // 13.29 Hours
Time Reviewed: 11-30-2022
Story Positives:
- Voice Actor: Tony Jay needs to be mentioned in a vacuum by virtue of being Tony Jay
- Storytelling mechanic: Narrator dynamic
- Voice Acting: General voice acting plus
- MSQ: The bureaucratic nightmare that is Bodb
- Humor: So the joke around Bodb’s death is legitimately well constructed (oh, and it’s funny too). I won’t recount the whole joke here but it’s a repetition joke that’s well timed and has 4 other jokes layered on top of it to ensure no empty repetition
- Humor: Everything around the Narration of the sword, falling into the pit, and the general humor
- Moment: The absolute out of no where musical interlude of the undeads having a dance off
- Humor: General well done humor throughout
- Dialogue: Believe it or not the dialogue is surprisingly tight in most of this game
- Humor: Speaking of which, the jerk answers for the Bard are almost always amusing
Story Negatives:
- Atmosphere: Tonal issues. The game can’t decide if it wants to be full parody or full generic RPG and suffers for it
- Cinematics: So the in game cutscenes are… rough. They’re really rough, and they often look more awkward or weird than anything good
- Voice Acting: Unfortunately I really do need to give a voice acting negative for periodic weird bad voice acting
- Outro: The endings all… kinda suck a bit. Too short, too underwhelming, too bleh
Gameplay Positives:
- Core Mechanic: The entire summon system is one of the better ideas the game has, and the idea of balancing a ‘party’ of summons with their own abilities and AI tendencies is neat
Gameplay Negatives:
- Controls: The game is… rough to control. There’s a big, variable delay between attacking and the swing happen, and movement is weird and janky
- Camera: Too low and weirdly angled
- Encounter: The bug bear dungeon and fight caaaan go straight to hell. He can stunlock you, there’s no indication he’s going to pop out of the wall to hit you (not even a ‘hole’ he might be reaching out of), he hits like a TRUCK, and then the actual fight is boring
- Level: The Fnarf Chase sequence is reeeally dumb. It’s the same thing repeated over and over and over again; Run up a few feet, have the guy yell at you, kill Trow ranged, rinse and repeat…
- Level: …earning two negatives
- Save: Infrequent (and selectable) rarity of save points, and limitations on saving
- Level: The Forest Tower is honestly just kind of awful. I fear this is repetition on my part, but it’s just the same two enemies, and way way too many traps, in levels that are too long, and all combined with boring samey corridors…
- Level: …so the level itself gets two negatives, but THEN it gets worse, because you then have to go all the way DOWN the tower, which would be a third negative in a vacuum…
- Level: …but then they actually have the gall to make you fight jackass enemies and reset the damned map so you’re not even sure where you’re going so these ‘technically two’ dungeons get…
- Level: …actually four negatives
- Overworld: So then there’s the overworld, which… kind of isn’t, but the ‘random encounters’ are straight up DQVII problematic
- Level: The tomb can go to hell. Oh it’s a decent enough dungeon, but the enemy spam problem was real
- Encounter: Sssso the first timer spam enemy garbage at the beginning of the tower is a big flat open terrainless room with a timer and enemy spam
- Level: Then there’s the mechanical tower. Small, boring, narrow hallways with terrain that’s easy to get stuck on, absolutely glutted with hundreds of enemies that melee swarm, move fast, and chain knockback / stun. This place ssssuuuucks…
- Level: …earning it two negatives
- Level: THEN you have to go back DOWN it and somehow they made it WORSE by swarming it with even more druids, who now have a ranged stun/knockdown attack that will hit you THROUGH the walls…
- Level: …earning two negatives
- Level: Aaaand then there’s the no magic tomb area. Doing a dungeon around reducing your kit or resources can work quite well if you design around it. If you don’t, you get the no magic tomb area
- MSQ: You like escort quests right? Who demand you’re right next to them to move, move very slowly, while infinite respawns of enemies swarm him? Yay
- Level: The underwater ferry section was less bad then most of the rest of the crap, but still retained that lovely boring touch
- Combat: The combat in this game is extraordinarily dull…
- Combat: …made all the worse with the severe Factory Worker Syndrome as a consequence of everything perfectly making the game a total slog to play
- Enemy Design: A lot of this is down to downright unfair and arduous enemy unit design, many enemies designed to simultaneously annoying and still murder your face off…
- Enemy Design: …legitimately making this some of the worst enemy design I’ve ever seen
- No Music: This game… just straight up has no music (other than the musical numbers) aaand it suuuuucks…
- No Music: …not the worst I’ve ever seen, but pretty bad
- Interface: This is a pretty bog standard bad PS2 interface
- Audio Balance: WHAT audio balance? Instruments are too loud, voices are too quiet, and the audio sliders barely help
- Difficulty Curve: Ha! I’ve rarely seen a game this unfettered in its brutality for its curve. This is absolutely bonkers bad…
- Difficulty Curve: …earning a full…
- Difficulty Curve: …three negatives
- Audio Spam: Good LORD. I’ve rarely seen audio spam this bad before, it’s kind of crazy just how bad and how often it is…
- Audio Spam: …earning it a full…
- Audio Spam: …three negatives
- Outro: The final dungeon is… literally… the same room copy pasted 12 times. Enough said
- Boss: Bleh boss design across the board
A unique part of gaming history and well worth it for anyone wanting to experience this slice of point and click adventure games.
Type Of Review: Blind Run
Total Story Score: +7
Total Gameplay Score: -7
Golden Number: 0
Cheats: No
Total Play Time: 1 Days // 7.47 Hours
Time Reviewed: 12-01-2022
Story Positives:
- Brickwork: The game is legitimately well constructed brickwork wise, further emphasizing the…
- Spritework: …well done art for the people and monsters within
- Deaths: The many Sierra deaths and their many snarks
- Writing: Surprisingly tight writing
- World Building: This is technically more exposition than anything, but the world is designed in a way that it’s clear someone(s) spent some real time and effort laying everything out and making it connect and make sense, so the world building happens simply by navigating said world
- Dialogue: Amusing and reasonably well varied dialects in dialogue
- Banter: Erasmus and Fenus’ banter is honestly pretty legit
Story Negatives:
Gameplay Positives:
- MSQ: The core quest design is surprisingly good, with most of the progression and puzzles having the solution either well presented or something you can divine without much external influence necessary
- Guidance: The game has surprisingly good overall flow to it and letting you know what you can interact with and how, which ties nicely into the…
- Visual Distinction: …surprising for the genre, the visual distinction is actually quite well done
- All Roads Lead To Rome: Most quests having multiple methods of progression is honestly pretty legit
- Itemization: Good spread and usage of in game resources (gold being a big one)
Gameplay Negatives:
- Save System: Very cumbersome and generally frustrating
- Interface: Clunky, cumbersome, and awful
- Interface: Too many clicks for basic information
- HUD: Lack of clarity and cross referencing
- Audio Design: The audio balance is all over the place, but on top of that the volume slider resets with every reset
- Bugs: Crashes and graphics glitches with the VGA version
- Music: The songs that are there are entirely too short looped, and most of the rest of the game lacks any
- Info In Game: The game has a very strong tendency to not explain… much
- Map: The total absence of a map wouldn’t be as bad if not for the repeat usage of forest ‘tiles’ with little to no variation
- MSQ: The bandit infiltration mission is… very trial and error design, in a very bad way. It’s designed to give you hints, but only as you fail
- MSQ: Okay so then there’s Yorick’s Room. It’s counter intuitive, way too sketchy, literally requires switching between control methods, makes NO sense, and is literally bugged…
- MSQ: …earning it two negatives
A severely flawed game that tried a lot of things and was very experimental for its time. Interesting for the historical perspective, but would recommend a guide to avoid aggravation.
Type Of Review: Blind Run
Total Story Score: +7
Total Gameplay Score: -16
Golden Number: -5.15
Cheats: No
Total Play Time: 2 Days // 9.57 Hours
Time Reviewed: 12-03-2022
Story Positives:
- Brickwork: The game is legitimately well constructed brickwork wise, further emphasizing the…
- Spritework: …well done art for the people and monsters within
- Deaths: The many Sierra deaths and their many snarks
- Writing: Surprisingly tight writing
- World Building: This is technically more exposition than anything, but the world is designed in a way that it’s clear someone(s) spent some real time and effort laying everything out and making it connect and make sense, so the world building happens simply by navigating said world
- Dialogue: Amusing and reasonably well varied dialects in dialogue
- Banter: Erasmus and Fenus’ banter is honestly pretty legit
Story Negatives:
Gameplay Positives:
- Fast Travel: The in city fast travel (and warp back to town with your mount) features
- Replayability: The different side quests and outro, and very minor changes to the elements, means a very small amount of replayability
Gameplay Negatives:
- Save: Usual cumbersome save system
- Interface: The fan remake is better about some interaction but it’s still the same core interface underneath
- HUD: Same issues as last time with lack of info and cross referencing
- Hub: What in the world were they thinking with this city map? Just getting to step one, the moneychanger, literally took a walkthrough despite having both maps from both manuals to help!
- Intro: So because the option exists to simplify the streets, that city is merely going to get one negative for being literally the tutorial quest / Intro, because it’s no where near as bad in this version, but good lord is that an awful barrier to entry for your game. If I’d played this back in the day I would have put it down before ever even hitting the moneylender
- Bug: The built in combat system is literally bugged
- Interface: So you can change options, but if you reload a save prior to changing those options? They’re reset
- Music: As with the previous game, the music inconsistency problem is real
- Overworld: The desert can go directly to hell. The sameness of the tiles and the vast array of nothing make it legitimately awful to navigate
- Encounters: Oh also there’s the random encounters which are a pain to avoid and honestly screw with your navigation
- Bugs: Several NPC interaction bugs
- Core Combat: I… get what they were going for but it’s a weird, janky version of rock paper scissors except it tries for complexity and it fails really, really hard
- MSQ: So there’s flags for doing things, even when it makes ZERO sense (direct example; You cannot lockpick a door, it’s impossible, until you’re asked to, at which point it becomes possible)
- Grind: Yeah so it’s the use it to level it system like in the first game, but the extended cap (200 instead of 100) and ‘speed’ of leveling make it worse… especially given how high some of the skill checks are
- Boss: The Pizza Elemental fight can go straight to hell
- Core Mechanic: So the game is set on a hard calendar… events can only happen on certain days. This is ironically bad in both directions; it’s too punishing if you don’t know what you’re doing, and too lax if you do, so you’re either panicky or bored
- MSQ: Reseir really starts to get railroady pretty fast… more typical ‘one solution, multiple failures’ approach to design
- Outro: The final challenge and final boss are… not good. They are, at best, trial and error and at worst, boring
A fascinating example of a game… Still worth it for the historical perspective, but what’s interesting about this one is it starts really strong and finishes pretty badly. I honestly think if this one stayed strong throughout it’d be the best one so far.
Type Of Review: Blind Run
Total Story Score: +6
Total Gameplay Score: -14
Golden Number: -4.77
Cheats: No
Total Play Time: 2 Days // 6.32 Hours
Time Reviewed: 12-05-2022
Story Positives:
- Characters: Some generally good supporting cast
- World Building: As with the previous games, there’s a natural exposition that informs the game world
- World Building: I actually rather like the different cultures and how they interplay off each other
- Characters: Personal touches really help with some of the smaller side stories
- Internal Continuity: The game keeps a pretty solid track of its own continuity
- Plot: The core plot of the war itself is actually quite engaging
- Brickwork: Generally good brickwork
- Atmosphere: The general looming threat of war and the three tribes is great
Story Negatives:
- Dialogue: Some really rough and bad dialogue, especially early on. Way too much repetition
- Outro: So that Outro is… uh… it’s VERY rushed, even if you ignore the cliffhanger, and just sort of feels thrown together
Gameplay Positives:
- Overworld: I do actually rather like the idea of the overworld and visible landmarks and random navigation
- Replayability: Once again, with the three classes there is definitely some replayability there
Gameplay Negatives:
- Save System: It’s just as bad as before
- Interface: So yeah, the bad interface returns…
- Interface: And is clunkier than ever
- HUD: The HUD issues… the HUD issues never change…
- Seconds In Minutes: Some severe delay problems throughout, especially with the interface
- Combat: So you can interrupt yourself, the ‘timing’ aspect is barely there, and the delay is awful
- Sound Design: Some very stock sound effects and, as usual, sound balancing issues
- MSQ: The flag dependencies are back
- Music: What in the world is this music
- Music: The music is also very inconsistently presented
- Grind: The grind is back (and mandatory)
- Backtracking: So the game doesn’t have walkthroughitis, but the built in backtracking (learn what to do three full overworld screens away from where you can get the item kind of stuff) is awful
- Leveling: Leveling certain abilities is a horrific combination of arduous and awful, which is made worse by the fact that…
- Leveling: …leveling OTHER abilities is piss easy. To the point of being a joke. The whole skill system is hilariously lopsided
- Bugs: A fairly buggy game
- Bugs: And those bugs get in the way
As with previous ones, it’s at least worth playing for the historical context, but it’s probably the best of the initial four I played. A solid story, great narration, and solid characters with… less terrible gameplay.
Type Of Review: Blind Run
Total Story Score: +16
Total Gameplay Score: -6
Golden Number: 25.14
Cheats: No
Total Play Time: 2 Days // 9.18 Hours
Time Reviewed: 12-06-2022
Story Positives:
- Voice Acting: The voice acting has a few issues, but there’s still some surprisingly good stuff (mostly from the side characters, like the trio of busybodies, or the skeleton head)
- Voice Acting: John Rhys-Davies as the narrator gets his own positive for positively nailing it
- Doodads: Some truly excellent doodad design in the backgrounds
- Visual Storytelling: Lots of usage of the backdrops as a way to sell the story
- Brickwork: Some of the better backdrops in the series…
- Brickwork: …earning two positives
- Spritework: Similarly a positive for the sprites and their usage and animation
- Atmosphere: While I’m not a huge fan of the ghouly aesthetic, the game manages it quite well
- Humor: More than a few times the game got a real laugh out of me
- Writing: General writing quality
- Character: Most characters don’t have the screen time for individual plusses, but they’re all good to some extent or another…
- Character: …earning them two positives
- MSQ: The entire quest involving saving Tanya is surprisingly moving, played surprisingly straight, and actually hit me in the feels
- Internal Continuity: As with previous games, the game does a good job with keeping things tightly contiguous
- Intro: A surprisingly effective ‘dump you into an unknown situation’ Intro
- World Building: The usual good exposition situation
Story Negatives:
Gameplay Positives:
- Core Mechanic: The autoresolve puzzle option
- Aggregate: Minigames / Health, Stam, Magic display
- Party AI: Auto-Combat is surprisingly well designed, especially since you can adjust it (on the fly) to deal with the different types of enemies
- Core Combat: To my shock, the core combat… isn’t all that bad
- All Roads Lead To Rome: The usual multiple solutions quest design
- Music: For the first time, I actually rather dig the music and it works for the game
- Replayability: Yep, as per before
Gameplay Negatives:
- Interface: The same interface issues of the previous games…
- Interface: …as usual
- HUD: Same HUD design problems as usual
- Save System: Same save problems as usual
- Controls: The game controls… weirdly this time
- Visual Distinction: I know I’m blind and all but I had REAL trouble discerning things I could interact with (or things at all)…
- Visual Distinction: …earning two negatives
- MSQ: The flag / trigger problem returns
- Core Mechanic: Somehow, pixel hunting has returned…
- Core Mechanic: …and is honestly worse than ever
- MSQ: The ‘rescue Tanya’ quest with the ridiculous maze (and trapped doors) is just kind of awful
- Core Combat: So I know I gave a positive to core combat, but at the same time it is janky as hell, poorly timed, and awkward to control
- Outro: Sadly the Outro continues to drop the ball, mostly with more of the same but it’s still irritating
Short, simple, fun, engaging. Highly recommended.
Type Of Review: Blind Run
Total Story Score: +12
Total Gameplay Score: +4
Golden Number: 48.51
Cheats: No
Total Play Time: 2 Days // 4.1 Hours
Time Reviewed: 12-07-2022
Story Positives:
- Voice Acting: Generally good, surprisingly well stylized voice acting (deliberately ‘off the cuff’)
- Pacing: Weirdly well paced… if this took longer it’d fall apart, but it doesn’t
- Humor: Yeah okay this one is self explanatory isn’t it? This game gets…
- Humor: …a full…
- Humor: …three positives to humor
- Storytelling Mechanic: The audience sound effects really add to the plays themselves
- MSQ: The entire woods segment
- MSQ: The… entire city segment
- MSQ: …the… entire village segment…
- Atmosphere: This is a weird one but a plus for how… wholesome the whole game is
- Banter: The way the actors play off each other is legit
- Doodads: Surprisingly good doodad usage (this is technically an aggregate, for it also includes the visual storytelling in general)
Story Negatives:
Gameplay Positives:
- Choices: Weird for a game like this but there’s a lot of choices gameplay in how the actual plays turn out, forming the primary gameplay loop in fact
- Core Mechanic: The ability to either dynamically adjust the playable notes to the sung notes on the fly or (more likely) math out all possible notes on both axis to harmonize with one another is not only impressive but actually makes the player feel like a part of the song
- Core Mechanic: I honestly have to give a second positive for the interactive songs. The best part is they are totally optional
- Music: What’s there is pretty legitimately good
Gameplay Negatives:
Very short, very dense, very fun. A perfect chill game, surprisingly well constructed, hugely recommended.
Type Of Review: Blind Run
Total Story Score: +5
Total Gameplay Score: +5
Golden Number: 31.04
Cheats: No
Total Play Time: 1 days / 2.7 Hours
Time Reviewed: 03-07-2022
Story Positives:
- Prime Opt: Anxiety Painter!
- Dialogue: The dialogue is honestly very well written
- Atmosphere: The chill atmosphere is honestly great
- Brickwork: For how simple it is, the visuals really add to the work
- Outro: The final phone call, the flight down, and sharing with our aunt
Story Negatives:
Gameplay Positives:
- Core Mechanic: Golden Feathers and how they tie into the…
- Kit: …exploration kit as well as the…
- Traversal Mechanics: …general flow of traversal
- Guidance and Flow of Exploration: The game does a great job of helping you to find and explore, which is good especially since it’s the primary game loop
- Music: The game’s soundtrack is honestly very legit
- Yoshi Drums: And I love how it flows based on activity
Gameplay Negatives:
- Camera: The camera really does not like me and likes to just sort of… do its own thing, actively getting in the way
Short but sweet, like some chocolate pancakes. Highly recommend it. Especially since it’s free!
Type Of Review: Unfamiliar Run
Total Story Score: +2
Total Gameplay Score: +5
Golden Number: 21.48
Cheats: Yes (tired)
Total Play Time: 1 days / 1.87 Hours
Time Reviewed: 03-14-2022
Story Positives:
- Dialogue: Hints and related dialogue
- Storytelling Mechanic: Portraits and poses
Story Negatives:
Gameplay Positives:
- Music: I mean there’s not that many songs buuut they’re boppers
- Pacing: Between the restart mechanic, shortness of stages, and shortness of game, the game is well paced
- Boss: There’s two, and they’re both quite fun
- Cheats: Built in skip option
- Core Mechanic: General puzzle design quality
- Tutorialization: Through level design, which I’m always fond of
Gameplay Negatives:
- Difficulty Curve: More like difficulty spike
Okay so if you get the music bug, just… listen to the soundtrack separate from the game. The core game is janky and bad, but the story is legit and worth a playthrough.
Type Of Review: Blind Run
Total Story Score: +5
Total Gameplay Score: -5
Golden Number: 0
Cheats: No
Total Play Time: 1 days / 4.77 Hours
Time Reviewed: 4-24-2023
Story Positives:
- Humor: I’ll admit it, the story made me laugh more than once
- Character: The surprisingly distinct characters and the way they’re demonstrated in gameplay
- Visual Storytelling: The way they literally show the bots developing in stage design is honestly quite legit
- Plot: Weirdly enough the plot was actually pretty engaging. It became obvious very early on what was happening, but it was fascinating watching it do so
- Voice Acting: The narrator, enough said
Story Negatives:
Gameplay Positives:
- Levels: There’s a general flow to the later levels that works much better, probably because it’s focusing on being creative with each individual ‘power’
- Outro: The last few levels were actually pretty legit
Gameplay Negatives:
- Interface: Total lack of proper resolution options
- Interface: Aaand exceptionally bad font scaling which compounds the previous issue
- Controls: Imprecise, odd and often bad buffer inputting
- Core Mechanic: Physics jank…
- Core Mechanic: …which is a constant irritation
- Level: 4.8. The timer is already irritating, having no checkpoints doesn’t help
- Bug: The music… how to explain this… every song never STOPPED playing, and each time a new song started it just layered over the previous ones. This is exactly as awful as it sounds
While still having some problems, still overall more enjoyable than the first one, and still worth a playthrough. Falls under the category of ‘better with a walkthrough’, so I heartily recommend the aforementioned walkthrough.
Type Of Review: Blind Run
Total Story Score: +8
Total Gameplay Score: -19
Golden Number: -6.06
Cheats: No
Total Play Time: 3 days / 14.9 Hours
Time Reviewed: 4-26-2023
Story Positives:
- Animations: Weirdly good animations in cutscenes
- Atmosphere: The same light-hearted tone and adventurous feel from the first game
- Brickwork: Sprites are legitimately good looking, even today
- Characters: The Bonnes
- Cutscenes: Generally good cutscenes, in camera usage, blocking, pacing, etc.
- Doodads: Insides, primarily, but surprisingly good doodad design across
- Humor: Gonna admit it, game makes me laugh more than once
- Intro: The opening Cinematic, which is quite good even by today’s standards, along with the initial premise
- NPC Set Dressing: As with the first game, a good amount of supporting NPCs
- Voice Acting: While there are some outliers, the voice acting when it’s good is good
Story Negatives:
- Voice Direction: When the voice acting is not good, it’s really bad… some noticeable flaws in direction and sentences
- Writing: It’s hard to summarize this but there are just… multiple issues with the core plot. The year gaps, the lack of information about the two systems and why they interacted the way they did, more info on exactly what the Master was and why they did what they did, what the 3k year gap was even there for, etc.
Gameplay Positives:
- Enemy Variety: Surprisingly enough there is some decent enemy variety in this one
- Kit: While irritating to swap, the different weapons and their usage is neat
- Level: Yosyonke Ruins isn’t the best level in the world but it’s probably the best one to-date, with decent looping mechanisms, good landmarks, some neat gimmicks, and a decent boss fight
- Outro: Color me shocked, the last boss was actually decent
Gameplay Negatives:
- Controls: Move backwards while firing, which is a near constant problem with how dungeons and encounters are designed
- Controls: Then there’s the fact that you have to hit the circle button to progress in some cases, and the x button in others
- Controls: THEN there’s the fact that you have to be at the right angle to interact with some things. This is a constant irritation in general, but made worse because in some cases you have to be really sure if you tried to loot objects in the overworld, lest you miss an important upgrade or item
- Levels: Dungeon design, or lack thereof. Most dungeons are pretty vanilla corridors with semi randomized enemies
- Camera: It controls better at least, but it still runs into problems of visibility in boss fights
- Boss: Boss design is pretty lacking throughout. There’s two types of bosses we tend to encounter; Those that can be effortlessly defeated by circling them (or in worst case, just standing there) and firing, or…
- Boss: …bosses that are just way, way too irritating to fight
- Kit: So for some reason you can only have one special weapon equipped at a time. That’s fine, functionally, but having to talk to Roll each time to swap it is ridiculous, especially given that several special weapons are purely for exploration and quality of life stuff
- Grind: Semi optional, but good luck if you don’t
- MSQ: The entire Nino section is riddled with problems. Irritating turret sections with irritating enemies while dealing with relatively easy-to-lose progress if you’re not saving constantly and also it has several escort missions peppered throughout…
- MSQ: …thus giving the entire Nino section…
- MSQ: …three negatives
- Level: So… Nino Island Ruins, aka ‘the water level’. Good… God. This place is honestly just a bog standard ‘bad dungeon’ on the face of it, but three things really drag it down. First, and most importantly…
- Level: …is the damned…
- Level: …underwater gimmick. The slowdown is intolerable to the point of no longer being funny. Every hit taking arduous seconds to finish playing out, every jump being one long slog endeavor, and an excess of verticality in a game that doesn’t have much in the way of camera or map that helps you see layers in a dungeon
- Level: Then there’s two other horrible, horrible things that drag the Nino Island Ruins down even further. First, the boss fight (which you fight twice) is boring at best. Second, you have to slog all the way BACK through the dungeon, thus literally doubling the padding…
- Level: …for two additional negatives
- Save: But then there’s Nino Island Ruins’ greatest sin; it has ONE save point in the entire dungeon, towards the very end, and it GOES AWAY after you beat the first boss. I don’t even have to explain how awful this checkpointing is, but I’m very glad I spent literal hours grinding prior to this point so that I would not have to explore just how awful this could be in real time
- Save: Also the save system in general is lacking due to the gap in between save points, which is wildly inconsistent throughout the game
- Core Mechanic: Jumping. This one feels criminal to list in a Megaman game but it’s honestly the same issue Legends 1 had; There’s depth perception issues, you’re committed to the jump once you’ve started, and thanks to the relatively small arenas and the wonkiness of collision on platforms, good luck trying to do precise jumping while dodging a frog, tadpoles, bubbles, and blades (to use a specific example)
- Sound Design: As with the first game (and honestly several other Megaman games) the audio design is just not great
- Outro: So… boss refights. Yep.
- Outro: Also, the final dungeon is not just the same old same old in dungeon design, but likes to really repeat the same graphics and patterns as it goes, making it a bit more frustrating than most
A silly, fun, and short romp but make sure to either cheat or use a good walkthrough (if you can find one) to train up your ServBots.
Type Of Review: Blind Run
Total Story Score: +5
Total Gameplay Score: -4
Golden Number: 2.57
Cheats: Yes (to skip the ServBot grind)
Total Play Time: 2 days / 6.12 Hours
Time Reviewed: 4-27-2023
Story Positives:
- Voice Acting: Generally good voice acting across the board
- Atmosphere: Cute adorableness
- Characters: The minions. Yeah, no, they’re amusing
- Character: Denise is just… weirdly engaging of a side character who I just feel so bad for
- Cutscenes: Generally good cutscene design, as with MML2
- Brickwork: Generally decent spritework, as with MML2
- Doodads: This is a weird one cuz it’s mostly in the pre-designed areas on the ship, but they did a decent job with it
Story Negatives:
- Voice Direction: Same issue as before really
- Cutscene Incompetence: Despite the entire game showcasing Tron being on top of things and more than capable of outmaneuvering and outfighting the police, locals, and Glyde’s pirate gang, she fails miserably everytime she goes to interact with Loath and in no way anticipates his extremely predictable betrayal
Gameplay Positives:
- Core Combat: Simple, but fun
- Boss: Some surprisingly fun boss design, even in the mines
Gameplay Negatives:
- Controls: Yeah it still controls pretty badly
- Encounter Design: The ‘fights’ in the mines just suck. Wonky controls, very limited melee range, easy to get hit while attacking
- Level: A general lack of level design in several areas. The dungeon-crawler is whatever, the town levels are okay, but then there’s the farm levels and, worst of all, the ‘free’ dig area
- Difficulty Curve: Much as I hate to admit it, the game’s difficult curve is actively bad. It bounces back and forth between being too easy and too irritating
- Interface: This is sort of an aggregate, but there’s a lot of little irritations in navigating the game. The menuing is finicky, there’s too many button presses to navigate towards needed info, and there’s really no indicators of what items are where and whom to give what outside of pure dull trial and error
- Grind: This is related to the difficulty curve, but the game absolutely leans on the idea that you’re doing the ServBot ‘grind’. And the core combat is too simple to be able to bypass the simple statwalls of the later bosses and encounters
While I absolutely have issues with the controls and general gameplay, this is still a unique and interesting game I’d recommend people give a playthrough of if they have the time and availability.
Type Of Review: Blind Run
Total Story Score: +10
Total Gameplay Score: -8
Golden Number: 4.93
Cheats: No
Total Play Time: 2 days / 12.57 Hours
Time Reviewed: 4-28-2023
Story Positives:
- Animation: Trico’s animations are honestly just amazing, and a rarity but I will give…
- Animation: …a full two positives just for this one creature’s animations. Several people clearly put a lot of thought into this
- Sound Design: Similarly the sound design is one of the best I’ve ever heard, it sounds like it actually should, from the movement to the scraping to the splintering to just footsteps, it’s hard to describe if you’re not hearing it but it’s absolutely legit…
- Sound Design: …earning the game…
- Sound Design: …three positives
- Cutscene: The flashback scene after the second antenna is honestly pretty good, and informs a lot of what’s going on
- Lighting: When it’s used properly the lighting is honestly quite legit, really adding to the tone and vibe of things
- Atmosphere: The entire ‘dead AI facility’ vibe the whole game has going for it works really well, and the creepiness factor of the central ‘processing’ tower definitely accentuates that
- Character: What else? Trico
- Outro: The parts of the outro that sing really do sing, good music good direction and some good moments, especially everything surrounding the final dungeon and the final encounters
- Integration: The interactions between the boy and Trico and how they develop
Story Negatives:
- Outro: While it does a lot right, there’s a bit too much vague and a bit too much meandering in the ending
Gameplay Positives:
- Level: The sequence where you had to jump and maneuver out over the abyss with the one crystal blocking the path was actually pretty legit
- Mid-Mission Checkpoints: They’re fairly frequent and fairly well designed
- Level: General. The game drifts in and out of frustrating and fun, so this is for the snippets of fun throughout
- Viscerality: Ripping the heads off, lighting, and general vibe of Trico
- Integration: The interactions between the boy and Trico and how they develop
Gameplay Negatives:
- Visual Distinction: Very hard to tell what you can or can’t (or should) interact with
- Level: So when you encounter the first antenna, there is absolutely nothing indicating what to do to move forwards, even now I’m not 100% sure what worked, and then it’s a supposed-to-lose (also with no indications)
- Walkthroughitis: The number of times moon logic is employed to progress is a bit ridiculous
- Save: The usual forced ironman save problem
- Seconds In Minutes: There is so, so much extra time in everything in this game
- Seconds In Minutes: Everything, literally everything, takes way too long
- Visual Continuity: This is a bit tied into the backtracking but the game honestly looks far too samey and it’s hard to tell where you’ve been before
- Level: The god damned ‘carry the barrel up the hole’ section
- Controls: The game controls so badly it’s honestly hard to explain properly. You spend the entire game constantly wrestling with trying to get it to do what you want…
- Controls: …and it only gets worse as the puzzles and platforming requirements get more strict later on
- Controls: Honestly this is one of the worst controlled games I’ve ever played
- Music: Or lack thereof. This is definitely a No Music scenario
- Lighting: There are far too many sections where the lighting is just too bright and actively physically hurts to perceive
While simple and short, it’s surprisingly well crafted and quite enjoyable on the story axis. A definite recommend.
Type Of Review: Blind Run
Total Story Score: +6
Total Gameplay Score: +2
Golden Number: 22.75
Cheats: No
Total Play Time: 2 days / 4.44 Hours
Time Reviewed: 4-29-2023
Story Positives:
- Voice Acting: Henry’s okay but Delilah (and the others) are much better
- Characters: Surprisingly memorable considering
- Banter: Great banter between Delilah and Henry
- Dialogue: Obviously, it carries the game
- Brickwork: Some legitimately brilliant visuals for how low fidelity they are
- Atmosphere: Between the sound design, tone, and vibe, the game has good atmosphere going for it
Story Negatives:
Gameplay Positives:
- Overworld: Flow, logic, and design
- Choices: Flavor, as per usual for this type of thing
- Minigame: Developer commentary is, as usual, a neat bonus feature
Gameplay Negatives:
- Traversal: Movement kinda sucks, and the ‘holding w’ problem
I do not recommend this game.
Type Of Review: Blind Run
Total Story Score: -10
Total Gameplay Score: -64
Golden Number: -41.54
Cheats: YEEEEEEAH
Total Play Time: 2 days / 14.1 Hours
Time Reviewed: 7-1-2023
Story Positives:
- Visual Storytelling: It’s not much, but it is there. Placement of skeletons and enemies and items
- Outro: The visual continuity and visual storytelling of the final descent into the sealed Darkness realm
- Humor: YEEEEEEEAAAAAHHH
Story Negatives:
- Intro: Vague, uninformative, unhelpful…
- Intro: …and badly presented and voice acted
- Brickwork: I’ve seen worse…
- Brickwork: …but not by much
- Plot: Or absence thereof
- Writing: Do you like vague nonsense? Cuz I sure don’t
- Presentation: Good luck actually finding the plot critical info in one random room or two with blurry textures on blurry walls
- Outro: So the bad ending is already vague and disinteresting…
- Outro: …but it’s literally pathetic, just three sentences against a black backdrop, sucks to be you!
- Outro: …earning it three negatives
- Outro: Then there’s the GOOD ending which is better, by far, but still vague and boring as hell
- Doodads: What doodads!?
- Localization: Inconsistent and unhelpful
Gameplay Positives:
- Viscerality: The spells are, honestly, pretty cool looking
- Kit: And for what it’s worth, the spells themselves are pretty legit
Gameplay Negatives:
- Backtracking: Mandatory and pretty bad, so…
- Backtracking: …it earns a second negative on the outset
- Backtracking: But then there’s the problem with how there’s no real indication of when you should and shouldn’t backtrack, making it even worse
- Boss: The fire and earth lords are honestly pretty boring
- Combat: Hitbox issues. Good luck figuring out where you are to avoid stuff
- Combat: Hurtbox issues. Good luck hitting that enemy directly in your face
- Controls: It’s hard to put into words how badly this game controls unless you have it in your hands. You move slow, turn slow, but it’s overly sensitive to attempting to turn, and has a tendency to stutter and stop because there’s certain angles you cannot turn at, and you can’t properly diagonal without already having momentum, and all of this is on top of inconsistent interactions and awkward attacks…
- Controls: …making for…
- Controls: …three negatives, for this issue is a constant nonstop thorn in my side
- Core Combat: So… there’s no nice way to put this, combat is absolutely terrible. Slow swings followed by a waiting period with awful hurtboxes against enemies that hit much harder than you, with no real dodge or avoidance, which means combat isn’t hard… it’s boring. Boring, slow, and just… takes forever…
- Core Combat: …and worse…
- Core Combat: …it never gets better throughout the whole game
- Difficulty: Poison. Just… poison
- Difficulty Curve: Early game hell
- Enemy Design: Or lack thereof
- Gotcha: There’s… honestly a lot of asshole design in chests, traps, pits, et cetera
- Gotcha: …earning two negatives
- Guidance and Flow of Exploration: Or lack thereof. I have never felt so goddamned lost in a game before, but what made it all the worse was even just figuring out where I was to be able to start to backtrack and find where I was going or where I’d been was a colossal pain thanks to the awful repeated textures, bland colors, and general visual style and lack of landmarks. I hate exploring in this game…
- Guidance: …leading to…
- Guidance: …three negatives
- Interface: Good lord is it hard to navigate some of how this game functions. Interacting with stuff, using items, all that fun stuff
- Interface: Inconsistent message distribution
- Interface: Menu visibility and navigation problems
- Interface: Pixel hunting and inconsistent interactables
- Intro: Early Game Hell is really bad in this one
- Intro: So the game has seemingly normal parts of the terrain which kill you instantly, enemies that can three shot you, and gotchas here and there… right
- Itemization: The distribution of gold and the prices on shops is honestly just awful
- Kit: Far too little mana for spells to be worthwhile except as emergencies or as needed for dungeon crawling
- Level: Ancient castle. Dull, boring grey with confusing layout and 3D area? Sounds like a winner to me… honestly it’s the worst damned part of the whole game
- Level: Ancient castle, mark 2
- Level: Ancient castle, mark 3
- Level: Egg field. Imagine going at a snail’s pace across narrow walkways with one save at the very beginning of it (so any screw up is a restart of the whole area), which have gotcha segments and terrible controls…
- Level: …earning Egg Field a second negative
- Level: Initial caves… dull, boring, disinteresting
- Level: The entire forge area is needlessly confusing and made much worse by the initial foray in when it’s completely coated in blinding white light
- Level: The lower levels are better, but they’re still bad
- Level: The Passage of Light. Flashing lights and irritating music combined with dull appearances and flying enemies. Nope
- Level: There’s this entire section where you have to go do a five hour sidequest (with no direction of course) to bypass some flames. Suffice it to say…
- Level: …screw all of that
- Music: Short loops and… honestly, no thank you
- Prime Opt: The side quests to get the best ending are vague and meandering and involve a crap ton of backtracking…
- Prime Opt: …earning them two negatives
- QoL: Friendly fire in spells
- Raspberry Jam: Low health beedleeps
- Save System: Save point distribution is aaawful
- Save System: Earning itself two negatives
- Seconds In Minutes: The entire game is padding central. I’m not sure I’ve ever played a game with this much seconds in minutes. Moving, turning, reloading, saving, fighting, stamina regening, even RUNNING is slow in this game…
- Seconds In Minutes: …earning it…
- Seconds In Minutes: …three negatives
- Sound Design: There really… isn’t any
- Visual Continuity: There just… isn’t any really. Which hurts navigation
- Visual Distinction: Or lack thereof. It’s legitimately hard to see interactables, enemies, and often-times just the terrain…
- Visual Distinction: …honestly this is one of the worst visual distinction games I’ve ever seen…
- Visual Distinction: …earning three negatives
- Walkthroughitis: Good luck! No, seriously, if you think Soulslikes are bad with direction, get a load of this monster…
- Walkthroughitis: …this game honestly has some of the worst walkthroughitis I’ve ever seen
- Outro: Boring song, boring visuals, too many boring enemies, and it’s a dull pseudo maze…
- Outro: …even before we reach the final boss…
- Outro: …this is absolute garbage
- Outro: So how about that last boss… it just… sits there, with no final music, no nothing, while waiting for you to hit him (with melee only!) while infinite arrays of irritating enemies respawn…
- Outro: …oh and hope you like being slowed and surrounded by instant death pits
- Info In Game: As per usual for this type of game, good luck figuring stuff out
- Traversal: It’s slow, boring, dull, and frustrating to go from point A to point B…
- Traversal: …earning it…
- Traversal: …the coveted three negatives
- Tutorialization: Or lack thereof
A bit different than the first game, higher combat focus with faster pace, and a bit more spread out. Still a damned good platformer and still definitely recommended.
Type Of Review: Blind Run
Total Story Score: +10
Total Gameplay Score: +32
Golden Number: 139.36
Cheats: No
Total Play Time: 1 days / 4.64 Hours
Time Reviewed: 7-28-2023
Story Positives:
- Brickwork: Stage 1, Dragon’s Silhouette
- Brickwork: Stage 2
- Brickwork: Stage 3
- Brickwork: Stage 4
- Brickwork: Stage 5
- Brickwork: Stage 6
- Brickwork: Stage 7
- Brickwork: Stage 8
- Brickwork: Stage 9
- Brickwork: Bonus brickwork for general quality throughout
- Banter: The little vignettes in between stages
Story Negatives:
- Outro: I… what??
Gameplay Positives:
- Boss: Beelzebub
- Boss: Gladiator Dozer
- Boss: Gremory
- Boss: Lubius
- Boss: Mephisto
- Boss: Titankhamun
- Boss: Vepar
- Controls: Precise, well utilized, programmable…
- Controls: …for two positives
- Co-Op: Campaign co-op
- Co-Op: Co-Op exists
- Core Mechanic: Health management across party members
- Core Mechanic: Swapping on the fly
- Difficulty Curve: Smooth and upwards
- Difficulty Options: There’s even a ‘hard’ mode now
- Enemy Variety: Decent
- HUD: There actually is one now, including some basic but functional features (like boss health!)
- Intro: Usual excellence, showcasing branching stage design as well as enemy types and platforming, and a decent tutorial boss
- Kit: Dominique
- Kit: Hachi
- Kit: Robert
- Kit: And, yes, everyone else
- Level: Preparing to Launch (so this isn’t quite a level positive, it’s more like the added dynamic of having the slowly increasing party size as you redo the stages)
- Level: Stage 2, Enchanting Deception
- Level: Stage 3, Raging Chariot
- Level: Stage 4, The Queen’s Dirge
- Level: Stage 5, Chains of Fire
- Level: Stage 6, The Titan’s Sarcophagus
- Level: Stage 7, Muted Cries
- Level: Stage 8, The Demon’s Crown
- Minigame: The shoot ‘em up section is exactly as awesome as it needs to be
- QoL: Boss health retaining through attempts
- Outro: Good checkpoint design in a properly challenging dungeon with an interesting last boss
- Replayability: As per standard for the type
- Terrain Design: Same as the first game
Gameplay Negatives:
- Controls: Hachi hover. So, you can only hover on the initial part of a jump (no hovering on the way down), also you can easily accidentally hover simply by holding the initial jump button a few frames too long, and then you can’t ‘tap’ to activate but can tap to cancel… the whole thing is irritating
- Unskippable Cutscenes: Yyyep
- Boss: Lavamandra